LinkMachineGo

[tech] How the Ballpoint Pen Changed Handwriting … An interesting look at the history of the ballpoint pen and it’s role in the decline of cursive handwriting … ‘My fountain pen is a modern one, and probably not a great representation of the typical pens of the 1940s-but it still has some of the troubles that plagued the fountain pens and quills of old. I have to be careful where I rest my hand on the paper, or risk smudging my last still-wet line into an illegible blur. And since the thin ink flows more quickly, I have to refill the pen frequently. The ballpoint solved these problems, giving writers a long-lasting pen and a smudge-free paper for the low cost of some extra hand pressure.’

[politics] Has Jeremy Corbyn’s spin doctor Seumas Milne gone rogue? … an interesing profile (but written by Alex Wickham so YMMV) … ‘A recurring theme is Milne’s disconcertingly endearing comic character. Dressing in a communist-chic black rollneck jumper and white chinos, Milne offers great value as a self-deprecating self-parody. “He’s like Swallows And Amazons meets Spetsnaz,” says one journalist who has worked with him.’ [thanks Phil]

[tv] Findable.TV … useful website to search all popular streaming sites in the US and UK to find the movies and TV you want.

[movies] ‘Superman,’ The Inside Story: Director Richard Donner Remembers Meeting Stallone to Play the Lead, Working With Brando, and a Near-Fatal Knife Attack … Richard Donner describes how Superman: The Movie got made …

I was brought up on Superman as a kid. There was a whole point in my life where I read Superman. So when I was finished with it, I was like, “Man, if they make this movie, they are destroying the legend of Superman.” I wanted to do it just to defend him.
I called [writer] Tom Mankiewicz, who had been a friend for years. He said, “I don’t want to get involved. I don’t want to do a comic book.” I said, “Tom, it’s more than a comic book. Please come over.”
I got a little stoned, smoked some weed, put on the Superman costume. I was in pretty good shape then. It was like elastic. And Tom pulled up, and I ran across the lawn and Tom turned and looked at me and ran back to his car.
Tom says, “You’re crazy. Get the f- away from me!”

[moore] Other Moore’s Laws … What if Alan Moore, Roger Moore and Michael Moore had their own laws?

[politics] Inside the Unorthodox Donald Trump Campaign … ‘A confluence of factors created the conditions for this election and Trump’s surprising success in it: the turbulence of economic change, anxiety about terrorism, the rise of social media, Obama-inspired racism, Hillary-inspired misogyny, resistance to all manner of social change; the list can go on and on. But one factor that’s been particularly crucial to Trump’s rise may be the way that reality television, cable news, and talk radio have shaped the culture’s sense of “reality” – in other words, its relationship to truth. If Ronald Reagan showed us that Hollywood was good training for politics, Trump is proving that the performance skills one learns in the more modern entertainment arenas are even more useful. Talk and reality shows are improvised operations, mastered by larger-than-life personalities expert at distorting and provoking, shifting and commandeering attention.’

[books] In Hindsight, an ‘American Psycho’ Looks a Lot Like Us … one more look back at American Psycho … ‘With time, the book itself has picked up a good deal of grudging respect, too. It’s seen as a transgressive bag of broken glass that can be talked about alongside plasma-soaked trips like Anthony Burgess’s “A Clockwork Orange” (1962) and Cormac McCarthy’s “Blood Meridian” (1985), even if relatively few suggest Mr. Ellis is in those novelists’ league. I read “American Psycho” for the first time recently, and this is certain: This novel was ahead of its time. The culture has shifted to make room for Bateman…’

[comics] Elektra: Assassin’s Political Satire Cuts Deep 30 Years Later … revisiting Miller & Sienkiewicz’s masterpiece … ‘I can’t overstate how much fun Miller and Sienkiewicz are having in this series. They’re two virtuoso talents at the peak of their powers, making satiric hay out of politics, government, the military, gender stereotypes and other comic books, which were (and still generally are) weak sauce compared to this.’

[tv] A Tribute to Mrs Slocombe’s Pussy …

[work] HR Sends Out Reminder Email About Not Scrawling ‘Revenge’ In Blood In Conference Room … ‘“Most of you are already familiar with this rule, but just as a refresher, it’s directly against company policy for an employee to use blood to write ‘revenge’ on the conference room walls, door, or table,” wrote Shumaker, emphasizing that it did not matter if the word was rendered in human or animal blood.’

[comics] Howard Chaykin Speaks … Chaykin, like Alan Moore, is unable to give a bad interview … ‘I’m on record everywhere regarding this – I’d like to think that had I known it was going to be that big a deal, I would have done a better job. That work will haunt me to my grave, diminishing the value of the actually good and true work I’ve produced in the past forty odd years. I figure my NYT obit will read HOWARD CHAYKIN DIES; FUCKED UP STAR WARS COMICS – AND REALLY NOW, WHO GIVES A SHIT ABOUT EVERYTHING ELSE HE DID, RIGHT?’

[books] Swansea Oxfam charity shop asks women not to return used Fifty Shades of Grey … ‘An Oxfam bookshop in Swansea is inundated with so many copies of the erotic novel – ‘literally hundreds’ – that they’ve started begging women to stop bringing them in. The shop now has so many copies of the book, they’ve built a fort out of them.’

[comics] A Gallery with some of Howard Chaykin’s black and white art …

[moore] What Next For Providence? … Where is Alan Moore heading with Providence? … ‘Issues #5 and #6 are almost a two part story, where Black visits a city which is a major nexus of Lovecraft’s work, and intersects with several different stories, and many characters who act towards Black in an openly malevolent manner. I predict that #11 and #12 will be set in Providence, RI, and will feature Black’s inevitable doom after similarly intersecting with multiple stories and characters. “The Haunter of the Dark” has to appear. The Case of Charles Dexter Ward seems extremely likely’

[books] Some Kind Of Abstraction: Bret Easton Ellis’ American Psycho 25 Years On … Another look at American Psycho … ‘We’re a world away from the wry, toothless, plot-driven 80s satires of Tom Wolfe or Martin Amis here. In American Psycho we’re shown a tiny social circle in its antiseptic habitat. Not much of note happens outside of Bateman’s uncorroborated excesses. But refracted through his inner world, and thanks to Ellis’ gift for, well, writing, the tour we take is tense, energetic and – surprisingly, given what we’re shown – emotionally resonant.’

[kubrick] There’s Something About Stanley: Kubrick’s Strange Science Of Obsession … the search for meaning in Stanley Kubrick’s films… ‘What if the most meaningful clue is not in anything that the Kubraphiles are proposing, but in the fact that they are looking, and what if Kubrick intended this to happen? Allowing that it was more than just the deluded bid for immortality of a cosmically inflated ego, what might the end game be here? As I suspect every good Zen master will tell you, the nature of such a many-layered puzzle is that it’s not the answer but the experience of finding it that leads to understanding.’

[people] When Benny Hill met Anthony Burgess… Craig Brown remembers the odd meeting between the writer and comedian … ‘The two men met for the first time shortly after the review appeared. I was lucky enough to be present at this bizarre meeting. Both of them were remarkably like they were on television. Hill arrived first, as perky as can be, apparently over the moon at having been driven by a female taxi driver (“Oooh, I said, you can take me anywhere, my love!”). Burgess – histrionic, loquacious, with deep voice and furrowed brow, putting the emphasis on unexpected words – behaved just like a slightly hammy actor playing the part of Anthony Burgess. The two of them were full of mutual admiration, but never quite found common ground. All in all, it followed a similar pattern to T S Eliot’s meeting with Groucho Marx: the author wanted to show off his knowledge of comedians, while the comedian wanted to show off his knowledge of authors. By the end of the dinner it seemed to me unlikely they would ever meet again, and, as far as I know, they did not.’ [thanks Phil]

[billboards] Evening Standard Billboard Flashback: March 2006 … Sex, death, terror, leopards and free goody bags – another average month in London…

Evening Standard Billboards: March 2006

[crime] Why did two parents murder their adopted child? … a long, disturbing true-crime story from Spain … ‘Immediately after his arrest, Basterra was put in a police cell next to his wife, separated by a flimsy partition through which they could speak – and be secretly recorded on video. The police amassed hours of tape but at no point in the recorded conversations was there any admission of guilt or any other evidence to use against Basterra and Porto (a court would also later declare the recordings inadmissible). “Look what trouble your overheated imagination has got us into,” was one of several enigmatic phrases used by Porto.’

[books] American Psycho Author Bret Easton Ellis Tells Us Where Patrick Bateman Would Be Today … ‘There was the possibility to hide during Patrick’s ’80s reign that there simply isn’t now; we live in a fully exhibitionistic culture. Because he wasn’t a character to me as much as an emblem, an idea, I would probably approach him the same way now and address his greatest fear: Would anyone be paying any attention to him? One of the things that upsets Patrick is that, because of a kind of corporate lifestyle conformity, no one can really tell the other people apart (and what difference does it make, the novel asks). People are so lost in their narcissism that they are unable to distinguish one individual from another (this is why Patrick gets away with his crimes), which ties into how few things have really changed in American life since the late ’80s; they’ve just become more exaggerated and accepted. The idea of Patrick’s obsession with himself, with his likes and dislikes and his detailing-curating-everything he owns, wears, eats, and watches, has certainly reached a new apotheosis.’

[tv] Columblr … tumblr for The Just One More Thing podcast about Columbo. ‘In “An Exercise in Fatality,” gymnasium chain magnate Milo Janus’ (Robert Conrad) business double-dealings are about to be exposed by a disgruntled franchisee! What’s his wisest course of action? Why, cancel the fellow’s contract with a metal pipe to the throat and make it look like a tragic gym accident! As Columbo tries to put it all together, you’ll be plunged into a world of vitamins, sweaty dudes, X-rated Italian horror films, soulless bureaucracy, and Jim Rockford’s ladyfriend in a bikini…’

[comics] Cliff Chiang’s Mashups of 80’s Comics and Album Covers …

[comics] From the Bayou to London: A Conversation with Artist John Totleben … interview with the legendary comic artist … ‘I think younger readers probably have already been exposed to those influences in other comics, so when they look at Miracleman it probably doesn’t seem like a bigger deal back in 1988 or whatever. They don’t get the full effect of that. It’s kind of similar to rock music where someone listens to Jimi Hendrix nowadays; they may not get the full effect of the intensity he really got across back then because all those influences have been absorbed into the culture of rock guitar techniques and so on. The full effect just can’t be felt. That’s what’s it’s like with Miracleman. You had to have been there.’

[movies] The Mystery of the Maltese Falcon, One of the Most Valuable Movie Prop … What happened to the statuettes used in The Maltese Falcon movie? …

Suddenly here it is, plopped down in the middle of an antique chessboard like a massive rook, a foot-high black statuette of a falcon. The hunched, brooding shoulders are instantly recognizable.

There is a long moment of silence.

“This is the thing dreams are made of,” Risan announces.

I’m not sure what to say. He has told me he actually owns two Falcons. I ask where the other one is. “I leave it downstairs,” Risan replies. “It’s too fucking evil. It has the presence of surrealism. American surrealism. The evocation of evil that it manifests is not normally the kind of thing I like to collect. I like the Warhols, the chessboards. So I leave it in the basement.”

This is a lot to digest. Risan senses my skepticism.

“I know, right?” he says with a smile. “Weird. Weird guy with a lot of art.”

[lovecraft] Lovecraftian Oral: Dead Squid Can Have Sex With Your Mouth … LOVECRAFT WAS RIGHT! Iä! Iä! Cthulhu fhtagn! … ‘Squid corpses, even when cooked, retain their sexual reflexes and have been known to inseminate our mouths. After eating calamari…a South Korean woman reported experiencing “severe pain” and a “pricking foreign-body sensation” in her mouth. From her tongue, inner cheeks, gums, throat, her doctor escised “twelve small, white, spindle-shaped, bug-like organisms.” These were spermatophores, whicih possess seriously tenacious ejaculatory apparati, and a cementlike body, which allows for their attachment to materials like the tongue, inner cheeks, gums…’

[hertzog] Werner Hertzog on Ewoks … ‘And what haunts me, is that in all the faces of all the Ewoks, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the Ewoks. And this blank stare speaks only of a half-bored interest in food.’

[movies] Ghost in the Shell, over two decades old, remains our most challenging film about technology … a look back at the anime/manga Ghost in the Shell … ‘Kusanagi also questions what her existence means or even is, and whether she is just a synthetic being created by scientists, with neurological implants aimed at making her more productive. She asks her colleague Batou, “I mean who knows what’s inside our heads. Have you ever seen your own brain?” and examines whether a hyper-connected cyborg could create its own soul all by itself? This scene ultimately poses the final scary question: what is the purpose of being human?’

[food] More Realistic Meat Substitute Made From Soy Raised In Brutally Cruel Conditions … ‘“Our vegetarian entrées and meal starters are the most authentically meat-like available on the market, because we make sure our soybeans are raised in filth-caked, overcrowded growing troughs in a windowless facility where daytime temperatures regularly exceed 120 degrees,” said Greenwood Farms marketing director Michael Latimer, adding that the beans’ rich, savory flavor is enhanced by the unsanitary conditions and the regular spread of disease and infection through the crop. “We also make sure our soybeans are pumped so full of a variety of powerful hormones and antibiotics that their growth is boosted far beyond what the plants are capable of naturally, giving our product the same delectable consistency as meat you find at your local grocery store.” “When you sink your teeth into one of our veggie burgers, you’ll know this is the kind of flavor you can only get from soybeans that have never seen actual sunlight,” he added.’

[gaming] The man who made ‘the worst video game in history’ … How Atari’s E.T. the Extra-Terrestrial was made… ‘Warshaw’s stock was high at Atari. The 24-year-old had just finished the video game of Spielberg’s Raiders of the Lost Ark. Spielberg considered Warshaw a “certifiable genius” and 36 hours earlier Warshaw had been hand-picked for their next collaboration. “It was a day that will live in infamy in my life forever,” says Warshaw. “I was sitting in my office and I get a call from the Atari CEO. He said, ‘Howard, we need the ET video game done. Can you do it?’ “And I said, ‘Absolutely, yes I can!'” Games for the Atari 2600 were distributed on cartridges that took weeks to manufacture. If ET was to be in the shops for Christmas, Warshaw had a tight deadline…’

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