LinkMachineGo

[war] Things that jumped out at me while reading the Observer today …

Two months on, the new battles at Ground Zero — ‘…Ground Zero is all crooked, cruel ruins bayoneted on to steel mesh. Under the harsh glare of floodlights, the arm of a heavy crane lifts another limb of incinerated steel from the dunes of rubble. There is a flare, a burst of flame – for the buried fire still burns white-hot – and a pall of ghastly black smoke rises into the night, blocking the view of the illuminated Empire State Building. The stench of the plume is sickly-sweet; everyone knows what it is but no one says so. Only: “this is how Auschwitz must have stunk only diluted,” as one police forensic scientist remarked. “Fifteen hundred degrees down there,” says a fireman, “and still burning”.’

Bin Laden taunts the West: ‘I’m ready to die’ — ‘The full transcript of their discussions has yet to be released but it is clear they were wide-ranging. Bin Laden was, according to Mir yesterday, in “high spirits”. “He’s very healthy and he laughs a lot. Previously he was very softly spoken. Now he speaks like an experienced orator, he is very hard-hitting… There’s a big change in that man.”‘

Britain placed under state of emergency — ‘…will pave the way for indefinite imprisonment of foreign nationals who the Government suspects are terrorists, and comes less than 24 hours after warnings from America that Britain is a top target for Osama bin Laden’s al-Qaeda terrorist network. The move reveals the seriousness the Government places on the threat to Britain. Such orders can be used only in times of war or when there has been an event that puts the security of the nation at risk. Whitehall sources said the order would not be reviewed ‘for at least a year’.’

[furthur] “We are all doomed to spend our lives watching a movie of our lives – we are always acting on what has just finished. It happened at least 1/30th of a second ago. We think we’re in the present, but we aren’t. The present we know is only a movie of the past, and we will really never be able to control the present through ordinary means.” — Tom Wolfe quoting Ken Kesey’s philosophy in The Electric Kool-Aid Acid Test. [Related: Author and hippie icon Kesey dies]

[comics] Jack The Ripper: From Hell … a Master Mason comments on From Hell — the film and comic. ‘As unlikely as it may seem, From Hell is not simply a product of Hollywood greed or opportunism. It is based on a remarkable “graphic novel,” of the same name, by writer Alan Moore and artist Eddie Campbell. Graphic novels, a fairly new phenomenon, are pricey novel-length comics, most often published in quality paperback format and usually aimed at a teen or adult audience. From Hell, an engrossing retelling of the Jack the Ripper chronology, is possibly the most prominent graphic novel yet published. It weighs in at over 500 pages of a detailed story, with an additional 42 pages of notes and annotations, where Moore explains some of the more obscure details of Ripper history and gives reasons for choosing among the dozens of competing theories of who did what when. This is important to note because, despite the reputation of comic books for shallow plots and characters, From Hell, the graphic novel, is a multi-layered story that is more akin to the complex novels of Thomas Pynchon than to the simple comics of Walt Disney.’ [via I Love Everything]

[books] Driven by daemons — excellent profile and interview of Philip Pullman …‘He is emotionally involved. He sits in the shed and makes it up and he weeps, yes, weeps copiously at the tragedies that unfold. He frightens himself and upsets himself and makes himself laugh. If the story evangelises, it isn’t him that’s doing it. It is merely his nature to admire qualities such as courage, kindness, intellectual curiosity, inclusiveness and open-mindedness, and to deplore cruelty, intolerance and fanatical zealotry, but he wouldn’t dream of writing stories to promote that world-view. If stories teach, that is not his conscious intention. “It’s craftsmanship. Your aim must be to tell a story as well as you can, shaping it and bringing the emotional currents to their… peak of emotional swishing about. You turn the raw materials, and all those loose bits of imagination and experience and memory, into something that stands up like a table with four legs and that doesn’t fall over when you put your elbows on it.”‘

[school] Bullies Reunited …‘Bullies Reunited is a site for those of us who spent our schooldays tormenting, ridiculing and psychologically disturbing other children who were smaller, weirder, younger, poorer – or, indeed, richer than ourselves. Kids who wore glasses. Kids who walked a bit funny. Kids who needed go to the toilet too often.’ [via I Love Everything]

[tv] Turner’s Lost Love, CNN, Has A Doomsday Plan in the Can — great story on Ted Turner and CNN’s “end-of-the-world video”… ‘Turner, it seems, has been a doom-and-gloom kind of guy from the very day in June 1980 when he launched the cable network. He said then, as only he could, “We gonna go on air June 1, and we gonna stay on until the end of the world. When that time comes, we’ll cover it, play ‘Nearer, My God, to Thee,’ and sign off.” Ten years later, I’m told, Turner used CNN production facilities to create what he called his “end-of-the-world” video. Sources tell me it consists of a recording of “Nearer, My God,” over footage of a waving American flag. Turner is said to have ordered the tape locked away until it was determined that the world was about to end. “It was like a sign-off tape that you often see in the middle of the night,” says one source. “But to Ted, it was a sign-off forever.”‘ [via Follow Me Here]

[film] Go Ahead, Pinko Liberals, Make My Day … Guardian interview with John Milius. ‘The second world war has replaced the western as a morality play, as a venue where these things exist. The western is no longer the western; we’ve changed our attitude towards the Indians, the frontier, the open spaces. So the second world war is a much better place to say, “Here’s what you should measure up to be.” It’s no longer Shane. It’s Sergeant Rock.’

[tv] A Taxi Ride to Success — interview with Rob Brydon from Marion and Geoff … ‘Marion and Geoff was a series of exquisite ten-minute monologues delivered by Brydon in the character of Keith Barrat, a Welsh minicab driver. Keith spoke to us via a video camera mounted on the passenger side of his dashboard – mostly about his wife, Marion, his two children, Alun and Rhys (‘little smashers’), and his wife’s new partner, Geoff, the pharmaceutical salesman of the year. In the face of dreadful domestic and professional disappointment, Keith was endlessly optimistic – which only seemed to confirm the depths of his despair. “Beautiful day,” he would announce brightly, before looking up through the windscreen at the sky and adding, “Bit overcast. But Mr Bluebird’s on my shoulder.”‘

[tea] Stupid Christmas Gift Ideas from LinkMachineGo… for the tea drinker in your family. ‘Your favorite sipping spot isn’t always equipped with a place to park your soggy tea bags. This 12 oz. ceramic mug has a built-in bag holder. use it to carry your fresh tea bag to a favorite spot, brew your tea, then tuck used bag into pocket and sip your tea while its hot.’ [via The Daily Chump]

[comics] The Best of the Marvel and DC Comp Boxes — Mark Millar does brief reviews of last months comics… Millar on Marvel’s Alias: ‘Ah, Bendis. I love you. Who else would have Luke Cage shagging the title character up the arse in the opening issue of a new Marvel comic? I haven’t read issue two yet, but the buzz seems to be really building on this so I’m looking forward to it.’ [Kinda Related: JinxWorld]

[tv] You ask the questions: Louis Theroux … ‘[Q] Who was more scary to interview, Eugene Terreblanche (of the Afrikaner Resistance Movement) or Paul Daniels? [A] The company of Terreblanche is the scariest. He smelt of booze and he did seem a bit volatile, switching between being overly friendly to angry and crazed from moment to moment. With Paul the terror is that he’s going to tell you another endless Frank Sinatra anecdote.’

[tv] Other Listings Magazine — more DIY TV Go Home … ‘18.30 Good Old Dad. First of a new six part series in which Richard Briers meets children he illegitimately fathered as a result of a series of sordid sex sessions during filming of the first series of “The Good Life”‘

[postmortem] Hijackers’ Meticulous Strategy of Brains, Muscle and Practice — good overview of the planning behind 9-11… ‘With all the suspects dead and no conclusive evidence, as yet, of any accomplices, investigators have been left to recreate the architecture and orchestration of the plot largely from the recorded minutiae of the hijackers’ brief American lives: their cellphone calls, credit card charges, Internet communications and automated teller machine withdrawals. What has emerged, nearly two months into the investigation, is a picture in which the roles of the 19 hijackers are so well defined as to be almost corporate in their organization and coordination.’ [via Robot Wisdom]

[comics] Girls’ World — excellent interview with Dan Clowes about Ghost World … ‘”I once had this idea to do a comic where a mother tattoos a message on her baby’s head so that years later, when he’s losing his hair, he finally sees it. It would say something like, ‘I never loved you’.” Clowes lets out a bright, engaging laugh, so contagious it’s hard not to laugh along with him, until you realise exactly what it is he’s just said.’ [via Kooky Mojo]

[tv] Don’t stop me now — an interview with Jonathan Ross … ‘Ross owes his success to his unembarrassability. Much of his humour is at his own expense. Hence the interminable bad-taste jokes, and the celebrated occasion on which he exposed himself on They Think It’s All Over last year. (He protests: “The BBC loved it! They thumbed it with something like “Wossie whips it out”. They used my cock as a selling point. Well, I didn’t show my cock anyway, not to the audience or to the cameras. I showed it to Nick [Hancock], and I showed it to Ian Wright, who looked suitably horrified. There was a great photograph of him recoiling in absolute disgust that I was thinking of having it made into a T-shirt.”‘

[war] The Sims Take on Al Qaeda — a look at computer simulations of war and terrorism …

‘He is looking for ways that seemingly small actions have big consequences. “I think about terrorism in terms of popcorn,” he said. “You assume you’ll always have some kernels that are going to pop. How much lower does the temperature have to get before you have a dramatic decrease in the ability of terrorists to operate?” His research has found that when the underlying relationships between color blocks are constantly shifting, the blocks look to the government as an anchor and their colors mesh into a pattern of support. But if the blocks share a common concern about risks from the outside world, they are more likely to become disaffected and blend with dissident groups. Lustick’s flashing grid is conflict in its most abstract form. That turns out to be its greatest strength–as well as its most glaring weakness. Researchers are painfully aware that their models omit the messy edges of real life, and some of them might turn out to be critical.’

[cheggers] The show must go on [Part 1 | Part 2] … Louis Theroux meets Keith Chegwin. ‘I look up and there’s a man standing there, with short legs and receding grey hair, he looks like Keith Allen, the actor. Then I realise it’s Keith Chegwin. I must be tired. He changes into his stage gear: blue shorts and an orange Hawaiian shirt. We head for the stage. As we’re puffing up the stairs, past the pipes with bubbles in them, Keith says: “Do you do gigs? You should!… Coronary classic, these stairs! I want somebody from St John’s, now!” I part ways with Keith as we approach the main dance floor, where Keith will be performing. The club is loud and packed with drunk students. The energy is great – despite being tired, I’m caught up in the swell of excitement. Keith hits the stage, and screams through his microphone, so loud the sound is distorted and barely comprehensible. “Have we got anyone here who can’t stand the effing sight of me?” There’s a huge roar.’

[reading] Snakes and Ladders by Alan Moore and Eddie Campbell … ‘Sat in a sandwich bar in Westminster I meet the sharp south-London wideboy occultist that I’d created some years previously for a U.S. comic book. He looks at me. He nods, and smiles, and walks away. Years later, in another place, he steps out from the dark and speaks to me. He whispers: I’ll tell you the ultimate secret of Magic. Any cunt can do it.’

[quotables] Dwight D. Eisenhower: ‘Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children… This is not a way of life at all, in any true sense. Under the cloud of threatening war, it is humanity hanging from a cross of iron.’ [via Wood s Lot]

[war] Victory for the doom-mongers in a passionate war of words — Simon Hoggart on Labour MP’s and Afghanistan. On a speech by George Galloway: ‘…he had never thought he would see the day when Labour – Labour! – MPs supported the use of cluster bombs. “Is this war so finely poised that we need the use of cluster bombs?” He recalled Clare Short crying on Brighton beach at the very thought of land mines. “But cluster bombs are much worse than land mines.” Ms Short sat squat, alone and disgruntled on the front bench as Mr Galloway reached his peroration. It was the Northern Alliance who had destroyed and beggared Afghanistan with its mediaeval obscurantism. It was the Northern Alliance who hanged the former president and stuffed his penis into his mouth – “those are your new best friends!” he raged.’ [Related: Hoggart Archive]

[comics] Wanted: superhero — interesting analysis of Marvel’s business problems … ‘Comic-book publishing remains nicely profitable, with a 27% operating margin, but it contributes only 20% of Marvel’s revenue. Licensing has next to no costs but is stuck at 8% of sales–just where it was in 1992. The drag on the company is the Toy Biz division. It develops Marvel characters and Pokémon and World Championship Wrestling figures. The unit had an operating loss of $45 million on revenues of $167 million (72% of the total) in 2000. A plunge in toy sales this year has depressed results further.’ [via Neil Alien]

[paul is dead] The Fool on the Hill … Did Paul McCartney expose himself on the Magical Mystery Tour film? ‘The zoom view clearly shows the left coat tail billowing up. There does seem to be a fairly clear image of his penis extending out from under it and pointing to his right at a slightly upward angle. The coloring really adds to the impression: the shaft is darker toned than the head which would be consistent with the coloring of the shaft and head (glans) of a penis. (Yes, unlike most British men, Paul is circumsized.)’ [Related: Paul is Dead, link via Robot Wisdom]

[film] Typhoons, binges… then a heart attack — interview with Martin Sheen about Apocalypse Now … ‘The shoot is, of course, a cinematic legend. It was regarded as such a year before the movie was even released. Typhoons destroyed several huge sets. Sheen had a heart attack, aged only 36. Brando – obese, overpaid – was rumoured in the press to have been difficult and self- indulgent, though no one on set thought so.”Marlon wasn’t difficult at all,” Sheen says. “Never. The only problem we had was the image, his presence, but he’d just dismiss it. He treated everyone the same – Francis, me, the guys on the crew. Also, out of all of us, I think he’d spent the most time in the third world. So he was more aware of the fact that the world’s not made up of first-class service and over-privileged people. I was in awe, because for my generation of actors there were only two guys, Marlon and [James] Dean. And for Dean there was only one – Marlon.”‘

[profile] The prime of Ms Julie Burchill — quite an intriguing interview … ‘From reading her columns, it is hard to gauge what her values are, if indeed she has any. “Well, I wouldn’t take money from a poor box and I always give to beggars. Can’t go out in Brighton without giving away at least 50 quid. When you look into their eyes, it’s like looking in to the eyes of Jesus. That sounds corny, but I just love that moment of connection.”‘

[comics] Pieces of War — interview with Joe Sacco from Sequential Tart … ‘I do comics because I’m a cartoonist. It’s as simple as that. My roommate is a documentary film maker and I see the trouble he has getting funding and making things happen. A cartoonist needs only pen and paper. I’m not taking a two-man camera crew with me on my trips. I think comics are an inviting medium, one that pulls in a reader who might not otherwise read a book about Bosnia or the Palestinians, for example. I feel I can present very hard and complicated material in comics form if I give myself the space. With comics, I feel I can really drop a reader into a time and place. The medium allows me to use flashbacks seamlessly. (Those reenactments popular in documentaries these days seem so embarrassingly out of place.) You add those attributes together, and comics turns out to be a great medium for something like journalism.’

[distraction] TV Misguidance — DIY TV Go Home. ‘20.00 Fear of a Blue Planet … David Attenborough gets eaten by Sharks. (Repeat)’

[funny ha ha] A couple of amusing Onions:

Let Us Freak … ‘Girl, please allow me to break it down for you. You are the love of my life, and I would travel to the ends of the earth to prove my love for you. I would fly to Europe in order to personally select the finest champagne for you to drink. I would climb to the peak of the highest mountain to demonstrate that my lower-back muscles are powerful and won’t give out. I would weave for you the most comfortable silk sheets ever known to creation. I am the man for you, and I will make you want to get down and get funk-ass nasty with me. I will make you scream and shout all hours of the night. I will make sweet love to you like no man has ever before. In addition to all of that, I will wash you.’ [via Haddock]

Now More Than Ever, Humanity Needs My Back To The Future Fan Fiction … ‘ Sadly, the flux-capacitor technology masterminded by Dr. Emmet Brown remains a fantasy. As such, we cannot go back in time and change the terrible events of Sept. 11. But we can draw strength by drawing close to one another and holding fast to the faith that tomorrow will be a brighter day. And also by reading my Back To The Future fan fiction.’

[questions] You ask the Questions: Larry Hagman … ‘[Q] JR had many classic lines, but which one of them is your own favourite? [A] “Once you get rid of integrity, the rest is a piece of cake”.’

[books] First Chapter of Emergence by Steven Johnson… [via kottke.org]

‘…they solve problems by drawing on masses of relatively stupid elements, rather than a single, intelligent “executive branch.” They are bottom-up systems, not top-down. They get their smarts from below. In a more technical language, they are complex adaptive systems that display emergent behavior. In these systems, agents residing on one scale start producing behavior that lies one scale above them: ants create colonies; urbanites create neighborhoods; simple pattern-recognition software learns how to recommend new books. The movement from low-level rules to higher-level sophistication is what we call emergence.’

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