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1 April 2004
[comics] Yet Another Dave Sim interview from the Onion AV Club … ‘It was pure guesswork on my part back in 1979 as to whether I would have the stamina to write, pencil, ink, letter, tone, and fill the back of a monthly comic book for 26 years. In retrospect, I should’ve said 250 issues. Finishing the book, the last four years, what had previously been an interesting job that left me a certain amount of spare time for other things had become a 15-hour-a-day, six-day-a-week, Herculean task. At the age of 23, I actually thought I would be fine into my 50s doing a monthly comic book, but that I would let myself slack off by ending it at the age of 47. It’s a young man’s game.’ [thanks Kabir]
26 March 2004
[comics] List of “Holy —, Batman!” uttered by Robin — from the Batman TV Series … ‘Holy Astringent pomite fruit!’ [via Neilalien]
25 March 2004
[comics] 5 Questions for Peter Bagge — another Q&A from ADD … ‘I’m pleased to see that comics are making inroads in books stores via the graphic novel route, I’m very upset at the shrinking demand for the traditional comic book format, which is by far my favorite medium to work in.’
22 March 2004
[comics] Alan Moore’s memorial for Julie Schwartz: ‘And now we hear that Julie has been… discontinued? Cancelled? But they said the same about Green Lantern and the Flash back in the early ‘fifties, so we can’t be certain. This is comics. There’ll be some way around it, be some parallel world Earth-Four Julie, born thirty years later to account for problems in the continuity, and decked out in a jazzier, more streamlined outfit.’ [via Neilalien]
18 March 2004
[comics] The Reluctant Hero — another interview with Alan Moore … ‘Put together by Paul Gravett, an internationally renowned expert on comic-book art (he also curated last year’s Comica festival at the ICA), the exhibition features a mass of original, rare or never-seen-before art created for Alan Moore works over the last 25 years, as well as previewing The Mindscape of Alan Moore, an 80-minute documentary on the writer. “It’s an enormous honour,” Moore says of the show. “Even if it makes me feel like I’m almost dead.”‘
14 March 2004
[comics] John Byrne on Grant Morrison and Alan Moore: ‘I get no sense from [Grant] Morrison’s work that he has any “love for the genre”. I get the same vibe I get from [Alan] Moore — a cold and calculated mixing of ingredients the writer knows the fans like, but to which the writer himself has no eviceral connection. Nostalgia without being nostalgic, as I have dubbed it.’ [via ADD]
12 March 2004
[comics] 5 Questions for Alan Moore — another Q&A from ADD Blog… Moore on Writing Voice Of the Fire: ‘As it happened, quite eerily, there were a number of events that more than satisfied the various things that I needed to finish the novel satisfyingly, you know, things like severed heads and big black dogs, often in conjunction with each other. So, it was very eerie at times, not just surprising, but incredibly eerie. There are moments during a writer’s life, especially if he or she is dealing with something very close to home, if it’s getting a bit self-referential, that sometimes the borderlines between fiction and your actual reality can get dangerously blurred and, yeah, that happened more than once during the course of Voice Of The Fire.’
9 March 2004
[comics] Illustrating the Imagination — Apple profiles Dave McKean. On Superheroes: ‘The problem with the “Supermans” and “Batmans” is that they really work best when they’re very, very simple and when they’re done by people who loved them as kids and want to recreate that naiveté. But I don’t have those feelings for them at all. I had a go at doing something different with Batman but as soon as you start trying to give these characters any kind of complexity or come at them from any other angle, their foundations are so weak that they all kind of collapse. It’s a really horrible calamity of form and content.’ [via blackbeltjones]
4 March 2004
[quote] Grant Morrison, Animal Man: ‘What’ll it be next? Choice extracts from the Oxford Dictionary of Quotations? Trotting out the Nietzsche and the Shelley to dignify some old costumed claptrap? Probably.’
3 March 2004
[comics] 5 Questions for Dave Sim — Q&A from ADD Blog… ‘The prime creative engine — at least until I discovered God — was the awareness that anything less than actually finishing the 300 issues would make the book a failure. Literally, “300 or Bust.”‘
2 March 2004
[comics] Comics Weblog Updates — which comics weblogs have updated recently. [via Neilalien]
29 February 2004
[comics] The ROZZ-TOX Manifesto — created in 1980 by Gary Panter after conversations with Matt Groening … ‘Item 15 – Law: If you want better media, go make it. ‘
25 February 2004
[comics] The Dave Sim Experience — a Onion AV Club interviewer attempts to negotiate an inteview with Dave Sim … ‘I offered to fax him copies of the interviews I’ve done with Alan Moore and Scott McCloud, so he could see what kind of stuff we do. I mentioned that we look for people who have non-mainstream opinions. He said that Scott McCloud and Alan Moore ARE mainstream. I said that they’ve been embraced by the mainstream, but that they don’t necessarily express themselves in mainstream-friendly ways; for instance, Alan Moore claims that he worships a sock puppet. Dave said something about that depending on whether it’s a feminist issue. I asked how worshipping a sock puppet was a feminist issue. He said “Same pus, different zit.” I said “I’m not getting you.” He said “Yeah. I know.”‘
17 February 2004
[comics] Introducing a Cartoonist Named Crumb — profile of Sophie Crumb from the New York Times … ‘When first encountered at a Berkeley cafe, she sat hunched over a sketchbook intently inking a portrait of two chess players seated nearby. “If I don’t draw for more than a day or two I feel depressed and useless,” she explained. Ms. Crumb at work is reminiscent of several scenes in “Crumb,” Terry Zwigoff’s 1994 documentary about her father. The resemblance is only heightened by her surroundings, the remnants of the hippie subculture from which Mr. Natural, Fritz the Cat and the rest of her father’s most famous characters sprang.’ [via Boing Boing]
12 February 2004
[comics] 200 Words from Mark Millar — bite-size Q/A with Martin from the Copydesk setting the question … ‘Superman, for me, was the pinnacle of my ambition since the age of four of five and writing him was a nostalgic joy, but we’d be stunted as a creative community if we just followed our childhood ambitions. Even the guys who created Superman and Batman would just have written stories about Hercules and Sherlock Holmes if their ambitions had been limited by their ten year old day-dreams.’ [Related: 200 Words Archive, Mark Millar’s Official Site]
7 February 2004
[archive] Sidebar Blog Archive #5:
[tags: Comics][ permalink][ Comments Off on More Old Links from the Sidebar…]
6 February 2004
[comics] A Short History of the Photocopying and Dissemination of My New Fighting Technique Is Unstoppable — David Rees describes the publishing and distributing history of MNFTIU. ‘…the book was being distributed via fax without my permission. This is called “file sharing.” I asked the guy if he thought his photocopy friend would make me some copies of the book at a reduced rate — seeing as how he was already engaged in unauthorized fax piracy on the high seas of clip-art comics. He thought this was reasonable. I called the guy at the photocopy shop and we worked out an arrangement whereby I would stop by the shop on Friday afternoons with a 12-pack of beer. I would leave the beer on top of the counter and he would kick a box of books under the counter. I would lug the books (actually, collated pages) home on the subway and staple them in my living room. That is how I learned the ancient art of bookbinding.’
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4 February 2004
[comics] I guess Frederick Wertham was right about Batman and Robin… [via ¡Journalista!]  ‘Only someone ignorant of the fundamentals of psychiatry and the psychopathology of sex can fail to realize a subtle atmosphere of homoeroticism which pervades the adventure of the mature ‘Batman’ and his young friend ‘Robin.’ — Frederic Wertham, Seduction of the Innocent’
3 February 2004
[blogs] You’re Fired! — the New York Post on Blog Privacy … ‘Dating can also become tricky terrain when one or both parties are blog-savvy. “The blogging community is terribly incestuous,” Lapatine admits. “If the relationship doesn’t go well, all your mutual friends will read about it. This,” he adds, “is how a friend of mine learned that he had halitosis and was a bad dancer.”‘ [via Anil’s Daily Links]
2 February 2004
[comics] NeilAlien’s Ask The Mysterious Orb — Ask the Orb a Yes/No Question and receive your answer … ‘Warning: The demons within the Mysterious Orb might shriek horribly.’
26 January 2004
[tv] Garth Marenghi.com … ‘As many of my readership can attest, I invented the internet back in 1976 with my short story ‘Mindgrid’. Many of my predictions, alas, have since borne sorry fruit, and I, too, have spent many troubled hours distracted by erotica.’
22 January 2004
[comics] Cerebus #300 — various comics creators and insiders on the last issue of Cerebus (due in March). Gerhard comments: ‘When somebody asked me what it was like working with Dave, I would half-jokingly respond, “What do you think it’s like working with a manic-depressive, paranoid schizophrenic, hypochondriac, misogynist with delusions of grandeur and a messiah complex?” He seemed to hate himself and yet he thought that he was above all others. On the other hand, Dave can be the most caring, compassionate, unselfish, equitable, honour and duty-bound, thoughtful, reasoned, humorous and generous person you could hope to meet…’ [via the Cerebus Yahoo Group]
21 January 2004
[comics] Sinister Ducks – March of the Sinister Ducks (MP3 File Download) — a song by Alan Moore and his band The Sinister Ducks from 1983 … ‘What are they doing at night in the park? Ducks, Ducks! Quack, Quack! Quack, Quack! Think of them waddling about in the dark. Ducks, Ducks! Quack, Quack! Quack, Quack! Sneering and whispering and stealing your cars, Reading pornography, smoking cigars. Ducks, Ducks! Quack, Quack! Quack, Quack!’ [via Scaryduck and Neil Gaiman]
20 January 2004
[comics] Cerebus #300, okay Dave, now what? — another article about Dave Sim and the conclusion of Cerebus … ‘Sim finished working on the final story pages of #300 the week before Christmas and, in keeping with his avowed commitment to rationality über alles, betrayed no hint of nostalgia — or even anticipation — as the finish line drew near. Asked whether his last few pages had presented any special challenges, he said, “The process remains the same. My approach to page 17 of issue 300 isn’t any different than my approach would have been to, say, page 14 of issue 220.” Shortly after completing the last page, he was hardly reveling in the accomplishment, admitting that his state of mind was “more relief and gratitude that God allowed me to finish than satisfaction, per se.”‘ [posted on the Cerebus Yahoo Group]
19 January 2004
[comics] ScaryDuck remembers the early years of 2000AD … ‘The first issue grabbed you by the balls and wouldn’t let go. The Russians (“Volgans”) invaded Britan, time-travelling cowboys harvesting flesh-eating dinosaurs, a rollerball clone, a six-million dollar man clone and …err… Dan Dare, an ill-advised revival of the Eagle character. But the real meat didn’t turn up until the following week – another 8p gave you another free gift and the first appearance of Judge Dredd. Make no bones about it, Dredd was a fascist…’
18 January 2004
[comics] Chronicling The Revolutionary — interview with Chester Brown about Louis Riel – includes update about Joe Matt … ‘NRAMA: Did Joe Matt move back to Canada?
CB: Nope he’s in Los Angeles right now. He’s in negotiations with HBO to make Peepshow into a television series and it looks like it might happen. I’m not sure if a deal has actually been signed but if it hasn’t then its close. At least they’ll make a pilot.
NRAMA: Who will play you?
CB: I don’t know. Maybe I’m not even in the pilot.’
15 January 2004
[comics] Jim Lee interviews Howard Chaykin … ‘Writing episodic TV is a constant series of negotiations between the writing staff and the line producer’s crew. When I’m doing comics, the old cliché is true – I’m the whole show-writing, acting, directing-and it’s a perfect place for a control freak like me.’
10 January 2004
[comics] Morphing into New Forms. Devouring Young Adults! — article about Graphic Novels in book stores. Mark Farce (comic shop owner): ‘I believe I will outlive the comic book medium. My die-hard customers will just keep getting older and older. I don’t see young kids coming into stores to buy comics. I think the trades have re-tapped into the 25 to 30 year olds who were into comics, got married, sold their comics and are now wandering back in. But when we get young customers in with say a gift certificate they won at a Yu-Gi-Oh tournament, the last thing they’re interested in is comic books.’ [via ¡Journalista!]
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9 January 2004
[comics] Waiting for Tommy Interview with Warren Ellis … ‘Right now, it feels like 2004 will be my last very active year in American comics. This isn’t a big splashy f*ckyouall I’m-retiring I-won’t-play-Bond-again you-won’t-have-Dick-Nixon-to-kick-around-any-more kind of thing. I’m not flopping on the ground in weeping martyrdom or anything. I just think maybe I’ve taken this gig as far as I can go.’
6 January 2004
[comics] Alan Moore vs. Grant T. Morrison … ‘An Epic Bare-Knuckle Brawl Between Two Mega-Legends’ [via plasticbag.org]
27 December 2003
[comics] The 10 Best Comic Book Footballers — My #1 would be Billy’s Boots… ‘Billy Dane was the sort of 12-year-old always picked last at break time. Essentially, he was crap at football. Then he found a pair of boots that had belonged to 1920s striker Dead Shot Keen in his gran’s attic and everything changed. The boots miraculously transformed Billy, who first appeared in Scorcher, into a goalscoring automaton. “Is this me or Dead Shot Keen?” he would muse before blasting the ball into the net.’
20 December 2003
[film] Doom With A View — interview with Harvey Pekar and Joyce Brabner. ‘…despite being here (or not) to promote a movie devoted to his life, Pekar is hardly your average breathless self-publicist. Neither, although his comics have brought him a certain degree of wide-eyed adulation, is he any kind of superhero. What he is is a famously crabby retired hospital file clerk, a 64-year-old underground icon whose ongoing autobiography in the pages of his (until recently) self-published comic has now been transformed into a movie, also called American Splendor’ [Related: American Splendor Official Site]
17 December 2003
[comics] Eddie Campbell & The Dark Knight — preview of Campbell’s Batman comic. ‘…what’s the story about? Well, as mentioned earlier, it is an Elseworlds, so expect something… different. “Batman is visiting London on business in 1939,” Campbell began. “So World War 2 is just a few months away and people are getting jumpy. A Nazi plot seems to be revealed but it’s very much more complicated than that. There is a secret society of men who wear animal masks, a murder that connects with a series of old churches, and a lunatic abroad in the streets. It’s got some of the ingredients of From Hell, as you can see, and at the same time it’s all within the normal jurisdiction of the Batman.” The book is currently scheduled for an early July release…’te>
16 December 2003
[comics] Undertow — Warren Ellis’ take on letting fiction escape into reality … ‘Everything we know about Jack The Ripper outside of the forensic documentation of those five murders is fiction. Even the name is a fabrication. The Jack The Ripper letters, in the most optimistic reading, constitute the actual killer creating a fictional framework for himself. And Jack operated in a landscape already primed for his presence by dramatisation. Robert Louis Stevenson’s THE STRANGE CASE OF DR JEKYLL AND MR HYDE presented a monster whose identity was unknown to the public, turning the streets of 1880s London into a killing zone. A monster, it transpires in the story, from the educated classes — as Jack, with his apparently trained eye for vivisection, almost certainly was. For all we know of Jack The Ripper, he could have been Mr Hyde, released from fiction into Whitechapel.’ [via Barbelith]
12 December 2003
[comics] We Read Comics Blogs So You Don’t Have To! — a summary of what is happening in the Comics Blogosphere … ‘Does anyone really buy those stupid “sexy vampire” comics?’ [via Neilalien]
8 December 2003
[comics] Little things we like: American Splendor — mini review of Harvey Pekar’s American Splendor … ‘Now is the time to check out Harvey Pekar’s brilliant autobiographical comic, just before the film version makes a national hero out of him. Pekar is a downbeat hospital file clerk from Cleveland who writes about the mundanities of his daily routine, from spending empty weekends in front of the television to the dangers of getting stuck behind old Jewish ladies at supermarket checkouts, and it makes for compelling reading.’ [Related: American Splendor Movie Trailer]
5 December 2003
[comics] The Golden Age: Uncensored — ‘Scientologists are fucking weird…’ [via Pete’s Link Farm] 
[link to image]
1 December 2003
[comics] Totally Grant Morrison — another long interview with GM … ‘Most people are secretly fond of the idea of comics, given half a chance. They just need an excuse to admit it. As for mainstream attention, Kristan and I went to the League premiere in Leicester Square and couldn’t help but notice that every page three boy band big brother celebrity in London was suddenly proclaiming a lifelong, undying love of comics …. Strangely enough, they couldn’t actually remember anything other than the Beano and Spider-Man when faced with questions. Progress?’
28 November 2003
[comics] ‘Hello, I’m Grant Morrison and I write the X-Men.’ [link]
25 November 2003
[comics] Deadlock — amusing online comic from Other People’s Stories. ‘…My solution was brilliant in its passive agressive deviousness! I was asking Lisa out on a date without actually going through the humiliation of asking her out on a date!’ [via IllNation]
24 November 2003
[comics] The Graphic Novel Silver Anniversary — Time Magazine on 25 years of Graphic Novels. ‘…Eisner had to come up with his own, spontaneous sleight-of-hand marketing. “[The phrase] ‘graphic novel’ was kind of accidental,” Eisner said. While pitching the book to an important trade-book editor in New York, says Eisner, “a little voice inside me said, ‘Hey stupid, don’t tell him it’s a comic or he’ll hang up on you.’ So I said, ‘It’s a graphic novel.'” Though that particular editor wasn’t swayed by the semantics, dismissing the book as “comics,” a small publisher eventually took the project and put the phrase “A Graphic Novel” prominently on the jacket, thereby cementing the term permanently into the lexicon.’ [thanks Kabir]
18 November 2003
[comics] Alan Moore is 50. Happy Birthday… and enjoy your retirement! ‘Sat in a sandwich bar in Westminster I meet the sharp south-London wideboy occultist that I’d created some years previously for a U.S. comic book. He looks at me. He nods, and smiles, and walks away. Years later, in another place, he steps out from the dark and speaks to me. He whispers: I’ll tell you the ultimate secret of Magic. Any cunt can do it.’ [link]
‘The basic thing to remember is that, eventually, I am always right’ [link]
‘Dog carcass in alley this morning, tire tread on burst stomach. This city is afraid of me. I have seen it’s true face. The streets are extended gutters and the gutters are full of blood and when the drains finally scab over, all the vermin will drown. The accumulated filth of all their sex and murder will foam up about their waists and all the whores and politicians will look up and shout “Save us!”… and I’ll look down and whisper, “No.” They had a choice, all of them. They could have followed in the footsteps of good men like my father, or President Truman. Decent men who believed in a days work for a days pay. Instead they followed the droppings of lechers and communists and didn’t realize that the trail led over a precipice until it was too late. Don’t tell me they didn’t have a choice. Now the whole world stands on the brink, staring down into bloody hell, all those liberals and intellectuals and smooth-talkers… and all of a sudden, nobody can think of anything to say.’ [link]
‘…with the world political situation as it is at the moment the political radical is put in a difficult position because, hum, how do you rebel against chaos? You know, much as political conspiracy theorists would like to think otherwise, the brutal truth of the thing is nobody’s in control, this is a runaway train. Nobody’s in control, there’s not some big conspiracy in control, whether it’s Jewish bankers or nazis or CIA spooks, the simple truth is that the world is a complex storm of mathematics, basically… Very complicated mathematics that is beyond human comprehension.’ [link]
‘I made it all up, and it all came true anyway. That’s the funny part.’ [link]
17 November 2003
[comics] Man of Steel, Woman of Kleenex — Larry Niven wonders about Superman’s Sex Life … ‘Ejaculation of semen is entirely involuntary in the human male, and in all other forms of terrestrial life. It would be unreasonable to assume otherwise for a kryptonian. But with kryptonian muscles behind it, Kal-El’s semen would emerge with the muzzle velocity of a machine gun bullet. (*One can imagine that the Kent home in Smallville was riddled with holes during Superboy’s puberty. And why did Lana Lang never notice that?*)’ [via Many Comic Blogs]
16 November 2003
[comics] After the 30-year Struggle, a Heroic Victory — interview with Paul Levitz, president of DC Comics … ‘It is easy to imagine the small-framed Levitz feeling like an outsider when editing a comic fanzine while he was growing up in Brooklyn. Not any more. “Popular culture has shifted,” he says. “It’s not just the function of the comic book movie per se. Look at everything from Men in Black to Lord of the Rings. This is the kind of material that as young men my friends and I loved, and we were rather at the edge of things. That material is now squarely in the centre.” DC sits in the shadow of the sleek, modern towers that will serve as the new head office of parent company Time Warner, an appropriate position for a business described by investment bank Thomas Weisel as a “hidden asset” buried within the Warner Brothers division…’
13 November 2003
[comics] “Captain America! I Command You To — “ WANK! [via me(ish)]
12 November 2003
[comics] Brought To Book — interview with Posy Simmonds … ‘Not only is she the author and illustrator of five successful children’s books, but this feeling of being treated as a sub-species is also the lot of the cartoonist. ‘People often ask, “Who thinks of your ideas for you?” When you reply that you think of your own, they sometimes say, “Do you do the drawings as well?”‘ She relates this in a deadpan tone, but behind it you can see amusement rather than irritation.’
11 November 2003
[comics] Howard Chaykin on American Flagg: ‘Twenty years ago I did a comic book about a twenty-first century America with endless reality shows based on public humiliation; a federal government secretly selling off pieces of the United States; and a citizenry so drugged out on media they colluded in their own betrayal. Don’t say I didn’t warn you.’
7 November 2003
[comics] The Saga of the Earth Pig — summary of Dave Sim’s Cerebus … [via ¡Journalista!] ‘Cerebus is unique among other comics for its length of story, depth of character, breadth of detail, and evolution over time. It exists in 4 dimensions. The series focuses on Cerebus, a 3-foot tall aardvark man, who lives in a pre-industrial medieval fantasy world. As the story progresses, Cerebus finds himself involved with people and events that change history. He becomes a politician, pope, houseguest, bartender, and prophet, in that order. He finds and loses love. He speaks with beings of great power and knowledge, including his creator, Dave Sim. And yet, he still cannot find happiness in day-to-day life. Cerebus has done it all, been everywhere, and seen everybody. And he still fucks up.’
5 November 2003
[comics] The Books of Heaven, the Comics of Hell: The Graphic Novel in America — Stuart Moore on Graphic Novels … ‘It’s easy to see why writers champion the graphic novel. It’s very liberating to be able to craft a lengthy narrative and let the tension points fall where they may, instead of having to break the flow every 22 pages. But there are two reasons why the graphic novel format hasn’t taken over, despite some pretty zealous proponents. The first drawback is visibility. This is more of a problem for the artist than for the writer, because generally speaking, comics take a lot longer to draw than they take to write. That means that, for some artists, doing a stand-alone graphic novel can take them out of the marketplace entirely for six months to a year. […] The other problem is stickier: economics…’
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