[comics] The Adventures Of Sexy Batman …

[comics] I wonder if they’ll call it “Heckblazer.” … Mike Sterling on what might happen to Hellblazer after issue 300 … ‘I suspect this series, now DC’s highest numbered series being published, is getting a little long in the tooth in this era of digital sales and reboots and people wanting to be able to get the “whole” story right away rather than just jumping in and hanging on. The recent retooling of the Hellblazer trade paperback line, reprinting all the issues in consecutive order in books with actual volume numbers on the spine, is a start in rebuilding some readership, I suppose, but I think a restart after 300 is within the realm of possibility.’

[comics] ‘Jesus, What Is It Now?’ Says Man Putting Down Swamp Thing Comic To Answer Phone Call From Wife …

Throughout the brief phone call, Bogen repeatedly said “uh-huh” as he scanned the story that showed Swamp Thing ripping gigantic, finger-like roots from the earth and causing the lake to empty out and wash away the vampires in a rush of water.

“Yes, I am listening,” added Bogen, focusing entirely on Alan Moore’s prose, which switched the point of view to the pained thoughts of the vampires as the surging water peeled the rotted flesh from their skeletons. “Of course I want to hear about it.”

“Tell me when you get home,” Bogen added.

[comics] Against Pussiness: An Interview with Howard Chaykin … A fascinating (and indiscreet) interview with Howard Chaykin … ‘I have a very strange reputation, because in the fans, I’m regarded as an obnoxious asshole, and yet – [raised eyebrows] oh no, they say it, trust me. Believe me, I have no illusions or confusions about who I am – while, in the context of the profession, I’m regarded as a go-to guy that can be depended on all the time, and it’s a very different relationship. And I’m more interested in being well-received by my colleagues and my employers – my clients – than I am that I give a shit about the fans. I mean, I was a fan. I have a picture of myself at 17. I weighed 265 pounds, and I was that kid. I was those guys. But I’ve learned a certain distance. I said once that for comic-book readers, it’s every Wednesday at the book store, for me it’s every morning on my desk. And that makes a difference in the relationship. But I love the process, enormously. I’m very… I am so grateful.’

[comics] Alan Moore: one of the finest exponents of the comic book art form to have ever lived. … another Alan Moore interview – this time from Nottingham’s Leftlion website …

Q: You’ve always refused to put your name to film adaptions of your work. I know this is going to be hard to put a figure on, but how much money do you think you’ve turned down, for taking a moral standpoint on this?

Alan: Well, they asked me if they could give me a huge amount of money to bring out these Watchmen prequel comics – which they were going to do anyway – and that was probably a couple of million dollars. I should imagine with all of the films it would be another few million? In a way it’s really empowering to do that.

You can’t buy that kind of empowerment. To just know that as far as you are aware, you have not got a price; that there is not an amount of money large enough to make you compromise even a tiny bit of principle that, as it turned out, would make no practical difference anyway. I’d advise everyone to do it, otherwise you’re going to end up mastered by money and that’s not a thing you want ruling your life. Money’s fine if it enables you to enjoy your life and to be useful to other people. But as something that is a means to an end, no, it’s useless.

[comics] 40 MORE Of The Worst Rob Liefeld Drawings … more selections of the most awful comic art from Rob Liefeld… ‘Do you know how many drawings a comic book artist pumps out over the course of 20 years? SO MANY DRAWINGS. So the truth of the matter is that there can never truly be a 40 “Worst” Rob Liefeld drawings until the dude is dead and gone and his remains have been blasted into the sun in a gold-plated space shuttle with diamond-encrusted control panel. Maybe not even then. There are so many awful Liefeld drawings that B and I could probably do a list of 40 every other month, forever.’

[comics] “The Life and Works Of Alan Moore” On Mastermind ..

[comics] Barack Obama Names Alan Moore Official White House Biographer … ‘President Obama announced that he had appointed legendary comic book writer Alan Moore as the official biographer of his time in the White House. “As evidenced by his epic run on Swamp Thing #21-64, Moore’s deft hand with both sociopolitical commentary and metaphysical violence makes him an ideal choice to chronicle my time in office,” Obama said of the author of Watchmen and From Hell, whom he reportedly chose over others on a short list of potential biographers that included Warren Ellis, Grant Morrison, and Bob Woodward.’

[comics] Frank Miller’s Year One Screenplay … intriguing analysis of a screenplay Frank Miller wrote for an aborted revamp of Batman with Darren Aronofsky. ‘…the end result simply isn’t Batman. In some ways, it’s more like Marvel’s character Punisher. Batman may be seen as the quintessential super-hero without super-powers, but such a departure from his traditional background seems an injustice to the character. The screenplay’s vision of Batman is a compelling and a vital one, one arguably more logical than the normal Batman formulation – and a bolder depiction of a super-hero vigilante with a generalized war against crime. But it’s just not Batman, and fans would have been vocal in saying so. Batman fans would certainly not have tolerated such a high-profile project making such fundamental changes to the character – nor its reinvention of Alfred as Little Al. Most fans of the comic, for all their admiration for Frank Miller, would likely feel grateful to get Batman Begins instead of Miller’s Year One screenplay.’

[comics] R. Crumb Interviewed … a huge Comics Journal-style interview … ‘I’m not antifeminist. I like strong, independent women, like the matriarchs of Genesis-they ordered the men around. The sex-fantasy thing was a whole other side of myself, and when that started coming out, I could no longer be America’s best-loved hippie cartoonist. Also the racial stuff: the racist images that I used. That also shut a lot of people off about my work. The feminists despised me. I had a couple of defenders among them whose defense of my work was: He’s just being totally honest about the male mentality. He’s revealing the thoughts that most men are walking around harboring about women all the time. I have to agree with that. I just revealed myself.’

[comics] Comics Not Just For Kids Anymore, Reports 85,000th Mainstream News Story … ‘The incredibly perceptive and original article also specifically mentioned the work of writer Alan Moore, an obscure reference point that has only been used in every single article like this ever written.’

[comics] Economically Healthy ‘Daily Planet’ Now Most Unrealistic Part Of Superman Universe … ‘The Daily Planet-which for some strange reason has not been acquired by multimillionaire Lex Luthor with a promise to give readers shorter articles with more sizzle-is so deeply woven into the Superman universe that they had no choice but to avoid the comic altogether. They said even the most exciting stories are routinely marred by absurd depictions of a publication that somehow flourishes in print and whose millions of loyal readers seem oblivious to the idea of getting news online faster and for free.’

[comics] More Moore … London’s Gosh Comics provides us with an update to what Alan Moore is up to for the next year or so… ‘NEMO – HEART OF ICE: February 2013 — The next League book hoves into view: it’s Jules Verne meets H.P. Lovecraft in a 48-page one-shot set in Antarctica, in the 1920s.’

[comics] The secret hero of Spider-Man … The New York Post profiles Steve Ditko … ‘When The Post knocked on his door, Ditko – who turns out to be a owlish man with wisps of white hair and ink-stained hands, wearing large black glasses and an unbuttoned white shirt with a white tee beneath – pleasantly but firmly declines to answer any questions. Though he did say he reads The Post.’

[comics] Glycon Contents List / Index …Pádraig Ó Méalóid’s Glycon Livejournal is a fantastic collection of Alan Moore out-of print comics and oddities – this index makes it easy to see what’s available and find what you’re looking for.

[comics] Annotations to League of Extraordinary Gentlemen Volume III Chapter Three, a.k.a. Century: 2009 … Work-in-progress annotations from Jess Nevins … ‘Page 13. Panel 1. “QueeQueg’s” is a reference to the harpooner Queequeg, from Herman Melville’s Moby-Dick (1851). Pádraig Ó Méalóid and Greg Daly note that “Starbuck” is also from Moby-Dick, so that in the world of League there is no Starbuck’s, there is Queequeg’s.’

[comics] Comics I Read In Series Form In The 1980s: Miracleman … Tom Spurgeon On Marvelman / Miracleman … ‘I can sure recall any number of individual moments in these comics. There’s a birth. There’s the way the character initially puts together his “magic word.” There’s a scene where they’re reading comics for clues. There’s a man with scary teeth. There’s one where they talk about sex education as something that should involve having sex as part of that education. There’s a bunch of stuff with the creepy Kid Miracleman character, a wonderful bad guy. There’s the arch-villain that looks like the late Joe Paterno. And then there’s the single issue with all the killing, which I remember mostly in terms of its visual texture, one giant smear of pain. That was one of the actually rare comic books of its day, incidentally; I had two or three interns at TCJ that asked to read the office copy the day they arrived.’

[comics] Behold! Alan Moore! Cliff Richard! Shakin’ Stevens! Alvin Stardust! A Black Dog! TOGETHER AT LAST! … quite possibly the weirdest photo of Alan Moore in existence.

[comics] Comics I Read In Series Form In The 1980s: American Flagg! … Tom Spurgeon On American Flagg … ‘That first 26-issue run felt like it spanned the entire decade. In actuality, issue #26 appeared a mere 25 months after the debut. Sometimes I wonder if the difficulty in repackaging American Flagg! for other formats comes down to something spiritual. The serial comic book edition was pretty close to perfect in its way: a regular visit to a giddy clash of satire, comedy, adventure-comic beats and general rudeness delivered with aplomb by an artist working at the far edge of his talent while being supported by able, compelling craftsmen. Reading American Flagg! as comics felt like getting a broadcast from someplace else and watching it on a broken, filthy, slapped-together computer screen.’

[comics] A Portal to Another Dimension: Alan Moore, Dave Gibbons, and Neil Gaiman … the Watchmen Panel at UKCAC ’86 – moderated by Neil Gaiman … ‘I think that because there’ve been a lot of fascist overtones in Marvelman [Miracleman] people assumed that the superheroes had taken over. There aren’t really any fascist superheroes in Watchmen. Rorschach’s not a fascist; he’s a nutcase. The Comedian’s not a fascist’ he’s a psychopath. Dr. Manhattan’s not a fascist; he’s a space cadet. They’re not fascists. They’re not in control of their world. Dr. Manhattan’s not even in control of the world — he doesn’t care about the world.’

[comics] Posy Simmonds Profile … by Paul Gravett … ‘Posy is simply one the world’s most sophisticated contemporary authors expanding the scope and subtlety of the graphic novel. Based in London, Posy has become renowned since the early Seventies, not only as a brilliant strip cartoonist for the national press, but also as a much-loved author and illustrator of children’s books.’

[comics] Dave Sim vs. Spider-man in 1985 … I believe this photo is from a lost episode of Miami Vice where Crockett and Tubbs bust some drug dealers at a comic convention.

[comics] Nick Abadzis Interviewed by Tom Spurgeon … long, readable interview with Nick Abadzis the writer/artist of Hugo Tate and Laika … ‘There’s too much crappy work out there to bother wasting time with, and a lot of good stuff that I do want to read, so it becomes a sort of exercise of the instincts, sniffing out the superior work or the stuff with a higher likelihood to engage. There is a lot of incredible talent working today and I do believe we are in a golden age of comics in some ways. It’s such a pleasure to come across the work of a cartoonist I haven’t encountered before and see with new eyes, their eyes. I get excited about that.’

[comics] Art Spiegelman visits Maurice Sendak in 1993 … ‘Childhood is cannibals and psychotics vomiting in your mouth!’

[comics] Before Watchmen, Nineteen Eighties Style … Bleeding Cool covers DC Comics first (failed) attempt at Watchmen II … ‘[A well placed DC source] confirms another anonymous ex-DC source that it was planned for Andy Helfer to write The Comedian and Michael Fleisher would be offered Rorschach.’

[comics] Cheque That Bought Superman Rights Sold For Super Price … ‘Jerome Siegel and Joe Shuster from Cleveland were paid $130 (£82) for all the rights to Superman by Detective Comics, later known as DC Comics.’

[alanmoore] BBC News confirms Alan Moore is the “Greatest Living Englishman” and “Knows The Score” …

[ipad] What’s On Warren Ellis’ iPad? … ‘Managing information is a big part of my job. So the topslice is: Twitterific, for Twitter. Flipboard. Reeder, for reading Google Reader (which is wired into Pinboard for saving links and Instapaper for reserving long articles for later). BBC news app. Guardian for iPad in Newsstand. Foreign Policy for iPad. The Economist in Newsstand. These are all daily, sometimes hourly checkpoints for me. Can’t do without them.’

[comics] Ware’s World: Inside The Home Of Cartoonist Chris Ware … pictures of the delightful home of one of the world’s most talented cartoonists! ‘As an unabashed admirer of Mr. Ware’s work, I’ve read many an interview with him, and I’ve seen photos of his historic home previous, but I wasn’t prepared by how amazing it would be. Ware’s collection lives throughout the warm and tastefully decorated home. Atop mantlepieces sit his handmade mechanical wonders like his Acme Book Dispenser, his Quimbies The Mouse and Sparky The Singing Cat sculptures. Behind glass doors live Gasoline Alley and Peanuts merchandise, Krazy Kat dolls, Buck Rogers rockets, and many other items of amazement from bygone eras.’

[comics] Crumb On Others Part 1 / Part 2 / Part 3 … Robert Crumb On “Famous And Infamous” people. Crumb Meets Jim Morrison: ‘I forget what the exact circumstances were, but he brought Jim Morrison over to my house one day. I think I was still living with Dana at the time, but I don’t remember if she was there. S. Clay Wilson was there. But Morrison, he seemed really over the hill by then. It wasn’t too long before he died. He just seemed like a kind of puffy-looking, overweight guy who was burned-out from too many drugs. He just sat in the corner kind of mumbling. [laughs] He was wearing this greasy, suede jacket with that fringe hanging off the sleeves. He had greasy, long hair. He did not look like the adonis that you saw in the photos a couple years before. But you know, that kind of worship that he received, when you’re young, it’s really hard to survive intact. He probably took too many drugs, but I don’t know. I don’t know what his problem was. He didn’t seem brilliant or anything to me. He didn’t have any insight or anything interesting to say. He just seemed like the typical hippie you would see on Haight Street at that time, mumbling about the drugs and shit…’

[comics] Neil Gaiman and Todd McFarlane: The Story So Far (March 1993 – March 2012) … Pádraig Ó Méalóid tells the story of the long and convoluted legal battle between Gaiman and McFarlane over Spawn and Marvelman … ‘Although Gaiman and McFarlane’s first meeting in court was on the 1st of October, 2002, nearly ten years ago now, the cause of their dispute goes back nearly ten years before that, with roots set in place some years before that, again. So, in an attempt to put it all into some sort of context, I’m listing what I see as the main points of their dispute, in chronological order, as exactly as I can, along with some earlier events, to put it all into context.’

[comics] Alan Moore: The Biography … full length biography of Moore from Lance Parkin is due late next year … ‘This is going to be, I hope, the definitive literary biography that explores the life and career of Alan Moore and goes a little wider than either my previous book or Storyteller, placing Moore in the context of the British and American comics industry, as well as the underground, occult and countercultural scenes.’

[comics] Here’s One Way To Spend Drug Money: 18,753 Comic Books … ‘An associate told detectives that Castro’s comic collecting also seemed to have turned into a kind of mania, and he “began to struggle with money because he would spend his drug money on comic books,” court papers said. Castro pleaded guilty last year to multiple felony charges and was sentenced to 45 years in prison, the Post reported. As for all those comics? Federal authorities seized them, along with Castro’s Audi A8, Mercedes S500 and Lexus GS300.’

[comics] Grant Morrison Comic Bingo … a game to play whilst reading Grant Morrison comics …

[comics] St Pancras Panda … in an impressive feat of comic archeology Pádraig Ó Méalóid has unearthed a complete set of Alan Moore’s St. Pancras Panda cartoon strips published during 1978/79 in an alternative newspaper called The Back Street Bugle …

[comics] Jack Kirby Photo … great pic – I’m guessing it was taken in NYC during the 1930’s.

[watchmen] Twenty-One Not Exactly Original Notes On More Watchmen, Written At A Slight Remove … by Tom Spurgeon …

Ten days or so past the official announcement, I’m thinking More Watchmen may be best understood as a blow to comics’ dignity. It’s product, not art. It’s a limited, small series of ideas derived from a bigger, grander one. It’s sad. One thing that Watchmen did a quarter century ago was to underline certain values of craft and intent and creative freedom that have helped to yield enough equivalent expressions — to my mind even grander expressions — that we may now see this follow-up project for what it is: nothing special.

[watchmen] Revisiting Alan Moore’s Official “Watchmen” Prequel … fascinating look at a role playing prequel to Watchmen from 1987 which had advice and input from Moore & Dave Gibbons …

“Shortly after I picked up the Watchmen assignment I called Alan in Northampton,” says Winninger. “He was unbelievably nice and excited about the project. During that first call he spent almost two hours telling me exactly what was about to happen in the next nine issues of the comic, down to the level of individual panels and page layouts.” Winninger adds, “I still remember him saying ‘Right, issue 12. We open with six pages of corpses.’ I spoke with him several times thereafter to bounce my ideas for the adventure off of him, to clarify details to get his approval on the manuscripts and such.” And, as Winninger points out, Dave Gibbons provided original cover art for the Mayfair “Watchmen” books and added new interior art as well.

[comics] The New York Times: DC Comics Plans Prequels to Watchmen Series …

Mr. Moore, who has disassociated himself from DC Comics and the industry at large, called the new venture “completely shameless.”

[comics] Chaykin’s Shadow is back… ‘The Howard Chaykin issues were great, the Andy Helfer, Bill Sienkiewicz and Kyle Baker issues were magnificent. And to be honest, I’d rather given up hope of ever seeing them again.But maybe not – because after securing the rights to The Shadow in 2011, Dynamite Entertainment has finally announced they’ll be reprinting the Howard Chaykin 4 issue Shadow: Blood & Judgment series from 1986…’

[comics] What If Herge And H.P. Lovecraft Had Collaborated? …

[comics] Joe Colquhoun Interview From 1982 … fascinating interview with the artist of Charley’s War and apparently the only one he ever did. Spotted on the well-done Charley’s War website … ‘I’ve tried very hard to bring out the realism in the trenches and most of the sequences in the story are based on factual incidents. That might lead to a certain amount of authenticity which is possibly lacking in the more blood and thunder, action-packed World War 2 stories. Finally, and this is only my own opinion, it illustrates a period that was already dying then. When words like Honour, Duty, Patriotism meant something, I think most decent kids reading this epoch, will have a sneaking, almost atavistic feeling that in this present sick and rather selfish world, with violence and amorality seeming to pay dividends, they may think they’re missing out on something.’

[people] Ronald Searle Obituary written by Nigel Molesworth of St Custard’s …

ART is for weeds and sissies whose mater hav said Take care of my dear little Cedric, he is delicate you kno and cannot stand a foopball to the head. Whenever anebode mention Art they all sa gosh mikelangelo leenardo wot magnificent simetry of line. Shurely the very pinnackle of western civilisation etc.etc. Pass me my oils Molesworth that I may paint my masterpeece. The headmaster sa gosh cor is that the medeechi venus hem-hem a grate work so true to life reminds me of young mrs filips enuff said.

Molesworth sa on the contry the most beatiful form in art is a Ronald Searle GURL from St Trinian’s in a tunick with black suspenders and armed with a hockey stick to beat the daylites out of another gurl or maybe just a teacher chortle chortle.

[watchmen] Doomsday Clock moves one minute closer to midnight … ‘The Doomsday Clock, a symbolic gauge of nuclear danger, has moved one minute closer to midnight because of “inadequate progress” on nuclear and climate issues. The Bulletin of the Atomic Scientists (BAS) announced the move – to five minutes before midnight – on Tuesday.’

[comics] Charlie Brooker on Batman: ‘There’s a new Dark Knight film out this year. Calling Batman “the Dark Knight” is like calling Papa Smurf “the Blue Patriarch”: you’re not fooling anyone.’

[comics] Were Rorschach’s Speech Patterns Based On Herbie, the Fat Fury? … ‘When discussing Rorschach, [Alan Moore] shared that the tone of his diary was inspired by the letters Son Of Sam David Berkowitz sent to the news papers, and (confirming my own theory) that his speech patterns were based on Herbie the Fat Fury.’

[comics] Ronald Searle was our greatest cartoonist – and he sent me his pens … Martin Rowson remembers Ronald Searle … ‘It is interesting to note how men of Searle’s generation – Spike Milligan being another notable example – translated the unimaginable trauma of the war into stuff like St Trinian’s or The Goon Show. And how distinctly unsettling it is to when you look at the drawings he produced in secret on the Burma Railway, and then see direct visual quotations of torture and beheadings in his later St Trinian’s cartoons. Even if most Britons will remember him as ‘the St Trinian’s cartoonist’, Searle was much more than that. Without him, it’s almost impossible to imagine cartoonists like Scarfe or Steadman or the subsequent generations inspired by them.’

[comics] Batman Says… Stop, Look and Listen

[comics] Abhay Khosla tries to predict the Watchmen 2 Announcement …

Allusion to Alan Moore’s prickly relationship with the company- Moore is “unavailable” for comment at time of press and/or declines to comment. Maybe, maybe he says something pithy like “All of those characters are already dead to me. I’m busy writing a 10,000 page poem about a molehill’s evolution over 20,000 years. But why doesn’t anyone working in comics have their own ideas, I wonder?” (Jason Aaron tells him to fuck himself again 4 months later, then goes back to architect-ing X-Men vs. The Hulk crossovers).

[comics] Steve Bell’s political cartoons of 2011 – in pictures … gallery of Bell’s best work — the G8 Madness cartoon is definitely worth a second look.