18 July 2002
[comics] Manwithoutfear.com has some great interviews with the creators who have worked on Daredevil notably Bill Sienkiewicz, Ann Nocenti, D.G. Chichester, Scott McDaniel and Kevin Smith … Sienkiewicz on Frank Miller and Elektra: ‘It was like jazz. Frank and I riffed off each other. For example, the character of Garrett in Elektra: Assassin was supposed to be killed at the end of the second issue. When Frank saw what I came up with, he decided Garrett was too good visually to die just yet. Thing is, Frank’s writing really inspired me to play and to take chances, so if he felt he got anything decent from me, it was as a result of getting gold from him. Frank’s keen on letting creative collaborations breathe. That’s part of his brilliance.’
17 July 2002
[tv] A couple of reports on the current position of the BBC …
[film] Chronicle of a Death Foretold — Greil Marcus on the Manchurian Candidate, John Frankenheimer and the Kennedy Assasinations … Frankenheimer: ‘I can see Bobby’s face on a big television monitor in the ballroom and I can see his back for real. As I stood there a figure went by me and it was as if there was electricity coming out of his body. I’ve never felt anything like it before or since. Of course it was Sirhan Sirhan.’
16 July 2002
[film] Last Typhoon Cimino Is Back — off-beat profile / interview of movie director Michael Cimino. ‘…the trauma of Heaven’s Gate and its aftermath may not have left Mr. Cimino entirely unchanged. Or so Gore Vidal wondered a while back when he called his former collaborator, for whom he did an uncredited polish on the script for The Sicilian.”Michael,” Mr. Vidal said, “I just read in the newspaper that you had a sex change.” At 62, Mr. Cimino looks like a cross between a cowboy hipster and your great-aunt Bessie.’
[comics] Dr. Strange — interview with Grant Morrison. Morrison on The Filth: ‘Yeah, well, The Invisibles was filled with sexy, beautiful people, and The Filth is filled with ugly, hopeless people who can’t get sex and all the sex is bad sex. The fashions are ugly, and everything is wrong, but there is a kind of real heart to it, which The Invisibles doesn’t have. The Invisibles is more like Vogue, and I just wanted The Filth filled with flapping comb-overs and hopelessly degraded paunches. I think it’s funny, because it is basically about super spies–but the super spies are garbage men. Everything about it is kind of taking the worst aspects of existence and kind of turning it into super-computer-generated DVD glamour.’ [via Neilalien]
15 July 2002
[funny] The Big Book of Sign Language [via Haddock]
‘Deaf people having sex? Of course not. But they like to talk about it just like anyone else, and the modern lexicon of sign language terminology is exhaustive and more than up to the challenge. Our sign language dictionary concludes with succinct, suitable ways to communicate one’s sexual wishes to a deaf partner.’
[film] Why Does Everyone Want To Get Into Bed With Him? — profile of Mike Myers … ‘The Austin Powers films do contain some fine things. The opening sequence of the first film, in which Myers, resplendent in frilly collar, jives through a blatantly fake swingin’ London, pursued by crowds of adoring females, is pure delight; and if nothing else, he deserves credit for pulling off the unlikely feat of turning Liz Hurley into a plausible representative of sexual puritanism and female equality. But there is little quality control; Powers picking up a stool sample in mistake for a coffee pot and saying ‘This coffee smells like shit’? gives a new significance to the fact that he listed Some Mothers Do’ Ave’ Em and On the Buses as great British comedies.’
12 July 2002
[comics] Doran Talks Orbiter — Colleen Doran discusses her new graphic novel collaboration with Warren Ellis … ‘To me, being a cartoonist means world-building. We are creating a reality from nothing, and everything matters. People’s costumes matter, their body language matters. The sets matter a great deal – that creates the world, they create the reality for the reader, and it should be complete. I know a lot of artists don’t believe that – they like the art to be very, very simple, and leave the detail up to the mind of the reader, but what about leaving it in the mind of the writer and artist, and allow us to bring you into our world and let the reader visit what we’ve envisioned, a complete vision – something that is three dimensional and totally realized and will take you completely out of yourself.’ [Related: A Distant Soil Website]
11 July 2002
[questions] You Ask The Questions… Richard Branson … ‘Q: Are you a member of the mile-high club? A: The funniest letter of complaint I ever had was from a Virgin Atlantic passenger who complained that the sinks in the toilets of the new Airbus A340 were too small to fit his wife’s bottom into when they were having sex on board. It included a drawing of a more comfortable sink for future use. As to whether I have ever joined the club. Well… certainly not since Virgin Atlantic started flying 18 years ago, but, having said that, we are not the sort of airline that bangs on the door if a couple have been in there for a few minutes.’
[advert] Wheels Within Wheels — brief commentary on the Mercedes car advert …
‘…the Mercedes branding of Lucky Star is subtle, verging on imperceptible. Those who watch the trailer and are eager to find out more will unearth not a high-octane thriller, but an invitation to their nearest Mercedes showroom. Whether Mann’s glacé camerawork will then be enough to sustain that interest once they notice the car’s £92,000 price tag is moot. For Mercedes, it is evidently a risk worth taking. The prize, after all, is precious indeed: the neutering of our scepticism when confronted with advertising.’ 10 July 2002
[comics] Everything I Need To Know I Learned From The X-Men — the wisdom of X-Fans … ‘When your Dad asks why you need to borrow money telling him its for comics is not a good idea. Not when you’re 24 years old.’
[tv] Big Brother, Where Art Thou? — comment on the success of Big Brother 3. More people are watching it but the media frenzy around it has died down … Peter Bazalgette: ‘Big Brother has moved out into populist television. You can’t read the runes after one set of viewing figures but if – and I stress if – we have reached the so-called ‘tipping point’ of the show [Malcolm Gladwell’s description for ‘that moment in an epidemic when a virus reaches critical mass’], we will now start to hear negative remarks from the people who originally lauded it for being a cult revelation.’
9 July 2002
[comments] I’ve been playing around with the commenting system on LinkMachineGo so let me know if you have any problems… Also, go checkout the Deconstructing Buffy Comments — very insightful. ‘Faith’s just dirty whore sex. Oz is zen personified. But I can’t stop worshipping Cordelia.’
[politics] A Political Torpedo — a mad profile of Boris Johnson which suggests he could be a future Tory Leader …
‘In many respects he embodies all that is supposed to be politically unacceptable in a modern prime minister. He’s an outrageous toff and an image consultant’s disaster area. What’s more, he has no man-of-the-people credentials at all. Yet, assuming another election defeat, after the disappointment of a decade of William Hague and Iain Duncan Smith, the Tories may well be in the mood for a wild card. The electorate will eventually tire of the joyless puritanism of the Blair-Brown regime. If the Tories want to play the joker, Boris could be their man.’
[euro] They Said What? — Eddie Izzard on the Euro: ‘I’m travelling in Spain where everyone’s using the euro. They haven’t all drowned, everyone’s speaking Spanish, they haven’t become English. they haven’t become Welsh, they haven’t become Afghans.’
8 July 2002
[euro] A Goosestep too Far? — commentary on Rik Mayall’s pro-Euro Hitler and a brief look at Nazi / Hitler satire …
‘There is a long heritage of Nazi satire, some funny, some trenchant, some negligible, some stupid (we salute you, Freddie Starr, particularly for that hilarious touch of putting the Führer in shorts). When John Cleese put an index finger to his upper lip and did his gangly approximation of a goosestep through the lobby of Torquay’s most benighted hotel, it was funny and important, particularly as it came in a context of lampooning one Briton’s cartoonish views of Germans.’
[blogs] Gerard and Dan find each other. From this …
‘I’m saying, you simpleton, that to claim that the RSPCA is wasting its time complaining about the welfare of animals while people are dying all over the world, when your own life is so utterly and comically meaningless, is hypocrisy. Or, more precisely, stupidity.’ To this (in about 17 moves) … ‘Mr Dan, where do you live? If it’s London, I’d love to meet up for a (non-alcoholic) drink. You seem like an interesting fellow.’ 7 July 2002
[sex] Whorechalking — Tom and Cal reinvent the London Prostitute Carding Industry … ‘…thanks to the magic of chalk and walls you can now be quickly and easily connected to the seediest side of the sex industry wherever you go! Introducing WHORECHALKING. Prove your manhood today. Go fuck something!’ [Related (kinda): Prostitute Trading Trumps]
[crime] Shadow of doubt? — Is Barry George innocent of the murder of Jill Dando? …
‘Ever the fantasist, Barry George may now be adapting to his notoriety (two tabloid newspapers have advertised tapes of prison “confessions”), but he should be a footnote in this story. Apart from that invisible speck of explosives residue found on his coat, the police found no evidence that he had possessed guns or ammunition in the past 15 years. He had neither expertise in weapons, nor the resources to modify them. He had no car, no money. There was no forensic evidence found in his flat: remarkably, police found no explosives residue there, even though it was assumed that he’d gone home to change straight after the shooting. The two squads of officers, 50 in all, who surveilled his movements for more than three weeks before his arrest gleaned no evidence to assist their case. Dando’s neighbours, the only two eyewitnesses, failed to pick out George in an identity parade.’ 6 July 2002
[bb3] Meanwhile, in the Big Brother House …
Adele – “If you want me to be there when you come out will you tell them?” 5 July 2002
[comics] The storymaker behind Spider-Man — Tommorrow’s World interview with Stan Lee … [via Haddock]
[world] Like Dallas policed by the Taliban — inside Saudi Arabia … ‘[Saudi Arabia] is a country of astonishing contrasts. Riyadh is a hyper-modern city with ancient social customs. It is Dallas, Texas, policed by the Taliban. Women entirely shrouded in black abayas , with even their eyes covered, go shopping at a Harvey Nichols inside a Norman Foster building. Men pour into the mosque under an enormous neon sign advertising Sony, as if they were entering an electrical goods sale rather than a place of worship. McDonald’s is seemingly on every street corner, and yet it closes its doors five times a day for prayers – making Saudi Arabia unique as a country where the most powerful franchise on earth bends its knees in front of an even stronger brand: Allah.’
4 July 2002
[comics] More Warren Ellis stuff:
[politics] Hell hath no fury like Iain’s scorn — Simon Hoggart’s view of Prime Ministers Question Time … ‘The last question went to Ann Winterton, whose MP husband Nicholas has been recently knighted. The speaker called her Lady Winterton. What a strange country this is, in which two months ago a frontbencher can be fired for telling a joke which ends: “In our country Pakis are 10 a penny”, and is now honoured by the title Lady.’
[war] Is this World War III? — Dan Hartnung wonders about a name for the current conflict and discusses the origin of the term “World War II”. ‘…when Germany entered Poland on September 2, it was as if the storm had finally come ashore. The next day, Britain and France honored their mutual defense treaty with Poland and declared war. A famous photograph had a newspaper vendor in a sandwich board which read WORLD WAR DECLARED (OFFICIAL) that same day. ‘ [via Follow Me Here]
3 July 2002
[tv] Deconstructing Buffy — why academics can’t get enough of Buffy … ‘This is what attracts the intellectuals: the fact that Buffy the Vampire Slayer allows you to choose whether you are going to wallow in mindless, soapy action, or indulge yourself in the luxury of thought. Either way, it is wonderful.’ [via prolific.org]
2 July 2002
[comics] The WEF Shutdown — Warren Ellis is shutting down his long running Forum … ‘Time for change. I’m all done.’
[blogs] Barbeblogs — The Barbelith Underground gets it’s own communuity blog site…. ‘We are neither a cult nor a religion. We are a large group of lightly cracked pots, entertaining ourselves by exchanging bundles of electrons.’ [via plasticbag.org]
1 July 2002
[films] TV Picks of the Week — brief reviews of films on TV this week… Bullitt: ‘Steve McQueen’s laconic San Francisco cop, Frank Bullitt, was a role model for many a detective to come, and so cool he makes Clint’s Dirty Harry look hysterical. But McQueen also makes the character believable; a committed man who feels genuine anger at the corrupt politician (Robert Vaughn) he doggedly trails, while embroiled in a realistically shaky relationship with girlfriend Jacqueline Bisset. The celebrated car chase, up and over the hilly Frisco streets, was another first of its kind, much imitated but rarely beaten.’
[comics] The League of Extraordinary Gentlemen Vol. II — Mini preview site for Alan Moore and Kev O’Neill’s new comic … ‘The adventurous proceedings immediately follow the explosive events in Volume One. The year is 1898, and there are strange rumblings in the sky. Flashing lights are dancing across the horizon. The Martians are coming?and our Earth will never be quite the same. The legendary Allan Quatermain, the unflappable Mina Harker, the stoic Captain Nemo, the abominable Mr. Hyde, and the grotesque Griffin Hawley once again are needed by the Empire to overcome the direst of odds. Some will live, some will die?all will be remembered.’ [via Barbelith]
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