[comics] Charlie Adlard: giving life to the zombies of the Walking Dead … the English artist of fabulous zombie comic The Walking Dead interviewed by The Times … Adlard: ‘The zombies are the easiest thing to draw in the book. I make them up as I go along! The hardest thing I find is doing pages and pages of people just talking to each other. The Walking Dead has lots of that but the challenge is to make it look interesting.’

[comics] Time is a Four-Lettered Word by Grant T. Morrison … scans of Near Myths #2 from 1978 – some of Grant Morrison’s earliest published work.

[comics] Grant Morrison Interview By The Onion A.V. Club … On what appeals to him about comics as a storyteller: … ‘The essentially magical qualities of inert words and ink pictures working together with reader consciousness to create a holographic Sensurround emotional experience. What else?’

[comics] Robert Crumb’s Genesis … scans from a preview of Crumb’s latest work taken from the New Yorker … [via Metafilter]

[comics] Reinventing The Pencil: 21 Artists Who Changed Mainstream Comics (For Better Or Worse) … On Chris Ware: ‘Ware marries his fetish for design with a singularly sardonic voice and a God’s-eye perspective on his characters, creating an overall tone that’s like a turn-of-the-century circus poster crossed with the post-war angst of literary lions like John Updike and Richard Yates. Ware’s influence is mostly seen among the younger alternative crowd and contemporary commercial artists, but his use of staccato pacing and visual repetition has popped up in a number of superhero comics over the past decade as well.’

[comics] After Watchmen, What’s ‘Unfilmable’? These Legendary Texts … Wired looks at some susposedly unfilmable comics and books … On Sandman: ‘Too long. Spanning 74 issues and more than a decade, if you count spinoffs and standalones, Neil Gaiman’s decorated mythopoetic fantasy starring Dream, Death and other revered, abstract personifications is stuck in film limbo. “There is talk of an HBO Sandman,” Gaiman told Wired.com in March, “because no one quite knows what to do with it. But the truth is, if anybody is going to make [it] a movie, it will probably be a kid in film school right now to whom The Sandman was the most important thing ever. It will take the amount of commitment, dedication and madness that Peter Jackson brought to Lord of the Rings to get it on the screen…”‘

[comics] Stephen Frears drawn to Tamara Drewe … ‘Tamara Drewe, Posy Simmonds’s comic strip about a journalist who ruffles feathers in a rural writers’ retreat, is to be turned into a film by Stephen Frears. The director of The Queen and The Grifters is reported to have cast former Bond girl and St Trinian’s graduate Gemma Arterton as the title character, a newspaper columnist whose recent nose job transforms her into a seductive flirt, to the chagrin of the quiet village’s womenfolk.’

[comics] The Comic-Book Guide to SIM Hacking … report from the Register – you can download the comic here.

[comics] Go Look: Eight page preview of David Mazzuchelli’s new comic Asterios Polyp and a slideshow of Superheroes Decadence by Donald Soffritti (a look at what happens when comic heroes and villains get old).

[comics] The X-Men Universe Relationship Map … ‘Dashed Line – Signifies one of the parties is from an alternative reality.’ [via DYFL?]

[batman] What Batman Needs…

[comics] Alan Moore’s Youngblood Proposal … more notes from Moore on how to revamp some of Rob Liefeld’s Awesome characters … ‘Before I get onto the details of the first issue, however, I’d better run through some of my thinking on the restructuring of both the book and the Youngblood team into something at once new and at the same time “classic,” whatever that means in a field that produced Brother Power, the Geek…’

[comics] Grant Morrison Tells All About Batman and Robin …

One of my all-time favourite Batman panels was written by Haney and drawn by Jim Aparo and shows Batman strolling down the sunlit streets of Gotham, checking out the mini-skirted girls and accompanied by the line to end all lines: ‘Yes, Batman digs this day!”

[books] Michael Moorcock, Alan Moore, Iain Sinclair … notes from a talk the three writers gave in London last night … ‘Alan Moore discusses deadlines, and the frenetic life-style involved in popular writing. To be a periodical writer becomes your life. [..] Alan Moore says “Stuff leaks in from the future.” Alan Moore talks about sleep deprivation. Alan Moore says that craft becomes less conscious.’ [via Moleitau]

[comics] Swamp Thing #21 – The Anatomy Lesson … The classic second issue of Alan Moore’s groundbreaking run on Swamp Thing available as a PDF. (But what a shame about the weak digital recolouring in this reprint) … ‘He should have let me finish. He should have listened. Then I’d have been able to explain the most important thing of all to him. I’d have been able to explain that you can’t kill a vegetable by shooting it through the head.’

[comics] Steve Bissette on the Creation of Swamp Thing #20 … Part 1, Part 2, Part 3, Part 4, Part 5, Part 6 … a long multipart post (including many pages from the script!) on the first issue of Alan Moore’s run Swamp Thing. It’s an interesting issue – it was produced under considerable deadline pressure and has never been reprinted much because it’s a transitional issue as Moore deals with the plot the previous writer had left him with and sets up stage for the next issue – The Anatomy Lesson. [via Metafilter]

[funny] Dr Manhattan is… Awesome.

[comics] Chemical Salvation … the history of LSD as a Jack Chick Tract.

[comics] Grant Morrison on Batman and Robin … ‘It’s always important to remember that Gotham isn’t some derelict hellhole, it’s the most larger-than-life, exciting city in the world. It has to be like New York plus or no-one would want to live there, so we’re emphasizing the excitement and color and buzz of the place, as well as its more familiar gloomy and gargoyle-y shadows. Gotham is where Crime becomes Art, after all.’

[batman] The Mutation of the Batman Logo – 1941 to 2007 … animation showing how Batman’s logo has changed over time.

[comics] All American hero … Howard Chaykin Interview … Chaykin on American Flagg and the 1980’s: ‘The US was in a trough of political conservatism with Reagan, who was a fraud, thief, liar and a cheat. I also wanted to do a fun, violent, sexy, dirty story with a strong political underpinning and a streak of hysterical humour. I was laughing at the edge of the precipice. I was such a nihilist back then.’

[comics] For Sale on eBay: Maxx #1 by Sam Kieth.

[comics] Jess Nevins annotations for League of Extraordinary Gentlemen – Century 1910 … ‘Panel 6. “Misplaced memorials.” I trust one of my British readers can fill me in on what Moore is referring to. Is there a misplaced memorial at King’s Cross? There are memorials to veterans of World Wars One and Two-anything else? “Forgotten fires.” I’m assuming this is a reference to the King’s Cross fire on 18 November 1987, which killed 31 people in the King’s Cross St. Pancras station. I’m not particularly sure why this counts as “forgotten”-even I, American that I am, knew about it. (Is the King’s Cross fire memorial plaque in the station misplaced somehow?)’

[comics] Doonesbury — I Need Moral Clarity … (more…)

[comics] DC Comics 40 Years Ago … lovely blog looking at DC’s very varied output in the late Sixties.

[comics] Review of the Walking Dead Compendium Vol 1 … Tom Spurgeon reviews Robert Kirkman’s Zombie Apocalypse Soap-Opera … ‘Although the jury may still be out on its value as art simply because so much depends on choices to come, Walking Dead is an entertaining comic book that I imagine is a great boon for the Direct Market shops that have invested in its appealing mix of popular genre, serial pleasures and solid craft elements.’

[comics] David Mazzucchelli Master Post … great Scans_Daily posting showing the artistic evolution of David Mazzucchelli … ‘It was during his run on Daredevil where Mazzucchelli’s style grew beyond the Marvel House Style, especially during the “Born Again” storyline written by Frank Miller. Any of you guys heard of it? I hear it’s pretty good.’

[search] Wolfram Alpha … The Search Engine Of Choice for Supervillains … Who is Clark Kent? … Who is Bruce Wayne? … Who is Peter Parker? …

[comics] Grandville Trailer … a trailer for the latest comic from Bryan Talbot … (more…)

[comics] Grant Morrison’s Multiversity … interview with Morrison on his new project for DC … ‘ I’ve been working on this way in advance. I have started a lot of the books and I’ve almost finished a couple of them. I really want to do them ahead of time so every little detail is right. I want this to be big. I kind of thought “Final Crisis” would be the big one and then I realized I had to tell this Multiverse one. So this is the real big epic that comes up next.’

[comics] Canada’s Comic-book Hero … interview / profile of Seth …‘Seth characterizes his world as both “grandmotherly, in that it’s like this desire to create this cozy 1930s, 1940s kind of environment” and “kind of adolescent because the place has a lot of toys. There’s something about the teenage boy, trying to create your perfect teenage room. “I can’t live unless I’ve got control of the aesthetics,” he declares. “If I want a couch, it has to be an old couch – unless it’s really successful at pretending to be an old couch.” Luckily, his wife, a 32-year-old men’s hairstylist who met Seth while working as a model in a life-drawing class he was taking, doesn’t have strong views on decor (although they did “feud” briefly earlier this year over her wish to put a Sylvania colour TV set in the living room).’ [via Waxy]

[comics] Quimby The Mouse … an animation by Chris Ware for This American Life.

[lists] 10 Best Head-Scratching Stories, Explained … ‘Jimmy Corrigan, the Smartest Kid on Earth: Jimmy relives his granddad’s life. He finally meets his father, who then dies. Superman can’t save him.’

[comics] Brendan McCarthy finds a lost Doom Patrol Script from Grant Morrison [Page 1 | Page 2] … ‘I found this DOOM PATROL script the other day that I had doodled all over, from Grant Morrison… It was an episode that Grant wrote for me to draw back in 1991/92 or thereabouts: I asked for an old style DC ‘imaginary story’ with Danny The Street as the central character. But by the time the script turned up, I had to do a film so I couldn’t draw it’ …

[comics] Steve Bell Interviewed … ‘For all that his politics may be congenial to Guardian readers, there’s something about Bell’s style that doesn’t seem to sit too well with the paper’s generally earnest attitude. “I did used to get quite a number of disapproving letters, though these days I don’t – I get emails slagging me off instead” he says. “It has been said that I’m the kind of Id of the Guardian, running around waving my arms in the air while everyone else is having these deliberations. I don’t know, to be honest”.’ [thanks Phil]

[comics] Dave Sim and Cerebus at Coventry Cathedral in 1989 … by Sim and Gerhard – the front cover to Fantasy Advertiser #115.

[comics] Alan Moore’s Glory Notes … a proposal from Moore on how to revamp one of Rob Liefeld’s Awesome characters … ‘I suppose this as good a time as any to discuss my ideas about how the sexuality in Glory should be handled. As with my notes on Youngblood, my central idea is to prime the story with plenty of open spaces for the readers’ filthy, disgusting thirteen year old minds to inhabit… which is only natural… without doing anything that is anything other than entirely innocent and in keeping with classic comic tradition. I think the word for our best approach is “disingenuous”.’

[comics] The Ten All-Time Best Long-Running Comics Series … great list from Tom Spurgeon … On Dave Sim: ‘I don’t know yet what I think of it as an artistic achievement, but I greatly enjoyed huge swaths of it. The further away from its published conclusion I get the more I’m convinced that it’s something special in terms of comics history, and the further along I get in my own artistic journey the more I’m certain that even if he doesn’t realize it, Dave won.’

[comics] Neil Gaiman Writes a Final ‘Love Letter to Batman’ … Wired on Gaiman and Andy Kubert’s Whatever Happened to the Caped Crusader? … ‘Well, the great thing about Batman and Superman, in truth, is that they are literally transcendent. They are better than most of the stories they are in. That’s jut Sturgeon’s Law: “90 percent of everything is crap.” Can you imagine how many thousands, or millions, of words have been written on Batman? Try to read them and you’re looking at 100,000 pages, perhaps a million, and you can assume that 90 percent of it is crap. Yet the 10 percent, and even better the 1 percent of that 10 perfect, is absolutely glorious. That pays for everything.’

[comics] Brendan McCarthy Art Show at Orbital Comics: ‘Featuring a lost image from the graphic novel SKIN, some drawings from a new comic project, DREAMTREES, a number of published ARTOONS from the CRISIS period of the early 90’s and more pictures from Brendan’s archive of unpublished art. Brendan is currently working on a new Spider-Man/Dr Strange mini series for Marvel Comics, out later this year.’

[comics] Typeface Inspired by Comic Books Has Become a Font of Ill Will … profile of the designer of Comic Sans … ‘Mr. Connare says he pulled out the two comic books he had in his office, “The Dark Knight Returns” and “Watchmen,” and got to work, inspired by the lettering and using his mouse to draw on a computer screen. Within a week, he had designed his legacy.’ [via More(ish)]

[funny] Uncomfortable Plot Summaries … from postmodernbarney.com … ‘DAREDEVIL: Blind man pisses off crime boss, gets all his girl-friends killed.’

[comics] Kyle Baker’s Batman at the Diner … ‘So, really, what’s with the costume?’

[comics] All The Joy I See Through These Architect’s Eyes … comic artist D’Israeli looks at Mega-City One through the art of various artists who have visualised it over the years … On Carlos Ezquerra: ‘Though his Judge Dredd pilot strip was never published, the last page (a full-page view across the city) was used as a back-cover of Prog 3. I remember seeing this aged about eleven and it absolutely blew my mind. The sense of scale, the strangeness of the designs, the feeling of the future as a gritty, exotic place formed by unguessable processes, all of this generated an excitement I’ve rarely felt from comics or any other medium. Along with Italian Massimo Bellardinelli, Ezquerra dragged 2000AD away from the comfortable visual tropes of the 1950’s and, importantly, gave it a signature visual style that distinguished it from the blocky, industrial designs of the recently-released Star Wars. That one page set a visual and imaginative standard for later creators to aspire to; ironically, as a leftover page from a rejected strip, it may be the most important piece of work Ezquerra ever did, and in its influence it may make him one of the most important artists in British comics in the last 30 years.’

[comics] Bear Alley … a fantastic comics blog covering all aspects of old and new British comics from Steve Holland … On The Perishers: ‘I was particularly taken with the “eyeballs-in-the-sky” sequence which was reprinted that year. The original strips dated from 1979 and, for those who never followed the story, each summer the Perishers-Wellington, Masie, Marlon and Baby Grumpling-would visit the beach at St. Moribund’s. Boot, Wellington’s huge, hairy, hungry dog, would visit a rock pool each year to the amazement of the crabs inhabiting the pool; it has become a religious experience for many of the crabs whilst other crabs, more dedicated to science, try to debunk the God-like status of the eyeballs-in-the-sky…’

[thisisgood] What the Hell is Grant Morrison Smoking? … from Bob Mitchell in the 21st Century … ‘I got six chambers of semi-jacketed realism aimed right at your Sea of Tranquilility. Drop the rock.’

[comics] Rejected Rorschach Blots … from Kyle Baker. [thanks Tam]

[comics] Five Kinds Of Serial Comic Books I Prefer To Buy Right Now Over New Ones … another interesting comics list from Tom Spurgeon … On Kirby Comics from the 70’s: ‘…it’s like reading comics brought home by a father who is taking sales trips to an alternate dimension full of crazy people.’

[comics] Pádraig Ó Méalóid (aka Livejournal’s Glycon) reveals the story behind Big Numbers #3 making it’s way to the internet … ‘Anyway, the story I heard was that Al Columbia completed this issue, had it sent off for lettering and then went a little crazy and refused to release the art for publication … In any event, this art did exist long enough for it to be photocopied.’

[comics] Eddie Campbell on Big Numbers: ‘Another thing I remembered, and I don’t think I ever mentioned it to Alan, but I always felt a certain resentment that Billy the Sink got Big Numbers and blew it while i was stuck drawing Jack the bloody Ripper for ten years (I once described it as a penny dreadful that costs thirty five bucks). I stand by my opinion that Big Numbers was the superior idea and would have been Alan’s masterpiece.’