[comics] The Man Who Knows Fear: Imposter Syndrome and Horror with D.G. Chichester Long interview with the comic editor and writer as he returns to Daredevil. On the Hellraiser comic:‘ I knew the book was going to work both when the John Bolton cover came in, which John Bolton issue looking up painting flames from Hell. It was beautiful and twisted and erotic, and scary and nasty… and it was the story that the editorial group then said, “You’re not running the story in the first issue. It’s too much. You’re coming in too hot. Take it out of the first issue, run a different story. We’ll run it in the subsequent issue.” I dug my heels in and I said, the book is called Clive Barker’s Hellraiser. That’s what it’s called. Clive Barker’s Hellraiser. What the hell did you think you’re going to get?’
[tags: Comics, People][permalink][Comments Off on Seth Interviewed by Cartoonist Kayfabe]
4 October 2023
[comics] Remembering Joe Matt … Memories from friends including Seth and Chester Brown. Seth: ‘It always struck me as funny when someone would read one of Joe’s comics and get angry. “What a jerk” they’d say, getting all worked up about Joe and his actions in the story. What amazed me was that they were reacting to the work as if they’d just watched a documentary about him. Totally forgetting that this was a work of art by a very calculating and smart artist who deliberately made the choices in the book that caused this reaction. Joe knew exactly what he was doing. He didn’t paint himself as a creep by accident. That was the point. He did everything on purpose. That weird obsessiveness of his made absolutely nothing an accident. Every line, every panel, every exclamation mark was carefully considered (too carefully considered!). He was a master cartoonist and the work shows it.’
[comics] Farewell to a Poor Bastard … Jeet Heer’s obituary for Joe Matt. ‘I got to know Joe Matt while I was working as a journalist in Toronto in the 1990s. I would occasionally write about Joe’s work and also that of his two cartoonist friends Chester Brown and Seth (who sometimes showed up as comic foils in Joe’s work). I had shown my wife, Robin Ganev, Joe’s just published graphic novel, The Poor Bastard. Robin delighted in the book as an accurate portrayal of the dating scene among young Toronto bohemians in the 1990s. Joe’s portrait of himself as a heel impressed her as an essentially accurate rendering of an all-too-common male type. As my friend the journalist Nathalie Atkinson notes, “Many women love Joe Matt’s comics-in part because he confirms everything we suspected.”’
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22 September 2023
[comics] Ed Brubaker remembers Joe Matt … ‘Joe was renting a room in a house and his room was full of big sketchbooks with his newspaper strip collections. That was his big passion right then, collecting Gasoline Alley strips and glueing them into huge books. There’s a scene in BAD WEEKEND where the cartoonist takes his assistant down and shows him the strips he collected his entire life, and that was directly inspired by those big books of Joe’s. He spent countless hours going over those old strips and I’m pretty sure those were hours of childlike joy at the art of comics.’
[comics] A Letter from Joe Matt
… I’ve was shocked to hear the news of Joe Matt’s sudden death yesterday. ‘today i learned that cartoonist joe matt, was found dead of a heart attack yesterday at his drawing desk. he’s only 60 years old, and had been complaining of chest pains for months, but didn’t want to (or couldn’t afford to) see a doctor. fucking america.’
[comics] Comic Book Character Says “Bollocks” Every Once in a While so You Don’t Forget He’s English … ‘Gary London, a long time fan of John Berry and his adventures, finds the whole thing patronizing and lazy. “These daft wankuhs have no idea how the British have a good natter,” explained London, calling from a red phone box with Big Ben in the background. “I mean, I go up the apples and pears, get on the loo, and try to read my comic and every English bloke is ‘bollocks this’ and ‘innit that’. It’s just bollocks, innit?” Creator of John Berry, Alan Shaw, said he doesn’t really care how the dialogue is written, he just wants royalties from his creation…’
[tags: Comics, Funny][permalink][Comments Off on English Comic Characters and Bollocks.]
22 August 2023
[moore] An Interview With Alan Moore … an hour-long interview with Alan discussing Northampton with some talk of comics towards the end.
[web] Anna’s Archive … A search engine for huge semi-hidden collections of books and written material on the internet. ‘📚 The world’s largest open-source open-data library. âï¸ Mirrors Sci-Hub, Library Genesis, Z-Library, and more. 📈 21,278,536 books, 86,614,441 papers, 2,451,043 comics, 508,999 magazines – preserved forever.’
[tags: Comics, TV][permalink][Comments Off on Junji Ito’s Uzumaki Comes To TV]
9 August 2023
[comics] Looking back on Nancy Collins’ Swamp Thing … An overview of Nancy Collins 1990s run on Swamp Thing. ‘In response to causing the breakup of one of DC’s most iconic couples, Collins would later observe, “Let’s be frank – no woman in her right mind would put up with the bullshit Abby Holland was subjected to on a regular basis. In fact, the first time I spoke to Alan Moore, he commended me on giving Abby the guts to walk out of an unworkable relationship.” Regardless of having chosen to spare Abby and Tefe rather than fridge them, she was to receive plenty of hate-mail for this decision.’
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[comics] How Stan Lee Became the Face of an Exploitative Industry … Jeet Heer on Stan Lee and Jack Kirby … ‘Out of Kirby’s labors in the 1960s in the Dungeon emerged characters that would gain global fame–and make billions in profit for Marvel and Disney. Kirby only ever earned a freelancer’s middle-class income for his trouble; he never got royalties. Thanks to the 2014 settlement with Disney, his children have a better deal. But even as the lawsuits of Ditko and other colleagues make their way through the courts, the struggle over Kirby’s legacy isn’t over. Despite the 2014 settlement, Disney and Marvel are backtracking on their acknowledgement of his contributions.’
[tags: Comics][permalink][Comments Off on Jeet Heer on Stan Lee and Jack Kirby]
25 July 2023
[comics] Howard Chaykin – A Life in Comics … An entertaining, wide-ranging interview with Howard Chaykin. ‘As early as 1973 or ’74 when I did the Scorpion, the last line of the first issue is, and I’m paraphrasing here, “Altruism is for Albert Schweitzer. I get paid.” And I stand on that. The motivations of heroes in the context of comics is nonsense to me. Batman is about a rich guy who had a bad day when he was eight. Superman is about a god-like being who comes to the Earth and puts aside his god-like nature in the service of a clientele that is functionally beneath his contempt. These characters patronize and pander to a fantasized belief system that has nothing to do with anything even vaguely smacking of reality. And the more realistic they become by dint of sort of slathering on gravitas, the more idiotic and foolish they become. Modern myth? Just suck a dick.’
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11 July 2023
[comics] Tripwire Talks To 2000AD And Vertigo Writer John Smith … I was wondering what had happened to comics writer John Smith and found this recent interview. ‘Regarding Hellblazer… I can’t remember if we were told about it, or if it was hot news going around a comics convention, but we all knew that Jamie Delano was leaving the book, so I think all of us young keen British writers were asked to pitch for the job. I think it was then-editor Stuart Moore who rang me up and asked me. So, I planned out a years-worth of stories (I imagine we all did) and crossed my fingers. Garth got the gig, of course, but later on they needed some fill-in issues, so that’s how “Counting by Numbers” came about. There were more straight-up horror ideas, but for some reason Sean and I settled on that one. I think probably because I was staying at his in Peckham at the time, and there was a launderette around the corner, so we just went there, and Sean took some photos then sent me duplicates so we both knew the layout of the place. Constantine is one of my favourite characters, and I’d love to have a proper go at him!’
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[tags: Alan Moore, Comics][permalink][Comments Off on The Complete Cartoonist Kayfabe Review of From Hell]
22 June 2023
[fiction] Fictional Brands Archive… A collection of fictional brands created for films, TV and video games. ‘NERV (German for “nerve”) is a special organization that was put together to combat the Angels after the Second Impact and is the organization responsible for the creation of the Evangelions. NERV is an international organization with their center of operation located in the city of Tokyo-3, Japan. More specifically, they run the majority of their research and operations out of NERV Headquarters, a large facility located in the GeoFront.’ — NERV
[comics] The Comic-Book Aesthetic Comes of Age in “Across the Spider-Verse” … A good look at what makes Across the Spider-Verse worth watching. ‘ It leans hard into, and emulates onscreen, the storytelling devices and the visual flair that make comic books special. Even more than its predecessor, “Into the Spider-Verse” (2018), the film feels designed to show young people, many of whom were raised on superhero movies, why they might care about the comics that launched these characters. It does this so well that, at a time when some Marvel movies haven’t been doing so hot at the box office, “Across the Spider-Verse” has already raked in nearly four hundred million dollars. At 7 P.M. on a Wednesday night, with local schools still in session, my seventh grader and I found most of the seats in our suburban multiplex full.’
[tags: Comics, Movies][permalink][Comments Off on The New Yorker on Across the Spider-Verse]
[tags: Comics, Funny][permalink][Comments Off on 2 Kinds of Anger by Justin Green]
25 May 2023
[comics] A short history of newsagents and how you bought your American comics from them … The story of how American comics made it into British newsagents from the 1970s to 1990s and created a generation of comic readers. ‘This company was an absolute powerhouse which supplied nearly every newsagent in the UK. They had an incredible range. John Byrne getting a Superman annual as a kid is thanks to T&P. Alan Moore picking up early DC/Marvel titles. Dave Gibbons picking up Green Lantern. Kev O’Neill, etc all got into comics partly due to seeing and buying US comics in newsagents.’
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[tags: Comics][permalink][Comments Off on Brian Bolland Interviewed]
21 April 2023
[comics] “My Imperative Was To Get My Family Through This”: Catching up with Stephen R. Bissette … Recent interview with Steve Bissette. ‘All that time that I was at the Kubert School, and then entering the comic book field, and laboring as a freelancer, and lucking into Swamp Thing, and having it blossom into what it blossomed into, and pushing it as far as we could push it, including losing the Comics Code Authority [beginning with The Saga of the Swamp Thing #29] – well, that was part of my fantasy, my path. “Can I play some part in making horror comics viable and dangerous again?” I gave it my all. If there’s anything I’m proud of, it’s that we fucking busted the Comics Code. They didn’t bust us.’
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[comics] How Two Jewish Kids in 1930s Cleveland Altered the Course of American Pop Culture … A fresh retelling of the story of Superman’s creation. ‘That fateful morning when Jerry arrived with his fresh script, Joe rubbed the sleep out of his nearsighted eyes, put on his Coke-bottle glasses, then read all about the new-and-improved Superman. Joe got it immediately, smiled, and sat down to work. He drew as fast as he could as Jerry paced the wooden floor and narrated, describing the action using film lingo: close-up, long shot, overhead shot. Joe’s eyes were very bad, even with his glasses, so he drew very slowly and meticulously, his nose just an inch or so from the paper. The two spent the whole day-without taking a break, eating sandwiches that Joe brought in-creating Superman.’
[comics] Incel Supernova: From a Single Comic Strip to the End of the Universe with Scott Adams – The Comics Journal … Abhay Khosla takes a deep dive into the world of Scott Adams. ‘The title of his book is correct. Scott Adams won. He won at comics – but with comics that abandon the whimsy or sadness of the great strips, and embrace resentment and isolation. He won at politics – thanks to a coarse grifter appealing to desperate people’s most racist instincts. He won at getting into arguments on the internet – an internet clogged with helpless people begging, pleading, crying that you GoFund their health care. He won at having money in a country that values nothing besides that. He’s a darling of a media too impotent and untrusted to even convince Americans that Donald Trump is a con man. He’s won in a game too grotesque for any decent person to still want to play.’
[comics] Grant Morrison’s Judge Dredd [Part I | Part II | Part III] … A look back at Grant Morrison’s Judge Dredd stories. ‘Much has been, and continues to be, said about their work. And yet there is a gap. There is an odd little gap. A gap that exists not because nobody’s noticed it, but because it is seen and then brushed past. Grant Morrison’s Judge Dredd. People seem to go ‘Oh! They did that!’ and then they move right on. They tend to forget, more often than not. Those that remember, particularly 2000AD lifers, have already gotten an established consensus that hangs in the air, so it’s not something paid much attention to. It’s a thing of the distant past, like a vague shape that exists. You recall it, but then forget it.’
[comics] After nearly 30 years, there’s finally a new issue of Miracleman by Neil Gaiman … ‘I’m a recent convert to the church of Miracleman, and even I felt those decades of anticipation building up as I opened up the latest issue of the story. I’m excited to see what comes next, and how this 30-year-old story ends up picking up in medea res. The layers of meta-text in this continuing story make for an incredible retrospective on the entire history of the superhero genre.’
[tags: Comics, Xmas][permalink][Comments Off on Happy Christmas! A Surprise for Santa from Al Feldstein.]
2 December 2022
[comics] The Great Swamp Monster Confluence of 1971 … A great look at how three fictional swamp monsters for comics were created around the same time and place in the 1970s. ‘A couple of other odd coincidences involving Len Wein have a bearing on our tale of swampy confluence. Since the age of 14, Len had been best friends with Gerry Conway, the Man-Thing’s first scripter. Not only that-the two young comic book writers were roommates during the few months in which both the first Man-Thing story and the first Swamp Thing story were written.’
[tags: Comics][permalink][Comments Off on Exploring the Genesis of Swamp Monsters in Comics]
23 November 2022
[comics] An Appreciation of Kevin O’Neill, 1953-2022 … David Roach remembers Kevin O’Neill. ‘In an industry that could often default to a mass-produced conformity, Kevin was that rarest of things, truly unique, with an artistic voice that was unmistakably his own. In his long career he never once tried to fit in or compromise; indeed, he was seemingly incapable of being anything other than himself. ‘
[moore] Fantasy Must Be Sharper: An Interview With Alan Moore … ‘Davey Jones is a genius. I’ve only ever had brief contact with him, back in the 80s when he was working with an anarchist concern called, I think, Blast and I was briefly in touch with them and then I noticed his work coming out in Viz where he’s the author of so many of my favourite strips. I’m genuinely impressed that there’s such an incredible standard of craftsmanship throughout Viz, blinding cartoonists, writers, and creators on that book. I must admit that the only problem I have with Jones’ work – and it’s not any fault of his, it’s purely me – it’s Tin Ribs; the ghastly physical torture that is visited on Mr Snodgrass. Every issue he’s having slices of his skin ripped off [laughs] it’s a bit rich even for my blood!’
[comics] Neurotic Boy Outsider: An Interview With Grant Morrison 30 years In The Making … Grant Morrison looks back at some of their British comics from the start of their career. ‘But certainly at the end of the eighties and the nineties, it was still that sense of we were there to protest. We were the working class and we’d suddenly got a grasp of these means of expression. We’d got hold of comic books, we could make our own records. It was that punk rock DIY thing that came through the comics.’
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7 November 2022
[comics] Ten years of 2000 AD… … Many of Tharg’s art, writing and editorial droids discussing the success of 2000AD in 1986.
[comics] Marvel’s Miracleman Omnibus shows how Alan Moore paved the road to Watchmen… Slate on Marvel’s reprint of a full collection of Miracleman along with a look at it’s impact. ‘It’s remarkable how powerful the book remains in spite of its occasional unevenness. Moore is easily the medium’s most important just-writer (as opposed to writers who draw their own scripts, which Moore does very rarely), having demonstrated a complete grasp of its intricacies and potential almost from the beginning of his career. He is, in some sense, a composer, and the people working in comics who can match that formidable perfection are cartoonists themselves-no other writer really comes close.’
[moore] Watchmen author Alan Moore: ‘I’m definitely done with comics’… … Another interview with Alan Moore in the Guardian and here is a review of Illuminations – his new collection of short stories. ‘He shuns new tech to the extent that we speak down a landline, so I can’t see the lavishly bearded face from which his gentle Northampton burr issues. “When the internet first became a thing,” he says, “I made the decision that this doesn’t sound like anything that I need. I had a feeling that there might be another shoe to drop – and regarding this technology, as it turned out, there was an Imelda Marcos wardrobe full of shoes to drop. I felt that if society was going to morph into a massive social experiment, then it might be a good idea if there was somebody outside the petri dish.” He makes do, instead, with an internet-savvy assistant: “He can bring me pornography, cute pictures of cats and abusive messages from people.”’
[moore] Discover Alan Moore’s Surprising First Published Superman Stories … A look at some long-forgotten UK published stories from Alan Moore. ‘That second Superheroes Annual in 1983…There was a two-page text piece by Alan Moore, with illustrations by the brilliant Bryan Talbot. The story was titled “Protected Species,” and it was about an alien who traveled the universe collected endangered species from lost planets that he would then bring to his bosses who would keep the survivors on a sort of zoo…’
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[tags: Comics, Tintin][permalink][Comments Off on Fake Tintin – The Horror of LV-426]
25 August 2022
[comics] Neil Gaiman on the Secret History of ‘The Sandman,’ from Giant Mechanical Spiders to the Joker … Long interview with Gaiman on The Sandman comics, TV series, Alan Moore, his history with DC Comics and much more. ‘I love that the House of Secrets and the House of Mystery are on screen. I love that Asim Chaudhry and Sanjeev Bhaskar are respectively Abel and Cain. I love the fact we’ve got Goldie and Gregory the Gargoyle. I look at Gregory and I’m just sad that [artist] Bernie Wrightson is no longer with us, because I wish he’d lived to see Gregory the Gargoyle flying around on the screen, this thing that he made. I love all that. I think that’s so much fun. And I love the fact that if you want to do weird deep dives into DC chronology, you have Lyta Hall, who in some versions of DC Comics existence – not really the one that we were in even by the time we got to the comic – but there is a level in which she’s Wonder Woman’s daughter. And perhaps she is, we’ll never know.’
[comics] Interview: Joe Colquhoun … Charlie’s War artist Joe Colquhoun interviewed in 1982 by Lew Stringer. ‘I found Roy [of the Rovers] a bit of a boring subject, not being a great fan of football, and after four or five years of drawing those bloody hairy-arsed footballers tearing around morning, noon and night, it got me down a lot.’
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[comics] The definitive guide to the many editions of Sandman … Useful reading order to Sandman along with a guide to the many different editions of the series. ‘The cheapest way to read is at your nearest library. For those willing to splash, there are many different editions to collect the series; Single Issues, TPB, Deluxe, Omnibus, and Absolutes. For non-comic readers, it is recommended that you decide on a format/edition and stick with it to avoid confusion as different editions cover varying amounts of content per volume.’
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