23 October 2002
[ai] I love Lucy — Jon Ronson meets the cleverest robot in the world … ‘I bought my son an Aibo dog for Christmas last year. “From the first day you interact with Aibo it will become your companion,” the packaging promised, adding that if you feed it, it will yelp in delight, if you put it to bed, it will sleep, etc. As we strung it up off the light fitting to see if it would cry, and deprived it of food and light and finally got bored with its constant yapping and turned it off completely and put it in a box, I pondered the same questions the scientists consider. The good news was that we gave Aibo perfect motive to rise up and enslave the Ronsons, and it didn’t. But did it offer a thrilling window into tomorrow’s world? No. Maybe it was our fault; maybe we didn’t give it an opportunity to flourish and learn and grow.’
22 October 2002
[comics] Mists of Time — Warren Ellis discusses Alan Moore’s out-of-print work … On Moore and Sienkiewicz’s Brought To Light: ‘ It’s an absolute tour de force. Sienkiewicz produces mad images, political caricature via Ralph Steadman, slapping down anything that might work — photocopies, splatter, bits of metal, anything that might work. The Eagle, pissed out of his mind and coked to the tits, hunches there at the bar and vomits out the secret history of the American century — impeccably research documentary coming out of the beak of a fictional beard. Remember the best bit of the film JFK? Where Donald Sutherland lays out the whole thing in one long riveting monologue, and then concludes it with a sigh, and: “Well, I never thought things were the same after that.”? It’s like that, only funnier and scarier and more compelling. It demands it be read in one sitting, and it just sears with passion and commitment.’
[blogs] Biased BBC — a weblog from Natalie Solent… ‘exposing the left-wing agenda of the British Broadcasting Corporation’.
21 October 2002
[books] The Rules of Adaption — Brett Easton Ellis interviewed regarding the Rules of Attaction film …
‘One of my only complaints about the movie was that it was so much colder and harsher than the book. It’s like Kubrick directing a college film. I really thought there was going to be much more of an emotional pull toward the end, and there wasn’t. This is not a movie to bring your Kleenex to. But I think Roger captured that lack of feeling among college kids as accurate. During that age, you’re becoming an adult, and in that process you realize, “Okay, the world works this way, and it’s hurtful,” and you pretend it doesn’t hurt you, and you pose a lot.’ [via Anglepoised] 20 October 2002
[comics] Garth Ennis interviewed by Jimmy Palmiotti … ‘I was talking the DC editor Dan Raspler about good artists for war stories, and Carlos [Ezquerra]’s name naturally came up. Dan pointed out that no one’s really done a story about the Spanish civil war, at which point a lightbulb went on over my head. It seems odd that Carlos has been drawing for over thirty years and he has never done a story set in his own country, never mind one of its most important moments in its history. Well, here we go…’ [Related: Carlos Ezquerra’s Home Page]
[film] ‘It seems like exactly the wrong film to make’ — Salon interview with Roger Avery … ‘For Avary it was about capturing Ellis’ Faulknerian storytelling mode, not plot or dialogue. “I worked with multiple narratives on ‘Pulp Fiction,'” says Avary. “And Bret’s novel is composed of multiple first-person narratives, each a chapter told by a different person. And they’re all talking about various events, sometimes the same event with completely different perceptions of reality. “It’s an impossible structure to turn into normal, narrative form. But to strip away Bret’s structure is to rob yourself of what makes him so unique. I wanted that literary device. And if you’re doing multiple perceptions of the same moment and you just cut, the way we did in ‘Pulp Fiction,’ then you sever the characters both in their timeline and psychology. The key isn’t to cut, but to play out the scene and pull back to another part of the room. That way you’re actually uniting the timelines as one and making sure everybody is connected.”‘ [via Sore Eyes]
19 October 2002
[music] A troubled hero for our times? — profile of Kurt Cobain. ‘… his formative tastes took in soft-rock bands such as Journey and Foreigner …’
[film] The Soiling of Van Der Beek (scroll down page) — brief mention of Roger Avery’s new film The Rules of Attaction … ‘My notes for The Rules of Attraction include capitalised mentions of all the naughty stuff his drugs-vacuuming collegian gets up to: “Dawson deals coke and crack!”, “Dawson has an eye-popping wank!”, “Dawson shags another bloke!” Sadly, he’s not the character who pukes on an unconscious Shannyn Sossamon’s back, at which point the film runs backwards, showing the vomit flying into its owner’s mouth. If that had been Van Der Beek’s up-chuck, the deal would have been sealed: Dawson is Horrid – Official!’
18 October 2002
[distraction] Candy Train — similar to that classic old game Pipe Dream, rotate the tracks and keep the train moving. … [via Diminished Responsibility]
[issues] Word Association Test — my inner turmoil revealed … [via Dreadberry]
17 October 2002
[blogs] Will Blog for Cash — a “webby lament” from Andrew Sullivan … [via Nick Denton]
‘I’ve written tens of thousands of words; I’ve made hundreds of new web-friends; I get around 400 emails a day. I have to say I’ve never enjoyed myself as much as a journalist, had as much impact with my writing, or had as much sheer fun as a commentator on things large and small.’
[science] You Ask The Questions — Robert Winston … ‘Q: Is it true that your new series, ‘Human Instinct’, is going to explain — scientifically — why men have the urge to cheat on their partners? A: Well, the accompanying book goes into more detail. It’s because a woman’s egg is much more precious — she only produces one so it’s a huge investment. While the man produces millions of sperm that he can spread around. In the programme, we go round a university quad with a male and a female wearing a hidden camera asking the students whether they’ll sleep with them that night. All the women shy off immediately. And all the men look at their watches and say, “Yes, I’m free at 8.30”! It’s quite an important scientific point.’
16 October 2002
[terrorism] Don’t blame The West — Clive James on the events in Bali and the reaction in Australia … Australia’s pundits on 9-11: ‘Imperialist America was not only treating the helpless Middle East as its personal property, it had racist Australia for its lackey. No wonder al-Qaida was angry. On Christmas Eve, in the Melbourne Age, another pundit, Michael Leunig, called for a national prayer for Osama bin Laden on Christmas Day. “It’s a family day,” Leunig explained, “and Osama’s our relative.” It is not recorded whether the aforesaid Osama, sitting cross-legged beside his Christmas tree somewhere under Afghanistan, offered up a prayer for Michael. He might have done: after all, they were on first-name terms.’ [Related: We should try to love bin Laden, for Christ’s sake by Michael Leunig]
[web] dot.conqueror — interview with Jeff Bezos … ‘He defends [Amazon] bullishly: “We’ve saved our customers money and time, and if we’ve changed anything it’s been in a good way. I don’t know how you could argue we’ve changed things in a bad way. Making products cheaper and easier to find is good.” A beat. And then the Laugh. Another beat. The acolytes laugh. What really strikes me is how utterly mirthless it is, how Bezos seems to use it aggressively to control the conversation. Today, Bezos is laughing very loud indeed.’
15 October 2002
[politics] R. Robot is Making Sense — automatically attack the liberal of your choice …
‘LinkMachineGo, what kind of a man are you? “Don’t hurt me,” says LinkMachineGo. Well, duh. LinkMachineGo, what kind of a man are you? It must be obvious to anyone who can think that the charges against the dirty bomber are true. When will LinkMachineGo come clean about the way he criticizes Ann Coulter? Instead of constructing arguments based on logic, the hot-tubbers assume that whatever they want to be true must be. “‘Department of Homeland Security?’ What the fuck is this, Brazil?” says LinkMachineGo. LinkMachineGo’s disgrace was obsessive and even dangerous. It was ad-hominem. It was ideological. But I understate.’ 14 October 2002
[stuff] Linkage:
12 October 2002
[politics] The Man of Faith who has made a Mockery of his Doubters — profile of Jimmy Carter … ‘As petrol and fuel prices soared, Carter promoted energy conservation to Americans as the “Moral Equivalent of War” — instantly reduced by his foes to the damning, and undeniably apposite, “Meow”. Capping everything was the immortal “killer rabbit” affair, too complicated alas to relate in detail here. It stemmed from a 1979 fishing trip to his native Plains, Georgia, during which Carter encountered a furry rabbit-like beast in a lake. The President himself started the story; and as others embellished it, the tale quickly entered the realm of the absurd. Carter, it was said, tried to defend himself against this dastardly amphibious assault with a paddle — then for fear of offending the animal rights brigade, he issued a clarification, that he had merely splashed water at the aggressor.’ [More on Carter’s Killer Rabbit: Staight Dope and News of the Odd]
11 October 2002
[comics] Speaking with Frank Miller — First part of a Pulse Interview … On his reaction to 9/11: ‘I threw out all my notes for future stories. I started developing new ones. Being an obvious person, I had terrorists as villains in every one of them and I’m working on those stories right now. I feel like people talking about getting over 9/11 or moving along and so on, and I’m like yeah yeah, just like Jack Kirby got over Pearl Harbor. It ain’t gonna happen. This is my story now. And maybe for the rest of my life. It may be. I don’t know. It’s what I’m pursuing in every story now. I feel like my world has been reconfigured. I’m at the peak of my powers and talent, and I’m going to address this because every other story seems so tiny and out of it.’
[web] NTK Not — a random NTK story generator from Blogjam … ‘An older boy mentions he’d do anything to see the ‘t*ts’ of the Daisy Duke character on the old TV show ‘The Dukes of Hazzard.’ But we’re not listed on the Lovebytes site at the moment – ‘cos we like to keep it underground, and don’t want to play that corporate game with the likes of Lego and Apple. http://bitey.net/slashdot-sigs/ – back again now. And good luck to ’em!’
10 October 2002
[distraction] Joe Pesci Soundboard [via LukeLog]
[comics] Is There A God? — the Onion asks a bunch of celebs the Big Question … [thanks Matt.]
Frank Miller: ‘I don’t think so.’ 9 October 2002
[comics] Weblogs and Comics: How weblogs can help the comics community — a how-to guide from Pete Ashton … ‘[Weblogs] essentially allow the artist to communicate and create outside of the usual channels, be they self publishing their own books or being published by a company. They add the human aspect that their readers would otherwise miss out on.’
[games] Solitary Confinement — The inside story behind Solitaire for Windows … ‘Generations of Windows software have come and gone, but Solitaire continues on. How much has Cherry earned for this staple of world computer culture? Nothing. Nothing upfront. No royalties. Zero. How ironic. The richest man in the world (or is he second-richest this week?) got that rich by collecting software royalties, but the actual creator of the most distributed, most used program of all gets none of those royalties passed along to him.’ [via Rodcorp]
8 October 2002
[politics] We’re Shit And We Know We Are — cartoon from Steve Bell.
[film] Ferris Bueller’s Day Off Shooting Script … [via Kookymojo]
‘CAMERON (grim monotone): 1958 Ferrari 250 GTS California. Less than a hundred were made. It has a market value of $265,000. My father spent three years restoring it. It is joy, it is his love, it is his passion. 7 October 2002
[tv] The Laid-Back Stand-Up Guy — profile of Bill Bailey … ‘First record, Bill? Come on, now. Chop, chop. “Well,” he finally replies, “it was either ‘I’ve Got a Brand New Combine Harvester’ by The Wurzels or ‘Down the Tube Station at Midnight’ by The Jam.” Bill, I say, a word of advice. As a friend. In future, drop The Wurzels. They’re no good for your reputation. They are guaranteed brow-lowerers. They’ll bring your brow down to ankle-level. I’ll just put in The Jam, OK? I’ll forget the whole Wurzel business.’
[comics] Meditations in Red [Page 1 | 2 | 3 | 4 | 5] — Grant Morrison does Shang-Chi – Master of Kung Fu! [via The Barbelith Underground]
6 October 2002
[sunday] Weekend Reading …
4 October 2002
[politics, kinda] ‘My children have been a little surprised this week about how good I am at keeping secrets’ — interview with Edwina Currie … ‘What did she think when she heard Major first talk about [Back to Basics]? “I think you could have heard the clunk of my jaw drop two miles away. I sat there listening, and I thought, ‘He’s mad. He’s absolutely mad!’ Number one, no government should moralise. Number two, it ain’t a policy.” The fingers go up again. “But thirdly, I looked at that man, and thought, ‘You have no right whatsoever to make comments of that kind.'” Perhaps he had forgotten his own past, I suggest. She nods. “I think he had airbrushed it from history.” She says it was obvious that he would end up alienating huge chunks of the electorate, not least single mums.’
[books] Angry Bed Positions from Mil Millington … ‘Think of it as a ‘K’. One person is in the standard half-‘X’ shape (facing away) and the other is a rigid ‘I’; lying prone, eyes wide open, staring at the ceiling. Here you lose points for style if the ‘I’ person doesn’t let out frequent sighs and snorts in an attempt to get the Half-‘X’-er to ask ‘What is it?'” [via Anglepoised]
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