I phone Zoe Watkins at the Ian Fleming Centre, the literary estate. She’s known within Bond circles for having an encyclopedic knowledge of the books.

“I want to recreate a great Bond journey,” I say. “I want to take a passage from one of the novels and assiduously match Bond car for car, road for road, meal for meal, drink for drink, hotel for hotel.”

“What a wonderful idea,” she says. “But which journey do you want to recreate?”

“I dunno,” I shrug. “One in Moonraker?”

“Moonraker is basically a drive from London to Margate,” Zoe says. “Fleming’s fans were disappointed by the absence of exotic locations.”

Many fans had come to like the character better dead than alive after he was disintegrated saving the universe.

“That’s the point of comics – they don’t have to die, because they’re fictional creations,” said Grant Morrison, one of the writers behind the comeback.

“We can do anything with them, and we can make them come back and make them defy death,” Morrison said. “And that’s why people read comics, to get away from the way life works, which is quite cruel and unheroic and ends in death.”