18 August 2004
[comics] Bags and Boards — Variety Magazine’s weblog about ‘…the trends, the buzz and the business of the comic book industry.’
16 August 2004
[comics] We3 #1 Preview — the first four Pages from Morrison and Quitely’s new comic which is out next week … ‘They’re the ultimate cyborg assassins; armed with missiles, poison gas, state-of-the-art computer technology and unbreakable exo-skeletons. The government has spent millions to fuse the firepower of a battalion with the nervous systems of a dog named Bandit, a cat named Tinker, and a rabbit named Pirate. As part of a program to replace human soldiers with expendable animals, the U.S. government has transformed three ordinary pets into the ultimate killing machines. But now, those three animals have seized the chance to make a last, desperate run for ‘Home’. A run that will turn into a breathless hunt to the death against the might of the entire military/industrial complex.’
12 August 2004
[comics] The Grant Morrison Experience — nice PR site from Vertigo – includes a video interview and a sneak peak of Morrison’s latest comic We3 … [via Barbelith]
9 August 2004
[comics] Michael Chabon’s Keynote Speech at the 2004 Eisner Awards … ‘Children did not abandon comics; comics, in their drive to attain respect and artistic accomplishment, abandoned children. And for a long time we as lovers and partisans of comics were afraid, after so many long years of struggle and hard work and incremental gains, to pick up that old jar of greasy kid stuff again, and risk undoing it all. Comics have always been an arriviste art form, and all upstarts are to some degree ashamed of their beginnings. But frankly, I don’t think that’s what’s going on in comics anymore. Now, I think, we have simply lost the habit of telling stories to children. And how sad is that?’
6 August 2004
[comics] Doonesbury Goes to War — interview with Garry Trudeau from Rolling Stone Magazine. ‘…I was overwhelmed by some of the letters that came in about B.D. It was so emotional. People wrote that it made them feel they had a personal stake in the war — like someone they knew had been harmed. People were even more astonished when B.D.’s helmet came off. It signified his vulnerability and made it all the more difficult for them to accept. I was talking to a soldier in the hospital, and I said, “I draw this comic strip, and I have this character named B.D. who lost his leg.” The soldier’s eyes widened: “B.D. lost his leg?!” Here’s this mangled, broken hero lying in his bed, and he’s concerned that this character he knows had such a terrible thing happen to him. It was very moving.’
5 August 2004
[comics] V for Vendetta Annotations — includes an interesting list of pop culture influences which Alan Moore and David Lloyd drew on whilst creating V for Vendetta [Related: More Moore Annotations]…
‘Orwell. Huxley. Thomas Disch. Judge Dredd. Harlan Ellison’s “Repent Harlequin! Said the Ticktockman.”, “Catman” and “Prowler in the City at the Edge of the World” by the same author. Vincent Price’s Dr. Phibes and Theatre of Blood. David Bowie. The Shadow. Nightraven. Batman. Farenheit 451. The writings of the New Worlds school of science fiction. Max Ernst’s painting “Europe After the Rains.” Thomas Pynchon. The atmosphere of British Second World War films. The Prisoner. Robin Hood. Dick Turpin…’
30 July 2004
[blogs] The Guardian uses Blogging to Tap into Niche Publishing — Simon Waldman on the Guardian’s plans for blogs. ‘…offering blogs from columnists such as Simon Hoggart or Gary Younge was also one of the things under consideration.’
29 July 2004
[comics] Superhero Costume Boots — for the well dressed crime-fighter … ‘Ever see a superhero wearing shabby boots? Not if he’s serious about keeping the world a safe and villain-free place. Our superhero boots are top notch, one piece constructed, Lex Luthor stompers!’
[comics] Morrison’s Big-Time Return To The DCU — Newsarama interview with Morrison regarding two new DC Projects. Morrison On JLA: Classified: ‘Aquaman has no beard and John Stewart is Green Lantern so it’s pretty much set in some kind of current continuity but I’m afraid it’s not the gloomy ‘adult’ world of Sue Dibny’s shredded lycra pants so keep well away if it’s attempted rape you crave. Cannibalism, yes, rape, no. My DCU is a day-glo, non-stop funhouse, where the world is threatened every five minutes and godlike beings clash in the skies like fireworks.’
26 July 2004
[comics] State of the Art — Charlie Higson reviews McSweeney’s 13: The Comics Issue … ‘Why does the novel maintain its exalted status as the pinacle of human achievement? Any idiot can write one: you just need patience and a massive ego. It seems extraordinary, when we are surrounded by so much visual information, when we rely on the visual to tell us so much, and the lines between comics, films, advertising, TV and computers are becoming so blurred, that comics should still be considered trivial in some quarters.’
23 July 2004
[comics] Dave Sim’s Follow-Up to Cerebus … ‘The Collected Dave Sim Letters: Just when you though The Last Day would end it all, scheduled for Spring 2005, is a compilation of Dave’s responses to EVERY letter that he received since 2001 (when Carol West quit). 691 pages (at least in Word). Dave’s been working on these responses, at a rate of 3-4 letters per day, since his post 300 “vacation” ended on January 23, 2004. He’s now working on an INDEX for the volume, using Word’s INDEX function. It took him 4 hours to get through the first 19 pages (of the 691).’ [via Meowwcat’s Cerebus Links]
20 July 2004
[comics] The Fink Brothers – Mutants in Mega City One — a MP3 curiosity from the 80’s – Suggs and Carl from Madness perform a song about Judge Dredd and Mega City One as “The Fink Brothers”. Probably of interest to aging fans of 2000AD only … ‘From Justice Hall to Zappa Block, We patrol the streets around the clock! Judge, Judge, Judge, Judge, Judge, Judge, Judge, Judge Dredd! My God, my brain’s exploding!’
19 July 2004
[comics] Every Generation’s Favourite Superhero — profile of Spiderman… ‘For each new generation of teen inadequates, he is the hero-as-nerd, the shy, tongue-tied, non-jock ninny who nevertheless wastes the bad guys and gets into the bra of the top cheerleader. He is always stuck somewhere between 17 and 22. He is the Immortal Teen who, for brief periods, turns into the Urban Ãœbermensch. For the mag-loving kid in the omniplex stalls, he could so easily be one of them. That’s why fans, anoraks and commentators discuss his exploits as if he’s a friend and call him by the matey diminutive “Spidey”. No Batman fan ever dreamt of calling his hero “Batty”.’
15 July 2004
[comics] Collector Amasses Complete DC Collection … ‘A private collector in the northeastern United States has accomplished the astounding and unprecedented feat of assembling a complete collection of every comic book ever published by DC Comics. For those of you who have trouble visualizing the enormity of the task, that’s over 30,000 individual comic books!’
14 July 2004
[cartoons] Useful — All Steve Bell’s recent Editorial Cartoons as an RSS Feed.
12 July 2004
[comics] Not Funnies — long NYT article on Graphic Novels … ‘In certain ways, graphic novels are an almost primitive medium and require a huge amount of manual labor: drawing, inking, coloring and lettering, most of it done by hand (though a few artists have begun to experiment with computer drawing). It’s as if a traditional novelist took his printout and then had to copy it over, word by word, like a quill-wielding monk in a medieval monastery. For some graphic novelists, just four or five panels is a good day’s work, and even a modest-size book can take years to complete.’ [thanks Kabir]
9 July 2004
[comics] Interview with Craig McGill – Grant Morrison’s Biographer … ‘As I mentioned, the book is now about everything in his life – school years, when he dressed as a woman, the drugs, the friends, the fallouts, magic. Everything. Doing it chronologically will make it easier for the incoming reader who is not au fait with Grant’s work and the book will probably run in a very linear sense. I think if I had to sum up one core part of it, it would be honesty. It covers all of his life, but he’s being very blunt with himself and about others. There’s an emotional core to the book, I don’t know if there’s a focus on one part of him, more than any other though.’
8 July 2004
[comics] Grant Morrison: Master & Commander — a huge Popimage interview with Grant Morrison … ‘What people often forget, of course, is that Magneto, unlike the lovely Sir Ian McKellen, is a mad old terrorist twat. No matter how he justifies his stupid, brutal behaviour, or how anyone else tries to justify it, in the end he’s just an old bastard with daft, old ideas based on violence and coercion. I really wanted to make that clear at this time.’
2 July 2004
[comics] Women in Refrigerators — a list of female characters in comics who have been “killed, raped, depowered, crippled, turned evil, maimed, tortured, contracted a disease or had other life-derailing tragedies befall her.”
25 June 2004
18 June 2004
[comics] A Farewell to Aardvarks — another summing up of Cerebus … “If Dave Sim recorded an album, it would be called Genius, Asshole or Madman.” [via Meowwcat’s Cerebus Links]
9 June 2004
[comics] 5 Questions for… Seth — the writer/artist is interviewed by Alan David Doane at Newsarama … ‘If you were to take the first part of Clyde Fans and change the electric fan, like all references to electric fans, to comic books, it would kind of explain who the character of Abraham is, because being a cartoonist in the 20th century has that same kind of feeling of, say, being an electric fan salesman, it’s a kind of an antiquated occupation that’s sort of fallen by the wayside as technological progress has moved us into such totally different media. In many ways, like working as a cartoonist, just drawing little things on pieces of paper seems like such an old fashioned method compared to all of the technological computer science that has come along.’
28 May 2004
[iraq] Doonesbury at War — the Guardian takes a look at Doonesbury’s coverage of the War in Iraq along with a brief profile of Garry Trudeau. ‘…the syndication arrangement under which Trudeau operates gives him almost unprecedented reach and influence. With little or no editorial control, he talks to millions of readers worldwide. And even though Bush and Donald Rumsfeld profess not to read the newspapers, even they must be wary of the potential influence of such an untrammelled mind.’
25 May 2004
21 May 2004
[comics] New Age of Morrison — another interview with Grant Morrison… ‘The real problem is this: in spite of all our attempts to insist that one exists, there is actually NO mass market for traditional superhero comic books – why would there be? It’s such an esoteric and old-fashioned branch of popular culture and seems to have more in common with collecting stamps or 60s retro kitsch. You can imagine Bryan Hitch drawing Steve Buscemi playing the sort of guy most people think is into these kinds of comics. After all the recent superhero movies and cartoons, at a time when Robin and Beast Boy and Spider-Man have their faces all over buses, comics sales have not improved significantly at all – it’s never going to happen unless we change the pricing, the format, the content and many other things about traditional U.S. superhero books. Kids like manga because manga comes across as modern and cool and exotic; I fear that trying to make Golden and Silver Age superhero characters appeal to a young audience is like trying to sell wax cylinder recordings of Al Jolson to consumers who listen to Outkast MP3s. As I say, comics could use some new ideas, new characters and competitive formats but change comes slowly.’
19 May 2004
[comics] Keith Giffen: “Comics need to be four-colour crack.” [via Warren Ellis]
17 May 2004
[comics] Chaykin On New Flagg For American Flagg Collection — interview with Howard Chaykin on the new reprint of American Flagg … ‘Though it’s been discussed before, it still should be touched on again — though few realized it in the early ’80s, reading American Flagg! was the comic book equivalent of reading H.G. Wells or Jules Verne in the 19th century. With a helluva lot more sex and violence, though. Case in point – commonplace elements in Flagg!: reality television, CGI actors (synthesbians), the collapse of the USSR with resultant Islamic militant groups controlling large portions of the former country, mass epidemics, German reunification, radical militant groups using children as soldiers, and the fractionalization of America into more and more factions.’
14 May 2004
[comics] The Problem with Superman — Time Magazine looks at Superman … ‘He’s a metaphor for America, but an outdated, obsolete America: invulnerable to attack, always on the side of right, always ready to save the rest of the world from its villainy whether or not it wants to be saved.’ [via Neilalien]
11 May 2004
[comics] Four Page Preview of Seaguy — from Grant Morrison and Cameron Stewart … ‘Set in a world where all the major battles have been won, Seaguy is a wistful, would-be hero who, with his pal Chubby Da Choona, embarks on a fantastical, picaresque voyage through a post-Utopian world filled with bizarre adventure and terrible sacrifice.’ [via Barbelith]
10 May 2004
[comics] Grant Morrison Talks Seaguy — Newsarama interview with GM regarding Seaguy … ‘My work’s always been sweet and gentle – it’s about animals and losers and hapless dreamers. I dedicated twenty years of my life to the welfare of six abandoned cats and I give my money to numerous charities and causes. I’m from Glasgow; land of the sentimental hardman. I can nurture to Olympic standard.’
6 May 2004
[comics] Wonder Con’s Vertigo Panel — including some details about Morrison & Quitely’s We3. ‘…it’s a view of The Incredible Journey as only Grant Morrison could imagine it – three ultimate cyborg assassins: a dog named Bandit, a cat named Tinker, and a rabbit named Pirate, armed with missiles, poison gas, state-of-the-art computer technology, rapid fire chain guns and unbreakable exo-skeletons.’
29 April 2004
[comics] My Marvel Years — Jonathan Lethem on growing up in the 1970’s with Marvel Comics and Jack Kirby … ‘Kirby hadn’t been inactive in the interlude between his classic 1960s work for Marvel and his mid-1970s return. He’d been in exile at DC, Marvel’s older, more august and squarer rival. In his DC work and the return to Marvel, where he unveiled two new venues, The Eternals and 2001, Kirby gradually turned into an autistic primitivist genius, disdained as incompetent by much of his audience, but revered by a cult of aficionados in the manner of an ‘outsider artist’. As his work spun off into abstraction, his human bodies becoming more and more machine-like, his machines more and more molecular and atomic (when they didn’t resemble vast sculptures of mouse-gnawed cheese), Kirby became great/awful, a kind of disastrous genius uncontainable in the form he himself had innovated. It’s as though Picasso had, after 1950, become Adolf Adolf Wölfli, or John Ford had ended up as John Cassavetes. Or if Robert Crumb had turned into his obsessive mad-genius brother, Charles Crumb.’ [via Pete Ashton]
27 April 2004
[comics] Wedding Bells for Morrison? — according to Barbelith Grant Morrison and Kristan are getting married. Congratulations! ‘They’re the John and Yoko of comics!!’
25 April 2004
[comics] Dave Sim, The Onion, and Jeopardy — behind-the-scenes at Dave Sim’s Onion Inteview … Who is Dave Sim?: ‘Having had – for 26 years and three months — virtually unlimited space in the back of his comic book to write 100,000 and 200,000-word serialized essays on what he considered the most pressing subjects of the day – some examples being “how feminism usurped the Civil Rights movement from black men” in “Tangent,” “How the Western democracies became so feminized that they failed to support the United States in the war on terrorism” in “Why Canada Slept,” and “Why he chose a combination of Judaism, Christianity, and Islam as his personal system of belief” in “Islam, My Islam,” this controversial self-published comic-book artist — who is now being asked by many media outlets (whose formats don’t allow any article longer than 4,000 words) to explain his life and work over the last quarter century in postage-stamp-sized spaces — recently published the 300th issue of his groundbreaking alternative series which began in December of 1977.’ [Related: Earlier Post]
23 April 2004
[comics] B.D. loses his leg in Doonesbury …
» Doonesbury the soap opera (scroll down for article): ‘A four-box daily comic strip it may be, but Doonesbury is also a soap, probably the only one in the world to blend current affairs with a regular cast of characters, ageing, marrying, splitting up, starting dotcoms, doing performance art, having kids, running for office, fighting in America’s wars, going to prison and occasionally dying. For afficionados of Doonesbury, the sight of that bandaged stump on a stretcher and that never-before-seen hair was powerful and affecting.’
22 April 2004
[comics] Mini Gerhard Interview — Dave Sim’s collaborator on Cerebus is occasionally posting to the Cerebus Yahoo Group. ‘…it occurred to me that maybe the pressure of doing a monthly comic all by himself caused Dave’s personality to split and he invented this background artist personality to help him cope with the enormity of it all and that his psychosis was so deep that I think that I actually exist and that I’m going to just *poit* out of existence as soon as I finish drawing issue 300. Fortunately I’m still here. I think.’ [via Meowwcat’s Cerebus Links]
18 April 2004
[comics] Readers Of The Last Aardvark — the Village Voice looks back on 300 issues of Cerebus … ‘Despite Sim’s anti-feminist crusade, Cerebus stands on its own as a ferocious critique of power. Sim believes that freedom is an absolute, and to this end he has self-published Cerebus, advocated for artists’ rights, and bucked intellectual-property laws wherever possible (after his and Gerhard’s deaths, Cerebus will become public domain). In an era when selling out is considered synonymous with success, Sim’s resistance is bracing.’
15 April 2004
1 April 2004
[comics] Yet Another Dave Sim interview from the Onion AV Club … ‘It was pure guesswork on my part back in 1979 as to whether I would have the stamina to write, pencil, ink, letter, tone, and fill the back of a monthly comic book for 26 years. In retrospect, I should’ve said 250 issues. Finishing the book, the last four years, what had previously been an interesting job that left me a certain amount of spare time for other things had become a 15-hour-a-day, six-day-a-week, Herculean task. At the age of 23, I actually thought I would be fine into my 50s doing a monthly comic book, but that I would let myself slack off by ending it at the age of 47. It’s a young man’s game.’ [thanks Kabir]
26 March 2004
[comics] List of “Holy —, Batman!” uttered by Robin — from the Batman TV Series … ‘Holy Astringent pomite fruit!’ [via Neilalien]
25 March 2004
[comics] 5 Questions for Peter Bagge — another Q&A from ADD … ‘I’m pleased to see that comics are making inroads in books stores via the graphic novel route, I’m very upset at the shrinking demand for the traditional comic book format, which is by far my favorite medium to work in.’
22 March 2004
[comics] Alan Moore’s memorial for Julie Schwartz: ‘And now we hear that Julie has been… discontinued? Cancelled? But they said the same about Green Lantern and the Flash back in the early ‘fifties, so we can’t be certain. This is comics. There’ll be some way around it, be some parallel world Earth-Four Julie, born thirty years later to account for problems in the continuity, and decked out in a jazzier, more streamlined outfit.’ [via Neilalien]
18 March 2004
[comics] The Reluctant Hero — another interview with Alan Moore … ‘Put together by Paul Gravett, an internationally renowned expert on comic-book art (he also curated last year’s Comica festival at the ICA), the exhibition features a mass of original, rare or never-seen-before art created for Alan Moore works over the last 25 years, as well as previewing The Mindscape of Alan Moore, an 80-minute documentary on the writer. “It’s an enormous honour,” Moore says of the show. “Even if it makes me feel like I’m almost dead.”‘
14 March 2004
[comics] John Byrne on Grant Morrison and Alan Moore: ‘I get no sense from [Grant] Morrison’s work that he has any “love for the genre”. I get the same vibe I get from [Alan] Moore — a cold and calculated mixing of ingredients the writer knows the fans like, but to which the writer himself has no eviceral connection. Nostalgia without being nostalgic, as I have dubbed it.’ [via ADD]
12 March 2004
[comics] 5 Questions for Alan Moore — another Q&A from ADD Blog… Moore on Writing Voice Of the Fire: ‘As it happened, quite eerily, there were a number of events that more than satisfied the various things that I needed to finish the novel satisfyingly, you know, things like severed heads and big black dogs, often in conjunction with each other. So, it was very eerie at times, not just surprising, but incredibly eerie. There are moments during a writer’s life, especially if he or she is dealing with something very close to home, if it’s getting a bit self-referential, that sometimes the borderlines between fiction and your actual reality can get dangerously blurred and, yeah, that happened more than once during the course of Voice Of The Fire.’
9 March 2004
[comics] Illustrating the Imagination — Apple profiles Dave McKean. On Superheroes: ‘The problem with the “Supermans” and “Batmans” is that they really work best when they’re very, very simple and when they’re done by people who loved them as kids and want to recreate that naiveté. But I don’t have those feelings for them at all. I had a go at doing something different with Batman but as soon as you start trying to give these characters any kind of complexity or come at them from any other angle, their foundations are so weak that they all kind of collapse. It’s a really horrible calamity of form and content.’ [via blackbeltjones]
4 March 2004
[quote] Grant Morrison, Animal Man: ‘What’ll it be next? Choice extracts from the Oxford Dictionary of Quotations? Trotting out the Nietzsche and the Shelley to dignify some old costumed claptrap? Probably.’
3 March 2004
[comics] 5 Questions for Dave Sim — Q&A from ADD Blog… ‘The prime creative engine — at least until I discovered God — was the awareness that anything less than actually finishing the 300 issues would make the book a failure. Literally, “300 or Bust.”‘
2 March 2004
[comics] Comics Weblog Updates — which comics weblogs have updated recently. [via Neilalien]