linkmachinego.com
9 May 2005
[life] That’s Enough Entertainment, Thanks — Armando Iannucci on “Choice Fatigue” … ‘I’ve suddenly sensed how much pressure we are under to view and hear everything. The constant thrum from the arts pages and review sections of the weekend papers, the non-stop shrill from monthly magazines and cultural round-ups on television and radio, insist that we simply have to see that film and order those CDs and set the video for the next 19 episodes of this unmissable drama. And yet, as those unread supplements pile up, as the VHS tapes filled with recordings of old but as-yet unwatched episodes of The Nazis: A Warning From History and Spaced form a mountain on the floor, what we are left with is an ever-expanding sense of failure to catch up with all the sensory experiences that have been made available to us.’
[apple] Apple’s HD Video Plot Thickens — Robert Cringley on Apple’s plans for iTunes: ‘[Tiger] gives us a peek at another evolution of iTunes, which is the inevitable expansion of the system to carry additional audio file formats. Looking at the unused iTunes icons that shipped with your new version of 10.4, you’ll notice icons for currently-not-supported ogg vorbis and Windows Media Audio (wma), as well as several others including a variety of video formats, too. With this new information we can make a pretty good guess about the evolution of both iTunes and iPod. When Apple feels that the success of iTunes is absolutely assured, which will be shortly, they’ll address the user complaint that iPod only supports AAC and MP3 audio by adding these additional formats, leading to increased iPod sales.’
8 May 2005
[lmg] Kilburn High Road, For one night only…

Link Machine Here
Link Machine Here
Originally uploaded by DarrenS.

6 May 2005
[books] Dracula Blogged — Bram Stoker’s Dracula published as a blog using the calendar in the book … Jonathan Harker: ‘I am all in a sea of wonders. I doubt. I fear. I think strange things, which I dare not confess to my own soul. God keep me, if only for the sake of those dear to me!’
5 May 2005
[voip] Guardian Online on Skype — nice overview on using SkypeIn‘That SkypeIn should be so attractive shows that there is life in the public numbering system yet. For about £20 a year, a SkypeIn number connects me to the largest network in the world: the public-switched telephony network. (Before the launch of SkypeIn, Skype users could only receive calls from people who also used Skype.) SkypeIn also takes advantage of a geeky part of telecoms: regulation. Fixed line numbers are very cheap to call in the UK (and in many countries) because of the efforts of regulators in keeping costs down. So calling my SkypeIn number always costs the same as dialling London, regardless of where I am.’
4 May 2005
[comics] Preview of Desolation Jones #1 — from Warren Ellis and J.H. Williams III.
[wikipedia] Random Entry at Wikipedia — link to a Random Entry on Wikipedia.
3 May 2005
[tea] Software for Tea-Making Duties — Wired News on Teabuddy‘Teabuddy lets co-workers create office groups online to record rounds and requests, complete with personalization options like milk and sugar preferences for individual colleagues. Before leaving for the kitchen, responsible brewers log onto Teabuddy and check a box next to the name of those for whom they are making a cuppa. Teabuddy tallies the total cups made and consumed by each employee, keeping a history that lists the date each user last poured forth — it’s “objective, factual proof of who’s done what and when,” according to a message on the site.’
2 May 2005
[tv] Cannes to screen BBC’s Nightmares — the BBC documentary Power of Nightmares is to be remade as a film … ‘The BBC Two series questioned whether the threat of terrorism to the West was a politically-driven fantasy, winning a Bafta TV award among other prizes. Its three one-hour episodes are being edited into a single two-and-a-half hour movie by producer Adam Curtis after the festival asked to screen it.’ [via Haddock]
1 May 2005
[weird] Can This Black Box See Into the Future? — can a network of random event generators predict the future? ‘… then on September 6, 1997, something quite extraordinary happened: the graph shot upwards, recording a sudden and massive shift in the number sequence as his machines around the world started reporting huge deviations from the norm. The day was of historic importance for another reason, too. For it was the same day that an estimated one billion people around the world watched the funeral of Diana, Princess of Wales at Westminster Abbey. Dr Nelson was convinced that the two events must be related in some way.’
29 April 2005
[election] In the Eye of the Storm, it’s Blinking Tricky — Simon Hoggart watching Tony Blair and Gordon Brown: ‘[Nick Robinson of ITN] asked “Are you saying that you would have behaved in an identical way to Tony Blair if faced with the same circumstances?” There was a pause which might have lasted two seconds, but seemed to go on forever. [Tony Blair’s] right eye turned to stare malevolently at Mr Brown, like some Oriental jewel that has the power to turn men’s minds. The eyebrow above it arched in a V-shape. Finally the chancellor spoke, or rather barked: “Yes!” The right eye suddenly relaxed and even seemed, just for a moment, to gaze fondly on Mr Brown. Applause broke out from the businesspersons. “Well done!” said Patricia Hewitt, sounding, as always, like a doctor congratulating a small child on surviving a jab without crying.’
[web] The Archivist — update on the Internet Archive and Brewster Kahle‘[Kahle] wanted to back up the Internet. There were only 50 million or so URLs back then, so the idea only seemed half-crazy. As the Web ballooned to more than 10 billion pages, the archive’s main server farm — hidden across town in a data center beneath the city’s other big bridge — grew to hold a half-million gigabytes of compressed and indexed pages. Kahle is less the Internet’s crazy aunt — the tycoon who can’t stand to throw anything away — than its evangelical librarian.’
28 April 2005
[numbers] The Conet Project — Mp3 recordings of Numbers Stations. ‘…a 1998 article in The Daily Telegraph quoted a spokesperson for the Department of Trade and Industry (the government agency that regulates radio broadcasting in the United Kingdom) as saying, “These [numbers stations] are what you suppose they are. People shouldn’t be mystified by them. They are not for, shall we say, public consumption.”‘
27 April 2005
[funny] Wanted: A tall well-built woman‘But please only read lines 1, 3 and 5’
26 April 2005
[ads] London Review of Books Personal Ads‘The LRB’s own Son of Jor-El, stuck in the Phantom Zone of the personal ads for three years now. Reckon I could still lick anyone of you wusses. Man, 36. Alone. Tonight, and very possibly forever. Box no. 07/12’ [via Yoz]
[comics] Graphic Novels for Snobs — Ask Mefi discuss Graphic Novels … ‘People keep telling me that certain graphic novels are masterpieces, but when I read them, I don’t like them. I keep wondering what their criteria are for judging a book a work of genius. Do they mean “it’s a masterpiece compared with other comic books” or “it’s a masterpiece compared with any work or literature”? Because I don’t care how something ranks within the comic-book world. I just want to read good stories. I’m convinced there MUST be good stories in graphic novel form.’
25 April 2005
[comics] Classic Comic Ads‘These ads are as much a part of the history and lore of comic books as the stories themselves. What kid did not order or dream of ordering such classics as Sea Monkeys, Polaris Subs or X-Ray glasses that we saw in the comic books.’
24 April 2005
[comics] Planetary Preview — PDF of the preview comic that Warren Ellis and John Cassady produced for Planetary.
[ebay] eBay Feedback Generator‘Skillful quality! Packaging was desirable. Optimum delivery.’
[movies] Sin City Expands Digital Frontier — Wired Reviews Sin City‘While [Sin City] could induce nightmares, it is also, in its own way, sweetly nostalgic. This is a film that loves artifice the same way that Singin’ in the Rain did. Singin’ in the Rain, along with many films noir and various other stage-bound Hollywood movies, used two-by-fours and gallons of paint to build its glorious unrealities. Sin City instead uses pixels…’
[advert] Singing in the Rain Remix — MP3 remix using the music from the VW advert.
23 April 2005
[comics] Warren Ellis: ‘I fully expect the film version of WATCHMEN to be a fucking musical.’
22 April 2005
[comics] The Comics Bubble and the Burst — Metafilter discuss the comic book speculation bubble of the 1990’s. ‘…I sold hundreds of copies of Harbinger #1 (Valiant Comics) for more than a hundred bucks a pop — and you can pick them up for near cover price these days. I was a bastard. I knew and understood the fanboy mentality perfectly, and to this day I feel no guilt about it.’
21 April 2005
[books] The Article that Changed the World — The Guardian on book subtitles … ‘What all these “changed the world” titles have in common is a lack of self-confidence. Unsure that readers will want to buy a book about sugar or sewing machines or radio in Canada, publishers over-gild their lilies. In a sense, yes, all these things have changed the world, but only in a general sense that everything that exists changes the world.’ [via Robot Wisdom]
20 April 2005
[space] What a Little Moon Dust Can Do — if I went to the Moon I’d still need Loratadine‘”Dust is the No. 1 environmental problem on the moon,” said Apollo 17 astronaut Harrison Schmitt, who reported having a severe allergic reaction to moon dust during his mission in 1972. “We need to understand what the (biological) effects are, because there’s always the possibility that engineering might fail.” Moon dust is much more jagged than dust on Earth because there’s no water or wind on the moon to toss it around and grind down its edges. It’s created when meteorites, cosmic rays and solar winds slam into the moon, turning its rocks into powdery topsoil.’
19 April 2005
[politics] Are we going forward, back – or sideways? — David Aaronovitch on The General Election: ‘…I was on the tube train from north London to Watford. The train travels overground through the suburbs of north-west London, Middlesex and Hertfordshire: Pinner, Harrow, Northwood Hills, Croxley, and more. Strung out along the tracks are thousands of unremarkable houses, their monotony punctuated by stations, 30s shopping streets and the odd school or church. In each house lives one, two, three voters – each with their own understanding of the world, their own personal ideologies, their impressions, their experience of the world. And there are millions and millions of them. And, as ever, the thought scares me slightly. What do they want? We insiders talk about voter volatility when what we mean is we have lost the plot.’
18 April 2005
[tv] Twelve Reasons Why Columbo Is The Best Police TV Show‘Just One More Thing…’
17 April 2005
16 April 2005
[movies] The Man Who Shot Sin City — Wired Magazine on how Robert Rodriguez brought Sin City to the screen. ‘…small details like Sin City’s signature “white blood” proved to be an effects challenge. Regular movie blood didn’t cut it. Instead, the crew used fluorescent red liquid and hit it with a black light. This allowed Rodriguez to turn the blood “white” in postproduction. Likewise, the novel’s few splashes of color proved troublesome. Yellow and green react with green screens, causing color to spill into the background and making them impossible to separate. So during shooting Rodriguez painted the villain, Yellow Bastard, blue – and then colored him yellow in post.’