• 22 March – Pushing … Rageh Omar in Baghdad: ‘Every sign here is that Saddam Hussein and his commanders have escaped attempts to assassinate them, despite persistent rumours from London and Washington ‘
• 21 March – Attacks … Gavin Hewitt in Southern Iraq: ‘In the last few minutes we just crossed over the Basra-Baghdad highway. We’ve had several bizarre incidents in the last few minutes of drivers on the highway completely unaware that American armour may be this far north, stopping their vehicles in utter amazement as we crossed the highway.’
• 20 March – At War … Nick Bryant in Washington: ‘The White House is trying hard to show that things are calm. They’ve put a lot of effort into making the President’s day seem effortless.’

• Where is Raed? … ‘there is still nothing happening in baghdad we can only hear distant explosions and there still is no all clear siren.’
• Reporters’ Log: At war in Iraq … Paul Wood in Baghdad: ‘People are very jumpy here. We now know the city of Baghdad was not the main thrust of the air attack. The focus is being described as a “target of opportunity”, where five senior members of the Iraqi government were gathered. It is believed that Saddam Hussein was amongst them. In the last few minutes it appears the telephone system has gone down here.’
• Suddenly, the War is Very Real — Yesterday in Baghdad … ‘Reality finally came to Baghdad yesterday. Overnight, sandbags sprouted on football fields and roundabouts. In the evening the authorities rustled up yet another peace demonstration. The number of fatal car accidents seemed to surge, with drivers in a panic to get home, or to get out. Chemists sold out of valium.’ [via Words of Waldman]

‘…Bill walked up and asked if anyone wanted to see some pages from the new project which he was working on with Frank Miller. And, of course, we all said “sure”. What ensued was the most “jaw-dropping” moment I have ever experienced in getting an advance look at a project in my life (smoking dope in a hotel room at Mid-Ohio Con while Frank Miller acted out a lot of The Dark Knight Returns comes a close second, though). The project, of course, was Elektra Assassin and what Bill had were original pages from (I believe) the first two issues. No word balloons, but fully rendered colour. Fully rendered colour but rendered in every imaginable way. Crayon, acrylic, charcoal pencil, pencil crayon, crayon, oil pastel. And collage. This was years before Dave McKean would define the extremes of collage with his Sandman covers, but — before Bill did it — it was completely unthinkable in a comic-book. Unthinkable.’