[music] Hear the Song Written on a Sinner’s Buttock in Hieronymus Bosch’s Painting The Garden of Earthly Delights … ‘Several years ago, the Internet became excited when an enterprising blogger named Amelia transcribed, recorded, and uploaded a musical score straight out of Hieronymus Bosch’s The Garden of Earthly Delights, painted between 1490 and 1510. The kicker? Amelia found the score written on a suffering sinner’s butt. The poor, musically-branded soul can be seen in the bottom left-hand corner of the painting’s third and final panel, wherein Bosch depicts the various torture methods of hell.’
[comics] The Mercy Giants – ‘We Think So Loud’ … Today I learned that artist and co-founder of Deadline Brett Ewins released an 12″ Acid House Single in 1988. ‘There’s very little about it on the web but I love these musical comic crossovers (the Madness off-shoot ‘Mutants of Mega City One’ is another) even if the sounds often play second fiddle to the artwork.’
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17 August 2022
[tech] Janet Jackson had the power to crash laptop computers … ‘One discovery during the investigation is that playing the music video also crashed some of their competitors’ laptops. And then they discovered something extremely weird: Playing the music video on one laptop caused a laptop sitting nearby to crash, even though that other laptop wasn’t playing the video! What’s going on?’
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[media] Pop Culture Has Become an Oligopoly … ‘So why might people be more open to experiencing the same thing over and over again? As options multiply, choosing gets harder. You can’t possibly evaluate everything, so you start relying on cues like “this movie has Tom Hanks in it” or “I liked Red Dead Redemption, so I’ll probably like Red Dead Redemption II,” which makes you less and less likely to pick something unfamiliar.’
[music] The Beach Boys’ 40 greatest songs – ranked! … ”Til I Die (1971) – A stunning piece of songwriting – check out the extended alternative mix on 1998’s Endless Harmony – ‘Til I Die is the most emotionally desolate song in the Beach Boys’ catalogue: a howl of resigned despair from a man in terrible distress. Its hopelessness is chilling, its sonic richness cosseting: an incredibly potent, unsettling combination.’
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21 January 2022
[worzel] Worzel’s Warning … A remarkably dark Jon Pertwee song warning about stranger danger in the 1970s.
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[tags: Music][permalink][Comments Off on The Red Army Choir covering Daft Punk’s Get Lucky]
4 August 2021
[music] New Order’s 30 greatest tracks – ranked! … ‘Fine Time (1989) – A baffling choice for a first single from Technique – largely instrumental, not much of a melody – Fine Time is still impossibly exciting: an urgent, clattering rhythm track, acid house squelches, sampled voices. Steve “Silk” Hurley’s remix turned it into streamlined, straightforward house music, but the idiosyncrasies of New Order’s approach to the genre are part of the appeal.’
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27 July 2021
[music] How we made Beat Dis by Bomb the Bass … Tim Simenon: ‘I grabbed a smiley face image from Alan Moore’s Watchmen for the sleeve and it transformed into this symbol for acid house which threw me off as it was never my intention. I would always struggle when people said: “You’re acid house.” Bomb the Bass was a lot of different things thrown together at once – there didn’t seem to be a name for that.’
[sound] Alvin Lucier – I Am Sitting In A Room … ‘I am sitting in a room different from the one you are in now. I am recording the sound of my speaking voice, and I am going to play it back into the room again and again, until the resonant frequencies of the room reinforce themselves, so that any semblance of my speech, with perhaps the exception of rhythm, is destroyed…’
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26 January 2021
[games] The making of Frankie Goes To Hollywood … The story behind how an 8bit Computer Game was created around the 80s band Frankie Goes to Hollywood. ‘Denton Designs began group brainstorming, Gibson and Noble on the ZX Spectrum (and latterly, Amstrad), Graham ‘Kenny’ Everett and Karen Davies the Commodore 64, with Fred Gray on sound duties and Steve Cain overseeing both versions. “We spent a LOT of time discussing and going round in circles with ideas, again and again,” recalls Noble. “It was a hard transition, from the music into something concrete, with playability.” Help and ideas from Ocean were slim, as Gibson remembers. “It was like, ‘Go away and produce a blockbuster game.”‘
[movies] The Great Unknown: The Story Behind Jerry Goldsmith’s Score for “Alien” … An interesting look at the struggle behind the creation of Alien’s soundtrack. ‘”I always think of space as being the great unknown,” Goldsmith had said in an interview for 2004 DVD documentary “The Beast Within,” “sort of an air of romance about it. And I approached ‘Alien’ that way … I thought ‘Well, let me play the whole opening very romantically and very lyrically and then let the shock come as the story evolves.’ It didn’t go over too well.” Goldsmith’s original main title is a gorgeous cue that is indeed incredibly romantic, while still having an air of mystery, with a grand statement of his main theme, a far cry from the more obtuse and esoteric film version, which carries a more foreboding tone and uses wind and string effect influenced by Polish composer Krzysztof Penderecki originally intended to be used later in the picture. “I wrote a new main title, which was the obvious thing, weird and strange, which everybody loved. The original one took me a day to write and the alternate one took me about five minutes.”‘
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[tags: Funny, Music][permalink][Comments Off on Rockstars with Guitars Replaced by Giant Slugs]
8 September 2020
[moore] Drawing Up Sides … Alan Moore Interview from 1984. ‘Politics is about trying to reduce human behaviour to something that can be understood, predicted and written about in The Daily Mail or The Sunday Mirror. It’s an attempt to apply a cold remote theory to something warm and vital, and in my book anybody who does that is a twat. Except when they do it through force of arms: then they’re a bastard!’
[mp3] ‘You’ve been smoking too much!’: the chaos of Tony Wilson’s digital music revolution … How Tony Wilson foresaw the digital music business in 1998. ‘Arriving in summer 2000, music33 developed a barmy way of protecting clients’ tracks. Songs purchased came in a PDF; users tapped in a password to play the music. “I’m still trying to understand it even now,” Clarke chuckles. Pre-broadband dial-up internet was so slow that “you’d plug in a modem to download one track, which could take 15 minutes,” says Clarke. Music33 featured a little robot avatar named Howie, who explained how to use the site. Wilson’s plan to get Keith Allen to do its voice never came off.’
[music] Of Course You Hear What I Hear – Christmas Music Season Is Totally Data-Driven … How music-streaming services and Radio work out what songs to play at Christmas and when to start. ‘Any half-decent band will cut a quick holiday track every now and again. It was McDonald’s job to develop an algorithm to find that song and make sure nobody hears it on Spotify radio for most of the year. “We actually have a fairly intricate mechanism to try to identify Christmas music,” McDonald said. First, he builds a list of obvious holiday songs. He then identifies the albums those songs appear on. Then his algorithm looks at all the other songs on those albums to see how often they appear elsewhere, and will try to decide if they’re Christmas songs by iterating the process to figure out which songs only appear on other Christmas albums. The process isn’t infallible, but after enough repetitions, McDonald said, “we have a pretty good idea of a fairly complete universe of Christmas songs.”’
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15 November 2018
[comics] Remembering when T. Rex frontman Marc Bolan interviewed Stan Lee, 1975 … Bolan discussed interviewing Lee whilst being interviewed by Marvel UK’s Neil Tennant! ‘A time when the T. Rex singer would host a BBC radio show and interviewed his heroes. One of those heroes, it would seem, was the former editor-in-chief of Marvel Comics, Stan Lee. “It was nice meeting Stan last year, he was lovely to interview,” Bolan told Tennant. “Really he’s a hustler, a solid gold easy hustler! That’s just the way Comic guys should be, he’s got such a lot of energy. We talked about the possibility of me creating a superhero for him. Something along the lines of Electric Warrior, a twenty-first century Conan. In fact, I don’t like Conan as a character-I think he should be something less of a barbarian, more like one of Michael Moorcock’s characters,” Bolan added.’
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28 January 2018
[music] Phil – an old friend of the blog – on Mark E. Smith …
In 1978, I worked as a bingo caller. And for a few other summers too.
The only pop record to my knowledge which mentions bingo is The Fall’s “Bingo Master’s Break-Out”. It’s not all that good but it introduced
me to the band.
Spplltt. Or sounds like that. I didn’t discover The Fall in 1979 like
all the newbies telling their tales in The Guardian. I was listening
in 1978 — although I only acquired the original vinyl 45 a few years
ago, you know … because … there was so much going on.
That bloke made me laugh so fucking much. And I am not sure why I laughed.
[tags: Music][permalink][Comments Off on Phil B. on Mark E. Smith]
20 October 2017
[life] Somebody should have advised Niall Horan that naming his debut album Fucker Flicker was a mistake.
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8 August 2017
[art] What The KLF Burning A Million Quid Means In 2017 … ‘All artworks cost a certain amount of money to make – and clearly, this one cost more than most. They then generate profit – whether financial or reputational – for a closed loop of people. However, by burning their money, Drummond and Cauty were effectively sharing it. According to the standard process of retail transaction, the money was ours as customers, before becoming theirs as successful artists. But suddenly, via the pair’s remarkable act of communion; their uncompromising rejection of the arbitrary values with which the market codifies and reduces art, we all had a stake. By sacrificing that million, they effectively gave it to everyone from that day forward, who despaired at money’s monstrous, bullying power. And in the process, they created an infinite, galvanising resource; something from which we could all draw strength when we felt the need. It’s a gesture that will only lose its power when the social and economic conditions which made it such a transgressive, aberrant act disappear too. Viewed from that perspective, not only was the burning a mythical act, it was also an extremely generous and even rather moving one.’
[tags: Music, People][permalink][Comments Off on What it Means to Burn A Million Pounds…]
11 May 2017
[music] Return of the KLF: ‘They were agents of chaos. Now the world they anticipated is here’ … a look back at the KLF … ‘In a climactic act of public self-destruction, Drummond and Cauty decided to perform a KLF/ENT speed-metal version of 3am Eternal (one that Christmas Top of the Pops had turned down) at the 1992 Brit awards. The performance was brutal enough, with a kilted Drummond stalking the stage, supported by a crutch, barking the lyrics over ENT’s barrage of noise, and finally machine-gunning the audience with blanks. (“They cut our guitars right down,” says Jones, “but at least we made Noel Edmonds cry”.) In the aftermath, they dumped a dead sheep on the red carpet at the Royal Lancaster Gate hotel adorned with the message, “I died for you – bon appetit”. But what they originally planned was even worse. Vegetarians all, Extreme Noise Terror refused to slice up the sheep on stage…’
[tags: Music][permalink][Comments Off on “Jonathan King sat us down and said that we could get time if we did this.”]
1 December 2016
[music] Looking for the Beach Boys … Ben Ratliff analyses the Beach Boys… ‘The narrators of Beach Boys songs used their time as they liked: amusement parks, surfing, drag racing, dating, sitting in their rooms. Listeners through the mid-Sixties -I wasn’t there-must have responded to the way ordinary leisure and ordinary kicks could be enshrined by a cool, modern, prosperity-minded sentimentality. (Something similar had happened with bossa nova in Brazil, four years before the Beach Boys made their first records.) After that, listeners may have seen the paradox inside the Beach Boys’ music as a whole: the drive to be a man, to know the score, to win in small-stakes battles-the animating force of “Shut Down” and “I Get Around-”versus the drive to retreat and regress or live in a world of one’s own invention, which is the drift of Pet Sounds and SMiLE.’
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[tags: Comics, Music][permalink][Comments Off on Cliff Chiang’s Mashups of 80’s Comics and Album Covers]
5 February 2016
[sonic] The Michael Jackson Video Game Conspiracy … Did Michael Jackson write soundtrack music For Sonic 3?… ‘As the 1990s wore on, Sega lost a crucial round of the console wars to a resurgent Nintendo and upstart Sony. Ben Mallison remained a Jackson and Sonic fan. But as he entered his teen years, something about Sonic 3 started to tug at him. There was something weird about that Sonic 3 music, and he couldn’t figure it out. Then one day, it came to him. “Huh,” Ben thought. “That Sonic music sure sounds like Michael Jackson.” “I’ve always been musically inclined and have a knack for noticing stuff like samples or ripoffs in songs,” he says. But he didn’t have any way to share his theory with the world. For that, Ben had to wait for the Internet…’
[mp3] Learning to Love Low Bit Rates … on the experience of listening to low quality MP3’s … ‘The underwater compression of a low-quality mp3 is our generation’s vinyl crackle or skipping CD. It’s a limitation of technology that defines the experience of an era.’
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16 July 2015
[apple] The Anxious Ease of Apple Music… a look at Apple and the unease around new technology and music … ‘We never cease to be mesmerized by the vessel in which music is contained, whether it’s the piano, the phonograph, the MP3, or the Cloud. We think that machines are saving music or destroying it. Their impact is undoubtedly profound, but we seldom see the complexity of the transformation amid the hysteria of surface change. At the same time, the anxiety around music and technology is deep-seated, however excessive it may seem a century or two down the road. It is rooted in the elemental fear of life slipping away in half-experienced moments.’
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11 June 2015
[music] How the compact disc lost its shine … A look at the rise and fall of the CD … ‘The CD was introduced to the British public in a 1981 episode of the BBC’s Tomorrow’s World, in which Kieran Prendeville mauled a test disc of the Bee Gees’ Living Eyes to demonstrate the format’s alleged indestructibility. It caught the public imagination, but Immink found the claim puzzling and embarrassing because it was clearly untrue. “We should not put emphasis on the fact it will last for ever because it will not last for ever,” he says. “We should put emphasis on the quality of sound and ease of handling.” (Paul McCartney recently recalled the first time George Martin showed him a CD. “George said, ‘This will change the world.’ He told us it was indestructible, you can’t smash it. Look! And – whack – it broke in half.”)’
[tags: MP3, Music, Tech][permalink][Comments Off on The Rise and Fall of the Compact Disc]
23 May 2015
[music] CIA Allegedly Behind 1980s Club Hit About Sleeping Dominatrix … a true story that reads like something James Ellroy might write if he wrote about the Seventies … ‘In 1978, the CIA was caught up in a BDSM Cold War affair. A potential Soviet asset had fallen for a professional dominatrix who made decent money peeing on entertainment lawyers. Also in play was Mary Tyler Moore’s landscaper, merely because he was sweet on the dominatrix and her record collection. The most actionable intelligence from these black leather ops would not be obtained by the Agency, but by the landscaper himself, Stuart Argabright. Under the alias Dominatrix, Argabright recorded “The Dominatrix Sleeps Tonight,” a New York club hit released in 1984…’ [via jzw]
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…the chuckling man on the other end of the phone line is happily claiming the theme tune for British TV game show Going for Gold, during an interview wind-down conversation about British TV prompted by his (British) colleague Russell Emanuel.
“Going for Gold? I’m not ashamed of it! It paid the rent and opened up all sorts of doors. I will admit to it: we all have to have our guilty little somethings!” says Zimmer, in a conversation that also includes the unexpected phrase: “I know Les Dawson. Come on, I’m not completely ignorant.”
[music] 80”²s Sax solos … a lovingly compiled list of sax solo’s from 1980’s music along with sound samples … ‘At some point in the 80s, popular music started incorporating saxophone solos as some kind of fad. Some of them are fine, but most of them are ridiculous to have in the songs…’
[tags: Lists, Music][permalink][Comments Off on A List Of 1980′s Pop Music Sax Solos…]
20 February 2013
[music] Rutherford Chang – We Buy White Albums … fascinating photo-essay on an artist who only collects original vinyl copies of the Beatles White Album … ‘My collection of White Albums is on display at Recess, a storefront art space in SoHo. It’s set up like a record store with the albums arranged in bins by serial number, and visitors are invited to browse and listen to the records. Except, rather than sell the albums, I am buying more. I currently have 693 copies.’
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1 May 2012
[history] Supercalicontentious … fascinating look at the history of the nonsense word Supercalifragilisticexpialidocious … ‘When New York District Court judge Wilfred Feinberg issued his ruling, he threw up his hands at the thicket of spelling variations: “All variants of this tongue twister will hereinafter be referred to collectively as ‘the word,’ he wrote. “The word” had been used since the 1930s, according to sworn affidavits from two people who had grown up in New York. That, along with musical differences between the two songs, was enough for the case to be thrown out Shortly after Feinberg made his ruling, a Disney librarian uncovered a smoking gun: a use of the word, spelled “supercaliflawjalisticexpialadoshus,” in the March 10, 1931 issue of the Daily Orange…’
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3 August 2011
[music] Joyless Divisions: The End Of New Order … ‘New Order, of course, are frequently cited as a band who really weren’t terribly wise with money, and who were not well advised about what to do with it. Everyone knows the myth of how their Blue Monday single lost money despite being the best selling 12in of all-time, because of the cost of its sleeve. They once decamped to an expensive studio in Ibiza only to find their work being constantly interrupted by coachloads of holidaymakers who had bought tickets for BBQs with the band. “One of them vomited on the table-tennis table,” recalls Gillian Gilbert.’
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20 May 2011
[movies] The Monkees’ Head: ‘Our fans couldn’t even see it’ … The Monkees discuss their disastrous movie Head … ‘In retrospect, the marketing seems suicidal. Posters featured the balding head of the media theorist John Brockman and the slogan: “What is Head all about? Only John Brockman’s shrink knows for sure!” The so-called Monkees movie made no mention of the Monkees.’
[tip] How to Narrow Down Exact Duplicated Music Files in iTunes … ‘To see all Exact Duplicates in iTunes, Click File from the iTunes menu and then hold down the Option key. Display Duplicates should now change to Display Exact Duplicates, which should result in a shorter list of duplicates.’
