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14 November 2001
[reaction] Oliver Stone’s Chaos Theory — Stone discusses 911 and a film on terrorism…. ‘You show the Arab side and the American side in a chase film with a ‘French Connection’ urgency, where you track people by satellite, like in ‘Enemy of the State.’ My movie would have the C.I.A. guys and the F.B.I. guys, but they blow it. They’re a bunch of drunks from World War II who haven’t recovered from the disasters of the sixties?the Kennedy assassination and Vietnam. My movie would show the new heroes of security, the people who really get the job done, who know where the secrets are.” And who would that be? His eyes roamed, searching and sad. “I don’t know yet.”‘
13 November 2001
[film] Hollywood’s hottest fifty-something — an interview with Terry Zwigoff … ‘This woman called me last week from New York. She said, “We’re doing an ad for Gap, and we want you to be in it.” I said, “To be in it? What do you mean? You want me to direct?” “No, we want you to be on the billboard, wearing Gap clothes. We’re doing this series of hip young film-makers.” I’m thinking, are they trying to make fun of me? Do they know what I look like? So I said, “I’m not young, I’m 53! I don’t wear a backwards baseball cap, I’ve got white hair on my arms! I’m about as unhip as they come!”‘
12 November 2001
[film] Shallow Hal — Salon previews the next Farrelly Brothers film … ‘Hal (Jack Black) is a pudgy, not overly good-looking guy who, after taking the advice of his dying dad, nevertheless thinks he’s entitled to the most gorgeous babes. He and his pal Mauricio (Jason Alexander) spend most of their time comparing notes on which women are most perfectly suited to enter their dazzling orbit. They succeed with virtually none of them, of course, and can’t accept what they have on the rare occasions when they do. (Mauricio rejects his knockout of a girlfriend because her second toe is longer than her big one — this from a man who tries to disguise his baldness with what looks like a yarmulke of iron shavings.)’
10 November 2001
[comics] Jack The Ripper: From Hell … a Master Mason comments on From Hell — the film and comic. ‘As unlikely as it may seem, From Hell is not simply a product of Hollywood greed or opportunism. It is based on a remarkable “graphic novel,” of the same name, by writer Alan Moore and artist Eddie Campbell. Graphic novels, a fairly new phenomenon, are pricey novel-length comics, most often published in quality paperback format and usually aimed at a teen or adult audience. From Hell, an engrossing retelling of the Jack the Ripper chronology, is possibly the most prominent graphic novel yet published. It weighs in at over 500 pages of a detailed story, with an additional 42 pages of notes and annotations, where Moore explains some of the more obscure details of Ripper history and gives reasons for choosing among the dozens of competing theories of who did what when. This is important to note because, despite the reputation of comic books for shallow plots and characters, From Hell, the graphic novel, is a multi-layered story that is more akin to the complex novels of Thomas Pynchon than to the simple comics of Walt Disney.’ [via I Love Everything]
9 November 2001
[film] Go Ahead, Pinko Liberals, Make My Day … Guardian interview with John Milius. ‘The second world war has replaced the western as a morality play, as a venue where these things exist. The western is no longer the western; we’ve changed our attitude towards the Indians, the frontier, the open spaces. So the second world war is a much better place to say, “Here’s what you should measure up to be.” It’s no longer Shane. It’s Sergeant Rock.’
6 November 2001
[comics] Girls’ World — excellent interview with Dan Clowes about Ghost World … ‘”I once had this idea to do a comic where a mother tattoos a message on her baby’s head so that years later, when he’s losing his hair, he finally sees it. It would say something like, ‘I never loved you’.” Clowes lets out a bright, engaging laugh, so contagious it’s hard not to laugh along with him, until you realise exactly what it is he’s just said.’ [via Kooky Mojo]
2 November 2001
[paul is dead] The Fool on the Hill … Did Paul McCartney expose himself on the Magical Mystery Tour film? ‘The zoom view clearly shows the left coat tail billowing up. There does seem to be a fairly clear image of his penis extending out from under it and pointing to his right at a slightly upward angle. The coloring really adds to the impression: the shaft is darker toned than the head which would be consistent with the coloring of the shaft and head (glans) of a penis. (Yes, unlike most British men, Paul is circumsized.)’ [ Related: Paul is Dead, link via Robot Wisdom]
[film] Typhoons, binges… then a heart attack — interview with Martin Sheen about Apocalypse Now … ‘The shoot is, of course, a cinematic legend. It was regarded as such a year before the movie was even released. Typhoons destroyed several huge sets. Sheen had a heart attack, aged only 36. Brando – obese, overpaid – was rumoured in the press to have been difficult and self- indulgent, though no one on set thought so.”Marlon wasn’t difficult at all,” Sheen says. “Never. The only problem we had was the image, his presence, but he’d just dismiss it. He treated everyone the same – Francis, me, the guys on the crew. Also, out of all of us, I think he’d spent the most time in the third world. So he was more aware of the fact that the world’s not made up of first-class service and over-privileged people. I was in awe, because for my generation of actors there were only two guys, Marlon and [James] Dean. And for Dean there was only one – Marlon.”‘
28 October 2001
[film] O Brothers, Thou Art Cinematic Gold Dust — Sunday Times profile of Joel and Ethan Cohen … ‘Pranksterism has always been a feature of Coen productions. In the days of Blood Simple they invented a crusty old English film editor called Roderick Jaynes, who blasted the production before dropping out of sight. The awful Jaynes cropped up again for Barton Fink and Fargo, lambasting the “inept” scripts and “silliness” of the camera work before vanishing again. His name, nevertheless, appeared prominently on the credits, and for Fargo he was nominated for an Oscar. The Coens persuaded Albert Finney to dress up and attend the awards ceremony in disguise, but his cover was blown by the trade paper Variety and the academy huffily withdrew its nomination.’
22 October 2001
[movies] Return of the Legend — brief interview with Nick Broomfield about the documentary he is currently working on… ‘Broomfield is an undisputed success at marketing his own image, even down to starring in self-parodic adverts for cars. And he’s loaded: an English country pile; a place in Santa Monica. What’s interesting is how he divides opinion. Depending on who you talk to among those who really know him – producers, co-producers, commissioning editors, journalists, film-makers and friends – he’s an innovator, a shark, a genius, a fraud, a legend or a has-been; people love him or hate him. The work is brilliant or boring, revealing or repetitious, always fresh or endlessly formulaic. They all have to agree, however, that a Nick Broomfield film is hard to ignore.’
19 October 2001
[film] Terry Zwigoff: ‘Every guy wants a teenage girlfriend’ — facinating interview with the director of Ghost World. ‘…Ghost World’s Seymour has a horrid mom. What’s Zwigoff’s like? Until now, Zwigoff’s sails have been full of wind. Now they collapse. Mrs Zwigoff, it turns out, was “very critical, very negative, everything I was wildly passionate about she had no interest in whatsoever”. She didn’t get to see Ghost World (“she died, luckily”). She did, however, get to see Crumb, at its world premiere at the New York Film Festival. When the lights came up, she turned to Zwigoff’s cousin, Sherwin, and said, “So, are you still awake?” I tell him she sounds hilarious. He shakes his head morosely. “She was a very depressed person.”‘
18 October 2001
[film] Interesting review of From Hell from the New York Press: ‘…despite its surface slickness and baldfaced artistic pretensions, this is an angry, empathetic movie. It’s genuinely interested in the lives of the poor, and righteously angry at the rich ruling class that has used the poor as servants, whores, entertainers and guard dogs since civilization began. The second half spirals into a bizarre conspiracy that turns history into a slanderous comic book, then delivers an intelligent, downbeat, provocative ending that’s sure to alienate most viewers, and finishes up by reminding us that nothing we just saw can be taken at face value because it’s all the memory of an absinthe-pickled opium addict.’
7 October 2001
[movies] The first trailer for Ocean’s Eleven is up … ‘Dapper Danny Ocean (GEORGE CLOONEY) is a man of action. Less than 24 hours into his parole from a New Jersey penitentiary, the wry, charismatic thief is already rolling out his next plan. Following three rules — don’t hurt anybody, don’t steal from anyone who doesn’t deserve it, and play the game like you’ve got nothing to lose — Danny orchestrates the most sophisticated, elaborate casino heist in history.’ [via Ghost in the Machine]
5 October 2001
[movies] Another one from Colin’s Movie Monologue Page… Dr. Evil’s Secrets: ‘Okay. I have a vestigial tail. It’s more of a nub, really. The spine just goes on a little longer than it should. Also, I’ve dabbled. I mean, perform fellatio once and you’re a poet, twice and you’re a homosexual. I remember once I was being fisted by Sebastian Cabot- but here’s where the story gets interesting…’ [More]
4 October 2001
[movies] Colin’s Movie Monologue Page — Some very amusing quotes… [via Haddock] Dr. Evil’s Childhood: ‘Very well, where do I begin? My father was a relentlessly self-improving boulangerie owner from Belgium with low grade narcolepsy and a penchant for buggery. My mother was a fifteen year old French prostitute named Chloe with webbed feet. My father would womanize, he would drink, he would make outrageous claims like he invented the question mark. Some times he would accuse chestnuts of being lazy, the sort of general malaise that only the genius possess and the insane lament. My childhood was typical, summers in Rangoon, luge lessons. In the spring we’d make meat helmets. When I was insolent I was placed in a burlap bag and beaten with reeds, pretty standard really. At the age of 12 I received my first scribe. At the age of fourteen, a Zoroastrian woman named Vilma ritualistically shaved my testicles. There really is nothing like a shorn scrotum, it’s breathtaking, I suggest you try it.’
1 October 2001
[comics] David Hayter and The Watchmen Movie [ Link #1 | Link #2] … A Watchmen film looks more like a possibility… maybe. ‘The mood of Hollywood execs right now is to go on “retreats” so basically all these suits are at these spa retreats, hanging out and discussing how they’re going to be dealing with all of this. According to Hayter what appears to be happening is that a lot of feel-good romances and comedies are getting optioned right now as a direct result so in two years we’ll be seeing a massive wave of these happy films at a time when the US will very likely be fighting. He went on to compare this intensity in mood to the 70s and the Vietnam war where some incredibly dark and gritty movies were made, the good thing from this tragedy, if it can be called as such, is that we may see some amazing new things out of Hollywood in a few more years reflective of the country’s mood.’ [via I Love Everything]
30 September 2001
[film] McQueen’s Race with the Devil — extract from a new biography of Steve McQueen … On filming Le Mans: ‘[The Paparazzi] could gauge the film’s mood by the film-makers’ own physical disintegration. Relyea’s co-producer Jack Reddish was on his way to losing 20lb and breaking out in sores. John Sturges’s remaining hair went white. Then the studio stepped in. “They took the view that we, Solar [McQueen’s production company], were now fighting among ourselves and obviously needed disciplining.” Then Sturges threw in the towel. Neile remembers his actual and classic words were: “I’m too old and too rich to put up with this shit.”‘
3 September 2001
[films] The George Kennedy Appreciation Society… Pictures from Airport 77 … ‘Find out everything you ever wanted to know about the great thespian George Kennedy.’ [ Related: Airport 77 at IMDB]
1 September 2001
[movies] The Bad Movie Review Site — excellent site about the most awful movies — includes reviews, images, MPEG’s…. From the review of Death Ship: ‘Not only does it have George Kennedy, he’s dressed up like a Nazi ship captain no less. It’s poetic I’ll admit, didn’t know they made uniforms that big. I think there was a typo in the script, what was intended to be “Death Shit” became “Death Ship” and therein lies the tragedy.’
30 August 2001
[movies] Speaking Of War — Francis Ford Coppola and David Halberstam discuss Apocalypse Now Redux … ‘…my only point is, to what end? In other words, you fight a war, you make a great sacrifice, but to what end? What are we moving toward? That’s what I’m interested in. Because I think that’s when empires fail – when no one understands what the vision is.’ [via Seething Hatred]
21 August 2001
[film] ‘Silent’ Partnership — NY Post acticle on Jay and Silent Bob Strike Back … ‘Having briefly met [Jason] Mewes on the set of “Jay and Silent Bob” earlier this year, I can attest that this outrageous motormouth is the most incongruous of potential movie stars. Having a coherent conversation with the man is impossible. “He doesn’t know how to talk about movies or himself, because he doesn’t think it’s a big deal,” Smith said. “He makes movies because he likes getting free breakfast burritos for 60 days, $200 a day in cash for spending money and free T-shirts.”‘
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[film] In the Driving Seat — interview with Sigourney Weaver by William Leith … ‘THE first, overwhelming impression you get of Sigourney Weaver is that, unlike most film stars, she is even taller than you imagined – 6ft 2in, or possibly even 6ft 3in in her high heels. She once said that her career had been defined by the fact that most producers were short, and that she was not their ideal sexual fantasy. She is the sort of woman who, I imagine, would terrify a short man.’
19 August 2001
[movies] That Loving Felon [ Part 1 | Part 2] — interview with Ray Liotta … ‘It strikes me that Ray Liotta is probably capable of unconditional love himself. I found an extraordinary sweetness in him, sometimes accompanied by his too-much-information type of honesty. What makes him seem maniacal are his eyes, but they are also what make him seem angelic. There’s an amazing play of hard and soft, and people like that. Women like that homicidal lunatic that is dangerous but also tame and sweet. He shrugs: ‘I guess. When you play a bad guy, there’s never just one note. Even killers want to be loved.”
17 August 2001
[movies] Various celeb quotes and stories on Christopher Walken … ‘I was riding in a car with Christopher and some other people, going to our location. [while filming Communion] It was a fairly long drive, through beautiful countryside, and it started to get too quiet, so Christopher started singing “Mac The Knife” in Yiddish!’ [via Fark]
8 August 2001
[comics] Roger Ebert on Ghost World … ‘Seymour and Enid are too similar to fall in love; they both specialize in complex personal lifestyles that send messages no one is receiving. Enid even offers to try to fix up Seymour, but he sees himself as a bad candidate for a woman: “I don’t want to meet someone who shares my interests. I hate my interests.”‘ [via Link Worthy]
7 August 2001
[quote] ‘You’ve become a significant threat to the national security structure. They would have killed you already but you got a lot of light on you. Instead they’re trying to destroy your credibility. They already have in many circles in this town. Be honest, your only chance is to come up with a case. Something, anything. Make arrests, stir the shit storm, hope to reach a point of critical mass that’ll start a chain reaction of people coming forward, then the government will crack. Remember, fundamentally people are suckers for the truth — and the truth is on your side, Bubba.’
6 August 2001
[comics] Anticipating a ‘Ghost World’ — Time on Clowes and Zwigoff’s Ghost World … ‘…most importantly the Clowes sensibility has successfully made it into movie theaters. It’s too bad that it takes a movie to expose vast numbers of people to Clowes’ pessimistic universe of the lummoxes, schlubs, and dorks who made the Wendy’s foodchain possible and who write “comix” review columns on “the web.”‘ [via Comic Geek]
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5 August 2001
[lists] Five awful films I’m embarrassed to say I’ve watched:
4 August 2001
[movies] The From Hell Movie Trailer is available at Apple’s Trailer Site. ‘I made it all up, and it all came true anyway. That’s the funny part.’ [requires Quicktime 5, link via WEF]
[lists] Five good films I’m embarrassed to say I’ve never watched: - The Conversation … ‘I’m not afraid of death, but I am afraid of murder.’
- Paths of Glory … ‘BOMBSHELL! the roll of the drums… the click of the rifle-bolts… the last cigarette… and then… the shattering impact of this story… perhaps the most explosive motion picture in 25 years!’
- The Deer Hunter … ‘Stanley, see this? This is this. This ain’t something else, this is this!’
- The Night of the Hunter … ‘The wedding night, the anticipation, the kiss, the knife, BUT ABOVE ALL… THE SUSPENSE!’
- Dog Day Afternoon … ‘The robbery should have taken 10 minutes. 4 hours later, the bank was like a circus sideshow. 8 hours later, it was the hottest thing on live T.V. 12 hours later, it was all history. And it’s all true’
[tags: Movies][ permalink][ Comments Off on Five Good Films I’ve Never Watched]
2 August 2001
 [movies] Interesting review of Apocalypse Now Redux … ‘Col. Kilgore (Robert Duvall), the surfing-obsessed, napalm-crazy Air Cav honcho, the additional minutes are more than a madness bonus. They excavate contradictions in his character that were glimpsed only briefly in the ’79 cut, and make him seem both more monstrous and more human–more monstrous because he is more human. His interest in acid-tripping California surf god Lance Johnson (Sam Bottoms) now seems less like a middle-aged man’s power-juiced nostalgia trip than a prepubescent’s obsessive male crush. Kilgore dotes on this fair-haired visitor, monitoring his needs the way an old-school movie producer might pamper a star, and Lance–like Kilgore, a fancy cipher in ’79–responds with a stoner’s sense of privilege. (Refusing to surf in artillery-pounded waters, he says: "I’m an artist.")’ [via Robot Wisdom]
27 July 2001
[comics] Salon has A Conversation With Terry Zwigoff and Daniel Clowes… ‘Collectors like us are usually all really troubled people who find solace in their dank apartments filled with decaying old stuff, and they’re often a trial to deal with. Of course, I live in my own little sanctum/sanatorium with all my books covered with Mylar. I collected a lot of sleazy ’50s and ’60s sex paperbacks and recently found one from 1968 called “Ding-a-Ling Broad.” It has the dumbest-looking woman that I’ve ever seen on the cover. It’s something that is an endless source of joy for me.’ [ Related: Ghost World Movie Site, Salon Review, GW at IMDB, link via Seething Hatred]
24 July 2001
[linkage] I’ve just noticed that the Sunday Times has finally put articles from it’s glossy magazine on the website…
Bullitt over Broadway [ Part 1 | Part 2 | Part 3] Brief study of Steve McQueen… ‘He grew more insecure with each film. “He wasn”t sure of what he was doing – and he wanted to do a really good job. He wanted order. If a director showed weakness, he would be replaced. And he was very possessive,” remembers Claxton. “He was like a child – at lunch he would order way over what he needed: two cheeseburgers, three chocolate milkshakes, two bags of fries. His attitude was, “Get it while you can, before they take it away from you.” He purposely didn’t carry any money around; he was very tight. He wouldn’t even tip baggage handlers at airports. He’d say, “No – they need to learn that life is tough.” ‘
The Hot Ticket [ Part 1 | Part 2 | Part 3] Article about Tony Blair just before the last election… ‘Flying back from the Labour party spring conference in Glasgow, I am seated next to Anthony Charles Lynton Blair, almost entirely deaf. He holds his nose and blows hard, instructing me to follow his step-by-step example. ‘No, no, no, not like that, like this.’I fear bursting an eardrum. He shrugs; his view is that unless you push on with a project it’s hardly worth bothering.’
The Talented Mr Ridley [ Part 1 | Part 2 | Part 3] Interview with Ridley Scott… ‘He had not won the Oscar for best director. That had gone to Steven Soderbergh for Traffic. Ridley had been there before, with Thelma & Louise, losing on that occasion to Jonathan Demme, the director of The Silence of the Lambs. This time, he said, he had two flash moments, the first being relief that he would not have to do his acceptance speech, the second disappointment at having come so close again. Then he thought, oh bugger, he’d have a vodka instead.’
19 July 2001
[movies] The trailer for Apocalypse Now Redux is up at the Apple Trailers Site. ‘Never get out of the boat. Absolutely goddamn right. Unless you were goin’ all the way. Kurtz got off the boat. He split from the whole fuckin’ program.’ [Related: Quotes, Apocalypse Now Tribute Site]
11 July 2001
[comics] Great interview with Eddie Campbell mainly about the From Hell movie at Ain’t it Cool News… ‘Alan said that, “We all know that serial murderers are not like this. They’re horrible nasty little men with bad hair-cuts!” So with Gull, we’ve created this colossal figure of evil. I hope we haven’t made him attractive. I actually have much admiration for the original Dr. Gull, who was the man who wrote the paper and gave the name to anorexia nervosa. And his name still pops up if you’re reading on thyroid conditions. He wrote the original medical papers on one or two subjects that are still very relevant today.’
22 June 2001
[comics] First review I’ve seen of the Ghost World movie…. ‘Just out of high school, Enid has vague plans to move away from home and into a starter apartment with best bud Rebecca (Scarlett Johansson). Slightly jealous of her pretty blonde pal, our bespectacled post-Goth heroine keeps bailing on the search for a new pad, although she’s clearly sick of living with her meek dad (Bob Balaban, in another of his superbly modulated outings). Adding to the tension between the girls is their mutual ardor for Josh (Brad Renfro), a blandly handsome schoolmate without much evident interest in either of them. (This aspect of the situation, uncharacteristically for the movie, is rather more muted than it is in the comic.) Throwing things out of whack, and eventually into focus, is Enid’s chance encounter with Buscemi’s Seymour, a sad-sack record collector — an amalgam of Zwigoff himself and various Crumb brothers.’ [via Comic Geek]
21 June 2001
[comics] Nice quality trailer for Ghost World up at Apple’s Quicktime Movie Trailers site… [ …oh… and buy the comic book!! Trust me. You won’t regret it.]
16 June 2001
[reboot] ‘Why don’t you knock it off with them negative waves? Why don’t you dig how beautiful it is out here? Why don’t you say something righteous and hopeful for a change?’
28 May 2001
[film] The Independent profiles Jerry Bruckheimer. ‘… [Bruckheimer] was one of the originators of high concept in Hollywood. We are talking high not as in high art or high church, but as in the height of a pile of $100 bills starting from the floor and reaching up to the top of Bruckheimer’s utterly groomed grey hair. Mention what critics say about his movies and he gives a shit-eating grin in which his heavy lower lip falls further. Critics don’t have points on the gross, he says. And critics aren’t necessary in show business. As befits any apostle of high-concept movies, Jerry Bruckheimer is instantly understandable: mystery, doubt, ambiguity and concealment are anathema to him.’
22 May 2001
[goodfellas] Henry Hill: The Return of the Goodfella — profile of Henry Hill and new website Good Fella Henry… ‘No longer in the witness protection programme, Hill none the less has to lie low. This means giving his address only to close friends, keeping Rottweilers, and staying away from the old neighbourhoods, especially Brooklyn. Occasionally, he will try a disguise. “If I go to the racetrack, I put a hat and glasses on, and I take my teeth out. You can’t recognise me, trust me.”‘
16 May 2001
[falling knob?] Urban Myth — Does C3PO have a “oversized penis” on A Star Wars trading card? ‘The current theory is that at the exact instant the photo was snapped, a piece fell off the Threepio costume, and just happened to line up in such a way as to suggest a bawdy image. The original contact sheets from the photo-shoot attests to this. They are not retouched in any way, yet still contain the same image.’ [via Fark]
12 May 2001
[film] Chosen — Ang Lee produces a six minute on-line film promo. ‘The Driver meets a ship carrying an eight-year-old Tibetan boy at a dark, deserted New York shipyard. But he?s not the only one waiting. Ang Lee, director of the Oscar-winning Crouching Tiger, Hidden Dragon and star Clive Owen create a thrilling, yet beautiful, tale filled with mystery.’
10 May 2001
[film] Viewaskew have produced an on-line Teaser Trailer for Jay and Silent Bob Strike Back… (Not-So)Random Quote from Mallrats: ‘You fuckers think just because a guy reads comics he can’t start some shit!?’ [ Related: J+SBSB at Upcoming Movies]
2 May 2001
[comics] Interesting interview with Kevin Smith about comics mainly… ‘It’s so sad that there are people who feel that comics’ salvation lies in mainstream acceptance, because it implies that comics are a dying artform. They’re not. Comics don’t need to be saved. Comics aren’t going anywhere. There will always be a comic book field, despite all the nay-saying braying of a group of Chicken Little’s, who feel like they have their finger on the pulse of a medium that’s been around far longer than their two-bit opinions of it. What fans/critics/pundits need to understand is that comics are a rarefied medium, and that they’ll never be able to compete with movies and television (or video games; or the internet; or even mimes). Just accept that and be happy with the audience that IS out there, and do your best to keep them entertained. Cater to them relentlessly with hero books and non-hero books alike. Hell, there are enough fans of both! But don’t slap them in the face by telling them constantly that they’re not enough. Heavens, love the one you’re with, you know? Besides, what kind of insecure soul would crave mainstream acceptance anyway? Aside from Warren Ellis?’
25 April 2001
[movies] Movie Mistakes…. Massive list of mistakes in Titanic include: ‘One of the misconceptions about the upper class and steerage passengers is that they were separated solely due to class reasons. First and I believe second class passengers had medical certificates that say they were free of disease, so they didn’t have to pass through any kind of port check when they landed. One way of guaranteeing this was to keep them totally separated. This was common practice on the ocean liners of the time. Jack’s being able to get into first class wasn’t just improbable it was potentially dangerous.’ [via Chris]
24 April 2001
[profiles] Barry Norman: Films ain’t what they used to be — the Independent profiles the film critic… On why he’s retiring: ‘”It’s not as much fun as it used to be,” he says. “The film industry has changed, and I find it slightly depressing that almost all the big movies coming out of Hollywood next year are based on comic books. Even Ang Lee’s doing one. Also, the one person who’s always been low on the totem pole in the movie industry, the writer, is now lower than ever before.”‘
7 April 2001
[crime] Only in America… Henry Hill has his own website — Henry is the gangster Ray Liotta played in Good Fellas. Unsurprisingly, his website includes a Threat of the Week section… ‘How does it feel to be a stool pigeon, you rat bastard?’
28 March 2001
[movies] Another memoir about Stanley Kubrick — this time from Wendy Carlos who did the soundtracks for The Shining and A Clockwork Orange…. ‘You can understand why recent attempts since his death to paint a revisionist (revisionary “historians” — right out of Orwell — feh!) image of Kubrick as some kind of warm and fuzzy fond old uncle are both ignorant and bizarre. The world has plenty of avuncular supportive seniors already. What’s in short supply in the world is Stanley Kubricks: artists who will spare no effort to do work of the highest caliber. Yes, it’s impractical, and not a role most artists are able to inhabit with comfort, unless you command the respect and financial support system he needed.’ [thanks Luke]
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