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London Bloggers [Comic Blogs][Other Blogs] | 18 June 2002
[comics] Challenging comics writer Grant Morrison true to form in ‘The Filth’ — brief backgrounder on Morrison and The Filth. ‘…he says, at heart, he is not some wildly perverse writer who happened to fall into the comics field. Despite what you read from him, he says he cannot be identified through his writing. “I’m really a man who likes to be alone and quiet,” he says.’
13 June 2002
[film] A couple of interviews with Willem Dafoe …
Webbed feat … On his Green Goblin Action Figures: ‘Yeah. How about that? Now that I’ve made this movie, there’s a little bit of a, “What have I done?” thing. I’ve never made movies that kids could see, and now I’m ruing the day some little kid in the grocery store freaks out, “Mommy, it’s the Green Goblin!”‘ Dafoe’s Role as Green Goblin Isn’t the Stretch It Might Seem … On Comics: ‘”Growing up, I was aware of the Marvel superheroes, but I wasn’t much of comic-book reader,” concedes Dafoe. . “It wasn’t as if I was against reading them, it’s just that I wasn’t doing it. My introduction to comic books was through Zap Comix and Zippy the Pinhead. Those are the images I’d see when I visited my older brothers and sisters at the University of Wisconsin.”‘ 12 June 2002
[comics] Grant Morrison.com updates — New Column, new Digital Ink… Scripts for the aborted Invisibles TV Series … Episode 1:
Malcolm’s in the Invisibles classroom, combing his hair in front of a mirror. With only a few little changes, he’s turned his 70s teacher look into Jason King. Shirt open, he picks up a groovy 70s jacket. Checks out the window where a beautiful blonde in a sports car waves up to him. The full Invisibles team is assembled here but they’re little more than vague presences in the scene. Ragged Robin is laying out tarot cards. Tarot trump 20 – the Aeon, which represents the Crowned and Conquering Child of the coming Aeon of Aquarius/Horus. Malcolm slings his jacket on. 11 June 2002
[comics] Karen Berger and an Extraordinary Gentleman. [via WEF]
10 June 2002
[comics] Spiderman Bursts out of the Page — profile of Peter Parker, the Amazing Spiderman … ‘Realising the tremendous value tied up in old Marvel titles should have been easy. But the company managed to botch the job, selling the Spider-Man film rights to three different parties. Even now, argues Win Wiacek, the company is taking little advantage of the Spider-Man film hype to promote its comic books. Selling Spidey figures made in the Far East is more profitable in the short term. For Spider-Man, a successful future is more likely to be scripted in Hollywood than New York.’
7 June 2002
[comics] Grant Morrison’s Filthy Mind [Part 1] [Part 2] [Part 3] … A Newsarama Interview. ‘The Filth is ostensibly very different from something like The Invisibles – there’s no drugs, magic, pop culture references or tantric sex in this book, at least not so you would know. The Filth is immense, however, and builds to some rather disturbing conclusions about who we are and what we’re for. In some key ways, fans will recognize this book as something of a photo-negative of The Invisibles. The Filth is determinedly uncool, unfashionable and anti-stylish as a reaction to a lot of the more superficial glamour aspects of The Invisibles. The Filth is all ugly people and broken things, but shot in the most incredible colors and light.’
6 June 2002
[comics] Crack!Comicks — a new site from Grant Morrison … About The Filth: ‘It’s bigger, wilder, uglier and more heart-rending than the best summer blockbuster movie and if, like me, you love the awful smells of failure, shame, male pattern baldness and seedy compromise, then you’re sure to revel in the squirming twists and turns of this exotic international spy-fi thriller, where games of identity, madness and planetary hygiene combine with perverted sex, kitchen sink realism and ultra-technology to blind the mind’s eye and infect the soul forever. Sights to scupper the sanity! Philosophies to burst the frontal lobes! People with combovers having sex!’ [Related: Filth Trailer from DC]
5 June 2002
[comics] Gibbons Puts Two Hats On — Dave Gibbons is doing a new Graphic Novel for Vertigo called “The Originals”. The preview art looks incredible …
 Gibbons: ‘If I was going to spend a year or more on a single project, it was going to have to be something I had a real emotional investment in, something that related to the real world I’ve lived in. Not a science fiction story, although The Originals is not set in mundane reality. Not a tedious real-life autobiography or a thinly disguised philosophical treatise, but a piece that communicated aspects of life that had been overpoweringly important to me when I was growing up.’ [via Barbelith] 4 June 2002
[comics] An interview with Neil Gaiman [Page 1] [Page 2] [Page 3] … On Sandman: ‘The point about Sandman is it’s the single largest body of work I’ve done. It was about 10 years of actual work. I started working on it in ’87, and finished it in ’96. That was a solid nine years, for eight of which it was coming out in the public, but for one of which was just me. Sandman’s 2,000 pages long. It was 4,000 pages of script. It was done over nine years and it came out every month. It’s still 10 volumes long. […] The only reason I survived Sandman, frankly, is that it was coming out every month.’ [via Sore Eyes]
3 June 2002
[comics] Couple of articles about Comic Movies in the wake of the Spider-Man Film …
Angst in his Pants ‘As Ang Lee begins making his film of The Incredible Hulk, the hero of which is a personification of tormented male hostility, it seems inconceivable that twenty-first-century audiences would ever take to their hearts the kind of hero who soared through the clouds in Superman The Movie (1978). That picture looks now like a snapshot of innocent times every bit as nostalgic and obsolete as the images of gay abandon in the 1980 Village People musical Can’t Stop the Music. A Superman with that side parting, blemish-free morality and crisply chivalrous manner would be laughed off the screen today.’ How Superheroes took over the Cinema … ‘Last September changed the world. Even the escapist world of the comic book. Spider-Man the movie is replete with heartstopping scenes in which the superhero saves New Yorkers tumbling from burning or bombed skyscrapers, attacked by the flying Green Goblin, a one-man technologically enhanced al-Qaida. Haunting my pleasure in Raimi’s screen fantasies is the question: “Where was Spider-Man when New York really needed him? Why didn’t he, or some other superhero, intercept those madmen – or at least rescue their victims?”‘ [thanks Kabir] 2 June 2002
[comics] Preview of Grant Morrrison and Chris Weston’s “The Filth” — Looks Good … ‘”She-Male Nurse”. Best for Wank, Eh? Best of Both Worlds, Some Men Say.’ [via I Love Everything]
31 May 2002
[omg!] Spiderman Body Painting [Warning: Link Contains Gratuitous Pictures of Blue Penis.] … Painted Naked Man As Spiderman. WHY? DEAR GOD, WHY?! [via FilePile]
30 May 2002
[comics] The Boston Globe wonders if Comics are Good or Bad … [Related: Metafilter Thread, via Neilalien]
Comics: a vast universe to explore … ‘Reading McCloud’s first book, you may find yourself feeling a peculiar combination of exhilaration and exhaustion. It’s a feeling that I’ve come to recognize as part of the comics-reading experience, at least for me. Absorbing complex ideas through the combination of pictures and words is a new skill for most of us, and one that takes a particular kind of intellectual effort. But it also rewards that effort in ways that neither words nor pictures alone can do. When we simultaneously experience both the visceral effect of pictures and the intellectual engagement of words, our brains connect with the material in a richer and more interactive way. Because we have to put the words and pictures together, we’re more actively involved in constructing meaning, and the effort wakes us up. That’s how it feels to me, anyway.’ Got plot? Complex thoughts? Imagination? ‘Growing up, on the rough streets of Chestnut Hill, there were two groups: the comic-books kids and the others. While I found myself drawn to such wholesome preteen activities as shoplifting Atari cartridges and sneaking Marlboros at the town dump, the comic book kids – identified by the Marvel classics they kept protected under plastic – chose the world of fantasy. These weirdos scared me: A kid named Brian who spent hours at Hebrew School composed a ”hit list” of countries he would like to bomb. A group of peers at grammar school formed the ”Chinese Ninja Club.”’ 29 May 2002
[film] Soon to be a major motion picture — The League of Extraordinary Gentlemen … ‘Variety reported on February 20, 2002 that although Sean Connery has not yet signed the deal, he is in final negotiation for the key role of Allan Quatermain. Apparently, the storyline has been altered to include Dorian Gray and Tom Sawyer (the latter to generate more appeal in the American market). The $80 million project is said to begin shooting in the Czech Republic and Morocco in summer 2002.’ [via BenHammersley.com]
28 May 2002
22 May 2002
[comics] Leach Revisits Warpsmiths — Gary Leach to rework and complete his Warpsmiths comics written by Alan Moore. ‘…the decision was made to reprint the reprint the whole Warpsmiths story. One small problem though – the original artwork no longer exists, and no reproducible copies were kept. “Garry gave away a lot of the artwork for the first two parts,” Elliot said. “He does have most of the artwork for the A1″ story but feels some of it needs to redrawn. He’s a bit of a perfectionist – a perfect match for someone working with Alan.” So – back to the drawing board. Literally.’ [via Barbelith]
16 May 2002
[comics] An interview with Chester Brown covering all aspects of his career … along with an excellent republished comic strip — My Mom Was A Schizophrenic. Brown on Peep Show: ‘I think there are a lot of people out there who do think that the person in Peepshow is me, portrayed accurately. They don’t take into account the fact that JOE MATT IS A LYING BASTARD!’ [via WEF]
15 May 2002
[comics] Theory.Org.UK Trading Cards — Unofficial Card #21: Dave Sim … ‘Particularly toxic in the parlor setting, these slash and burn ideological stylings are not suited to those needing affirmation, or friends. Or sex.’ [via Cerebus Yahoo Group]
14 May 2002
[comics] Peter David is blogging (kinda) and REVEALING SEASON SIX BUFFY SPOILERS (beware) … ‘Greetings and solicitations. This will be the first of what will ideally be daily updates in this on-line journal. In the near future, we’ll have a regular Q&A set-up, plus we’re trying to figure out how to produce an on-line whack-a-mole.’ [via Neilalien]
13 May 2002
[comics] All About POP — interview with Philip Bond … What made him want to get into comics in the first place: ‘The chance to use a talent for drawing to tell stories. That sounds like a stock answer, doesn’t it? OK, a chance to draw pretty girls over and over again.’ [via Bugpowder]
10 May 2002
[idle thought] Something I’ve wondered about… Who is Merv Griffin? [via Haddock]
 Merv Griffin Bio — I think I’m beginning to understand now… ‘Merv became increasingly popular with nightclub audiences and his fame soared among the general public when he struck gold in 1950 with “I’ve Got a Lovely Bunch of Coconuts,” reaching the number one spot on the Hit Parade and selling three million copies.’ 9 May 2002
[comics] Trash of the Titans — Kevin Smith on the difference between Marvel and DC … ‘I had Green Arrow referring to Green Lantern as an ”old fart.” This was excised from the story, and the term ”old toot” was used instead. Mind you, this was in the same month that Superman and Wonder Woman had such passionate sky sex that it shattered the earth in Frank Miller’s DC-published ”The Dark Knight Strikes Again.” The lesson: A Kryptonian can knock red boots with an Amazonian, but at no time can either fart.’ [via Neilalien]
7 May 2002
3 May 2002
[comics] Jazzy John Junior — interview with John Romita Jr. from Newsarama … ‘My style may have been altered by a change of events when I got on Daredevil, which was my ultimate turning point. I was ready to get out of the industry before then. I got on Daredevil, and was given free reign by [editor] Ralph Macchio. He gave me permission to do full pencils and tell the story as I saw fit. Before that, I was always under Chris Claremont or Jim Shooter’s guidelines. From that point on, I was really able to stretch my wings.’
2 May 2002
[comics] Through the Eyes of Karen Berger — interview with Vertigo’s Executive Editor … Berger on Original Graphic Novels: ‘We’re interested in creating bodies of work that the person who’s not going into comics shops weekly – if at all – can easily pick up and enjoy as a self-contained experience. As the evolution of books from serialized reading experiences published in magazines a hundred years ago to original self-contained entities allowed greater popularity with the advent of the paperback format, it’s likely we’re going to make a similar transition, at least with a large portion of our material. It’s not an easy transition, as the industry is still built on getting your comics ‘fix’ on a weekly or monthly cycle. Kyle Baker is a good example of a creator who can build a truly great story that really can’t or shouldn’t be broken up into pieces. It’s a thing as a whole and that’s the only really good way to absorb it.’
30 April 2002
[comics] Spider-Man’s Long-Lost Parent — great article on the reclusive Steve Ditko … ‘The first rule of Steve Ditko is you don’t talk about Steve Ditko. Not to the press, not even to friends or peers. Intensely private, Ditko is an enigmatic figure — the J.D. Salinger of comics. He avoids publicity and hasn’t given an interview in more than 35 years. Only a few published photographs of him are known to exist, and good luck finding them. “He’s the exact opposite of me,” says Lee, who has spent the last 40 years as the public face of Spider-Man and the rest of Marvel Comics’ superhero pantheon. Those who know Ditko say he prefers to let his work speak for itself.’ [via Neilalien]
[comics] Interesting thread on Warren Ellis on the Barbelith Underground … ‘Someone alleged the other week that Warren Ellis is perhaps the world’s most successful writer of slash fiction, and I thought that was an interesting point, if essentially not true.’ [More]
23 April 2002
[politics] A French Movement — another Steve Bell cartoon on Jean-Marie Le Pen and the French Presidential Elections.
21 April 2002
[comics] The 2001 Squiddies — comic awards from rec.arts.comic.* on Usenet. [Related: Postings on Usenet — PR and Results | Analysis of Results]
18 April 2002
[comics] Neilalien — comicblog concentrating on Marvel, the mainstream and Doc Strange … ‘Neilalien of course does not aspire to rise above the noise and crap. Not until he gets interviews with Brian Michael Bendis, anyway. He tries to keep things honest though! For example, he always discloses that he doesn’t own Marvel stock before criticizing President Jemas! ‘
12 April 2002
[comics] Comics Turn a New Page — BBC News looks at on-line comics and interviews Scott McCloud … ‘McCloud knows that he is known as something of a maverick. “Among my peers, I am known mainly as the kooky guy who talks about the internet a lot. I don’t mind being associated with my books about comics, especially Understanding Comics, which I still rather like.” There will be more comics about comics, he says, but not for a while yet.’
10 April 2002
[comics] Jonathan Ross interviews Alan Moore … [via Bugpowder]
‘ROSS: Let me tap back into some more Alan Moore mythology. Are you married? Or are you living with Melinda? 8 April 2002
[comics] Long interview with Brian Michael Bendis [Part 1 | Part 2] … ‘I have always admired and respected the work of people who produced a lot of work like Jack Kirby and John Romita. I think that them producing a lot of work made the work a lot better. I think that when they were using all of their steam, it wasn’t the volume of the work that mattered it was the quality that mattered. I always aspired to be that kind of comic creator. On the same note, I don’t want to be “Oh look he can write 50 titles”. I have no interest in being that guy. It’s just I can. So, I don’t drink and I don’t play video games, which is the more horrible thing to happen to mainstream comics – the creation of Playstation. If they would take them away from comic creators you wouldn’t even hear about a late book. ‘ [Related: Jinxworld]
30 March 2002
[quote] Warren Ellis: ‘Do you know how creepy it is to think that at least eight people will be having sex tonight because of you?’ [from Bad Signal … Subcribe]
27 March 2002
[comics] Reno man threatens to blow up comics store … ‘He said he wanted to blow up the place or burn it down. If he couldn’t have his comic books, nobody could.’ [Related: Metafilter has some amusing comments … ‘What are mylar snugs? They sound like diapers? Waterproof underwear?’]
25 March 2002
[comics] Great gallery of images from Frank Miller and Bill Sienkiewicz’s Elektra: Assassin …
 ‘The daughter of a Greek ambassador, Elektra is the beloved of Matt Murdock. When her father is murdered she becomes a ninja assassin, ultimately betraying those who trained her and turning to a life of senseless crime.’ 24 March 2002
[comics] Ten Essential Comics — I’ve been playing around with amazon.co.uk’s new listmania feature … ‘Guys. Hey. Getting Any?’
20 March 2002
[comics] King David — DC Comics PR for Kyle Baker’s new graphic novel … ‘Hilarity of Biblical Proportions! Violence! Intrigue! Polygamy! Mass circumcision!’
19 March 2002
[comics] Thrown to the Wolves — a review of my comic du jour… 100 Bullets. ‘The basic story-line is simple, but as I’ve indicated not without its complications. A highly secretive group of vengeance-seekers, the Minutemen, are locked in battle with the Trust, the obligatory nasties. The Minutemen operate outside the law, specializing in setting up victims of criminal wrongdoing with hard evidence of who did them wrong, along with a tasty firearm and one hundred untraceable bullets. The victims get to decide whether and how they are going to use the information and weaponry the Minutemen have dropped in their laps. Those who succeed in blowing the bad guy(s) away might then be approached to see if they have what it takes to join the ranks of the secret revenge society.’ [Related: 100 Bullets on-line comic]
8 March 2002
[comics] Artbomb has a number of reviews of Eddie Campbell’s Bacchus along with some preview PDF comics…
‘The Cockscrew – A useful key to unlock the storehouse of wit, the treasury of laughter, the front door of fellowship and the gate of pleasant folly.’ — Bacchus quoting an unknown author. 7 March 2002
[comics] The Ultimate Writer — Sequential Tart interview with Mark Millar … How to “save” comics: ‘The formula is very simple and was utilized in microcosm in Marvel Knights; the best writer and the best artist you can find on a character and the audience will seek them out. This was then applied to the Marvel Universe itself and created the beginnings of the new boom we’re looking at. DC will hopefully follow the trend and add their considerable marketing and retail muscle to the boom. I don’t know if it’ll happen under the current administration, but history has a habit of sweeping aside anyone who’s standing still.’
6 March 2002
[comics] Judge Dredd in Links — the Guardian’s Net Notes celebrates 25 years of Judge Dredd … ‘Despite Dredd being the biggest draw for 2000AD, arguably the most media coverage the comic received did not have anything to do with him. It came in 1997 when it ran a satirical story called B.L.A.I.R 1, where the prime minister was turned into a bionic superhero.’ [Related: 2000AD Online, BBC News: Bambi overtaken by bionic Blair]
5 March 2002
[comics] Writer Cool with Unauthorized Use of Script in Cerebus — Dave Sim stirs up a controversy again (kinda… no misogyny or fistfights this time) … ‘When the Journal, disheartened, expressed the opinion to Sim that this seemed to be shaping up as one of the smaller Sim controversies, he responded, reassuringly, “When it comes to Dave Sim, there are no small controversies.”‘
1 March 2002
[comics] I invented Judge Dredd — BBC News interview with John Wagner … ‘This was back in the days of Dirty Harry, and with [Margaret] Thatcher on the rise there was a right-wing current in British politics which helped inspire Judge Dredd. He seemed to capture the mood of the age – he was a hero and a villain. That villainous aspect to Dredd’s character – and the Draconian laws of Mega-City One [the post-apocalyptic metropolis Dredd polices] – really caught the readers’ imagination. Occasionally we’d get letters from children who seemed to be agreeing with his hard-right stance, so we made the strip more political to bring out the fact that we didn’t agree with Dredd.’ [via Coffee Grounds]
[tv] Evan Dorkin Exposes Geek Chic for Cartoon Network — Dorkin talks about Welcome to Eltingville … ‘”Because of Dorkin’s antipathy towards the “Eltingville” quartet, he plans to retire the group from comics. “I always knew ‘Eltingville’ was something I was going to stop doing,” he says. “I hate these characters, to a small degree. I find them maddening to work on. I’m drawing these horrific, ugly characters acting in a really nasty way.”
28 February 2002
[comics] Get Your Wurtzel On — reworking of Get Your War On … ‘…when you get naked on your own book cover and yet nobody gives a shit, the world must seem pretty cold!’ [via RACM]
[comics] Suck has been dead for a while now but before it shutdown it published some illustrated articles from the cartoonist Peter Bagge …
‘”Just think!” I thought to myself, “I get to cover The Democratic Convention for Suck.com!” Yeah, me and about 50 million other journalists, but it still felt like a big deal to me at the time the prospect first came up. Plus there was a lot of buzz over the possibility of PROTESTERS getting out of hand like they did in Seattle during the WTO meetings. We’re talking RIOTS, folks! BIG ones!!! Who’d want to miss out on THAT action? Er, from a nice, SAFE DISTANCE, that is.’ 27 February 2002
[comics] Some important comic-related research — Two Playboy Playmates that Chester Brown mentions in his autobiographical comic The Playboy [Links below not safe for work] …
‘So — What are you feeling? Disgust with yourself for having bought such a publication. The typical self loathing you always feel after masturbating. Annoyance that you didn’t check out the skin colour of the playmate before buying the magazine. That last one leading to more feelings of self loathing — this is the first time in your life that you’ve had to face the fact that at some level you’re a racist. If only you’d never bought the damn thing, eh?’ — Chester Brown. 26 February 2002
[cartoon] Steve Bell on Stephen Byers and the Spin Row … ‘Fuck, Minister.’
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