8 August 2001
[comics] Roger Ebert on Ghost World … ‘Seymour and Enid are too similar to fall in love; they both specialize in complex personal lifestyles that send messages no one is receiving. Enid even offers to try to fix up Seymour, but he sees himself as a bad candidate for a woman: “I don’t want to meet someone who shares my interests. I hate my interests.”‘ [via Link Worthy]
[70’s pulp fiction] Sextacular! — the Guardian profiles the life and books of Jacqueline Susann. ‘…The result was Valley of the Dolls, “the sensational truth about the glamour set on a pill kick”, a careening, gossipy, salacious ride of a read about three women trying to make it, hampered by cads and drugs. She satirised [Ethel] Merman as a blowsy has-been, and based an actress-singer battling with weight and drugs on Judy Garland. Thanks to years of listening at dressing-room doors, her dialogue was irresistible. Caked in kohl, tripping on hairspray (as well as sleeping pills, diet pills and amphetamines), in her Pucci print frocks and lacquered wigs, she rose at dawn to serve truck drivers breakfast – to make sure they’d get her books out in time – then schmoozed booksellers all day, and stayed up late partying with the glitterati.’
7 August 2001
[weblog] Pop Quiz, Hot Shot — Marcia wants to know about blogging styles … LMG is unashamedly: ‘hunt around other weblogs for a few interesting links so you at least have something to post?’.
[quote] ‘You’ve become a significant threat to the national security structure. They would have killed you already but you got a lot of light on you. Instead they’re trying to destroy your credibility. They already have in many circles in this town. Be honest, your only chance is to come up with a case. Something, anything. Make arrests, stir the shit storm, hope to reach a point of critical mass that’ll start a chain reaction of people coming forward, then the government will crack. Remember, fundamentally people are suckers for the truth — and the truth is on your side, Bubba.’
[stuff] Metafilter is on holiday so I’ve decided to mine the archives …
6 August 2001
[profile] Johnny Vegas Laid Bare — another profile from the Independent … ‘Johnny isn’t Michael’s invention in the way that, say, Alan Partridge is Steve Coogan’s invention. Johnny is Michael, magnified. Or Johnny is comprised of the bits of Michael — the pain, the rejections — that Michael has hived off, to save himself from the Priory and, possibly, out-and-out alcoholism. Johnny, the stand-up, is Michael at his most brilliantly hurt and resentful.’ [Related: Johnny Vegas Website, link via I Love Everything]
[comics] Anticipating a ‘Ghost World’ — Time on Clowes and Zwigoff’s Ghost World … ‘…most importantly the Clowes sensibility has successfully made it into movie theaters. It’s too bad that it takes a movie to expose vast numbers of people to Clowes’ pessimistic universe of the lummoxes, schlubs, and dorks who made the Wendy’s foodchain possible and who write “comix” review columns on “the web.”‘ [via Comic Geek]
[movies] retroCRUSH Christopher Walken Audio Library … ‘The way your dad looked at it, this watch was your birthright. He’d be damned if any of the slopes were gonna get their greasy yellow hands on his boy’s birthright. So he hid it in the one place he knew he could hide something: his ass. Five long years, he wore this watch up his ass. Then when he died of dysentery, he gave me the watch. I hid this uncomfortable piece of metal up my ass for two years. Then, after seven years, I was sent home to my family. And now, little man, I give the watch to you.’ [via Metafilter]
5 August 2001
[movies] The Walken Shtick, Creepy . . . and Cool … great interview / profile of Christopher Walken. ‘Walken looks like if he sat next to you on the subway, you’d probably move to another seat. His longish brown hair is slicked back, and he wears a scraggly beard. His pale blue irises have an eerie intensity, and he seems to have trouble maintaining eye contact. There’s a halting rhythm to his speech that has inspired countless impersonators, including, famously, Kevin Spacey and comedian Jay Mohr. Walken paces his words like this: It’s as, if, he’s . . . following. The punctuation rules, of another . . . galaxy.’ [via Fark]
[lists] Five awful films I’m embarrassed to say I’ve watched:
4 August 2001
[movies] The From Hell Movie Trailer is available at Apple’s Trailer Site. ‘I made it all up, and it all came true anyway. That’s the funny part.’ [requires Quicktime 5, link via WEF]
[lists] Five good films I’m embarrassed to say I’ve never watched:
[intersection] Adrian Mole and Big Brother 2 … ‘I lay awake pondering yet again on the true nature of my sexuality. Did I vote for Brian out of gay solidarity or because he is a semi-erudite Irish eccentric? I garnered the evidence: a) I like Kylie Minogue; b) I sleep with a lavender pillow; c) I am no good at sex with women; d) I am very fussy about my sheets, pillowcases and towels.’
3 August 2001
[comics] Scott Shaw’s Oddball Comics … A collection of pointers to world’s weirdest comics. Some classic comics including Jack Kirby at his nuttiest… 2001: A Space Odyssey ‘”White Zero” is the fictional identity given to mild Harvey Norton in simulated superhero “sequences” artificially created in the high-tech chambers of “Comicsville, Inc.” But during one of his synthetic “adventures”, Norton unexpectedly encounters a floating monolith similar to “the one they found on the MOON in 2001 A,D.” When his manufactured exploit goes awry, Norton’s enthusiasm for superheroics dwindles: Another Comicsville Inc. patron observes: “Man, if you can’t make it in COMICSVILLE, you may as well try KNITTING sweaters!”‘ [Related: Oddball Comics Archive, Gone and Forgotten]
[mp3] Top 10 Bootleg Napster MP3’s. Eminenya is well worth downloading … ‘The lush celtic strings of Sail Away clash with the vocal from the Real Slim Shady, speeded up by a factor of about three. A nightmare within a dream.’ [via Popbitch]
[tv] The inside story on Elizabeth from Big Brother … ‘On Friday morning, after Elizabeth’s eviction , Druitt’s mobile phone is almost constantly engaged. The horror on her face at her exit interview, when nude pictures from the Star flashed on the screen, was, says Druitt, a big sham. “She loved those pictures.”‘ [via Popbitch]
2 August 2001
[comics] Long, fascinating interview with Grant Morrison over at Disinformation … ‘What I want to see is people doing their own experience and their own life without trying to be clever or trying to be hip or fashionable. If you do what’s in your own head it’ll always be cool because no one else will have thought of it.’ [via Plasticbag]
![]() 1 August 2001
[medicine] ickle tackles painkillers … and allows me to dispose of this link I’ve had sitting in my “Must Blog” Folder for ages… the history of aspirin — Rise of the 1p wonder. ‘The trouble for the drug firms is that so many of them make aspirin, and it is so cheap to produce, they make no profit from it. Instead, they are intensively trying to develop so-called ‘super-aspirins’ which are more powerful and can be patented to ensure that they make money. ‘If something is found as a successor to aspirin, it is likely to be expensive. The market is huge – a goldmine,’ said Elwood. But the reason the drug companies don’t like the common aspirin is why patients and doctors do. It’s almost as cheap as chalk – about 1p a pill – and tackles all the big killers: heart disease, stroke and cancer.’
[pop] Make your mind up, M’lud — Amusing article about the the court battle between Bobby G from Bucks Fizz and David Van Day from Dollar over who has rights to the name Bucks Fizz. ‘If all this sounds like a particularly bitter lover’s tiff, it is because the two men are former friends and colleagues. Van Day was one of the best-known bubblegum pop stars of the early 80s in his own right as one half of Dollar, an equally peroxide-heavy act which had 14 hits including Oh L’Amour and Mirror Mirror between 1978 and 1983. “We were fifth in a recent TV programme on the world’s top 10 duos,” he says. “Underneath us were people like Ike and Tina Turner.” ‘
[comics] Borderline the new PDF format magazine about comics launches… Two versions are available: High Resolution / Low Resolution … It contains news, reviews, articles and an interview with Bryan Talbot… ‘Borderline is the result of a renaissance in British fan circles during the last two years but with the use of the internet for delivery we hope to offer something with points of interest to readers of comics anywhere in the world.’
31 July 2001
[distractions] Feed The Tango Inside … ‘Oh no! You’re not still seeing her, are you? You’ve been wanting to get out of this relationship for years, and now the mother speaks of marriage? You must do something drastic my friend. Make a pass at her father! Go on… just give his knee a little squeeze…’
[comics] A couple of articles about Neil Gaiman …. From the Telegraph — Bitten By The Fantasy Bug and from CNN — Gaiman: ‘I enjoy not being famous’ … ‘The Sandman stands as a key text of the Nineties. In it, Gaiman drew together many of the currents that bubbled below the surface of the times: a millennial preoccupation with alternative spiritualities, a New Age interest in dreams and archetypes, a postmodern fascination with mythologies and storytelling. A decade later, these currents are no longer below the surface. Indeed, it looks very much as though The Sandman presaged our present pop cultural landscape, for today’s biggest stories – from Harry Potter to Buffy the Vampire Slayer – exist in spaces it charted first.’ [Related: Gaiman’s Web Journal]
[politics] Extreme? I’ll tell you what’s extreme… — Profile of Iain Duncan Smith in the Independent … ‘The latest polls reflect Mr Duncan Smith’s strong appeal to the Tory core. But Mr Clarke is still more highly rated by non-activist Tories, and still more so by the electorate at large. Taunted as “William Hague’s dad”, Iain Duncan Smith comes across as a tribute to the ordered, proscriptive world of 1950s Britain.’
[comics] Pulp fiction — Guardian review of Comic Book Nation … ‘According to the New York Times , one in four magazines shipped to US troops during the second world war was a comic book. The superheroes fought the war, too, but they had to find excuses for not winning it immediately. Fortunately Clark Kent failed his eye test, so Superman could credibly remain on the home front.’ [thanks to John at LinkWorthy]
30 July 2001
[must read] Salon reviews James Ellroy’s The Cold Six Thousand … ‘Ellroy once called himself “the greatest crime novelist who ever lived,” and then wrote books like “The Black Dahlia,” “The Big Nowhere” and “L.A. Confidential” to prove it. Now he wants to sit with the grown-ups, and if they don’t make room at the table he’s going to tip it over. One way or another, he means to make it, and on his own terms. “Fuck being a crime novelist when you can be a flat-out great novelist,” he once told me — there never being a doubt in his mind that being either one was merely a matter of choice, of will. Ellroy took risks.’ [Related: Cold Six Thousand at Amazon]
[profile] Mum, this is my porn empire… The Independent profiles Benjamin Cohen — a young “dot.com whizz”. ‘He shows me his bedroom, where it all began. It is lime and turquoise, with a sweet little single bed and, still, Winnie the Pooh books in the bookcase. Have you had sex, Benjamin? “I’m not telling you that.” “Why not?” “Because I’m just not.” Benjamin, by the way, is a Tory, an admirer of William Hague who, yes, would one day like to get into politics himself. “Do you think the porn thing will be a hurdle?” he asks.’
29 July 2001
[profile] Prophet of the new child order — Sunday Times profile of Michael Lewis… ‘It seems a curious moment to introduce his theory that technological advance is rocketing ahead too fast for most of us. Virtual reality is mostly stuck in amusement arcades, e-mail use is declining, dotcom companies are still on the ropes and silicon chips report falling profits. All this is irrelevant to the changes that are taking place under our noses, he claims. “The profit-making potential of the internet has been overrated and the social effects of the internet were presumed to be overrated. But they weren’t.”‘
Thank God for the Internet — Another article on Lewis at Salon. On Bill Joy’s view of technological change: ‘…what bothered me was that he had a political interest in reining in this process. Stopping it. Stopping change. This just seemed the height of hypocrisy to me. This is a man whose status in the society derives entirely from the society’s willingness to be very liberal in its attitudes toward technology and change and development and now that he’s on top he wants to control it. It just reeked to me of status anxiety.’
[internet] Taming the Wild, Wild Web — interesting article on Big Corporations growing discontent with the “unreliable, uncontrollable, unruly” Internet… ‘The business world’s discontent has increased as the Internet economy has unraveled over the last year. That’s not surprising, given that the network was first mapped out more than 30 years ago, when it was devised as a coast-to-coast system connecting universities working on projects financed by government grants. “The Internet is an important cultural phenomenon, but that doesn’t excuse its failure to comply with basic economic laws,” said Thomas Nolle, a New Jersey telecommunications consultant. “The problem is that it was devised by a bunch of hippie anarchists who didn’t have a strong profit motive. But this is a business, not a government-sponsored network.”‘ [via Digital Trickery]
28 July 2001
[profile] The Independent profiles Heather Mills and wonders what exactly is it about her that people find unsettling? ‘What is it then, that causes us to hang back, to pause a little? The answer is Mills herself. There is something about her that is almost frightening. She seems too perfect, her story too colourful, too dramatic. Few people, say her critics, are as driven, as single-minded, as strong-willed as she. And we find that unsettling, hard to cope with. When her father comes out to say his daughter is not a gold-digger who hunts down rich men, there are some who wonder if he protests too much.’
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