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London Bloggers [Comic Blogs][Other Blogs] | 24 November 2014
[comics] Canadian cartoonist Seth Interviewed … ‘I try not to worry too much about meaning with what I’m doing, because I think meaning is accumulated or accrued from just doing it. It builds up its own meaning. I think that might be the bad legacy of modern art, the concern about ‘what does it mean?’ I don’t think that’s important to the artist. The artist kind of knows what it means, but it’s up to other people to determine that.’
20 November 2014
[moore] Alan Moore’s Brought To Light On YouTube … Alan Moore performs Brought to Light, his history of the CIA. … ‘This is not a dream.’
19 November 2014
[comics] Steve Ditko Doesn’t Stop: A Guide To 18 Secret Comics By Spider-Man’s Co-Creator … a guide to the the semi-obscure comics that Steve Ditko has produced over the last few years … ‘The Avenging Mind may be a 32-page comic book, but the vast majority of its space is occupied by Ditko’s prose. That’s right. Steve Ditko has a reputation for being an inscrutable recluse, but the hardcore fan knows that he’s published tens of thousands of words’ worth of essay communiques with the outside world. (Plus, he’s in the phone book.) In 2002 a number of these articles were collected into Avenging World, a 240-page codex arcana of words, drawings and comics, all dedicated to detailing the artist’s deepest thoughts on art and life — heavily informed, as you’ve heard, by the works of Objectivist fountainhead Ayn Rand. Avenging World is the Ditko bible. It is not easy reading — due in no small part to Ditko’s determination to isolate, highlight, whittle down, specify his terms in a synonymous manner across strings of repetitive declarations, as if to foreclose on the possibility of ambiguity by stating every possible legitimate variation on a thought. Nevertheless, everything Ditko is “about” is contained therein. And fundamental to Ditko’s worldview is the notion that art should serve not as an idle distraction, or a mirror of its times, but as an active inspiration to the betterment of humankind.’
3 November 2014
[comics] Wonder Woman’s Secret Past … the fascinating true story of Wonder Woman’s origins … ‘The much cited difficulties regarding putting Wonder Woman on film-Wonder Woman isn’t big enough, and neither are Gal Gadot’s breasts-aren’t chiefly about Wonder Woman, or comic books, or superheroes, or movies. They’re about politics. Superman owes a debt to science fiction, Batman to the hardboiled detective. Wonder Woman’s debt is to feminism. She’s the missing link in a chain of events that begins with the woman-suffrage campaigns of the nineteen-tens and ends with the troubled place of feminism a century later. Wonder Woman is so hard to put on film because the fight for women’s rights has gone so badly.’
30 October 2014
[comics] Take 3 panels: Tintin: The Castafiore Emerald … a look at 3 panels from one of the greatest comics ever published Herge’s The Castafiore Emerald … ‘The humour in The Castafiore Emerald is key; the mystery/adventure secondary for a change, and this is one of the more overt panels which makes that tone apparent. Here the Captain’s fears and irritations are manifest in dream form: Bianca and the parrot she gifted him amalgamated into one being, while he’s naked and vulnerable in the front row at the opera, with all the little tuxedo-ed parrots (birds of Bianca’s feather) looking seriously on. This is how the Captain sees Bianca: all puffed out plumage, screechy, essentially rather ridiculous. Herge was woefully inadequate when it came to the inclusion and representation of female characters in Tintin, and there is a reading of Bianca here that doesn’t help his case: a demanding, diva of a woman who schemes and tricks him into a non-existent engagement, the first of which he learns when reading a newspaper. However, essentially Bianca is what we would today term ‘fabulous…”
27 October 2014
[comics] For Peace! Fire!! …
25 October 2014
[comics] Batman’s Greatest Escapes … A collection of Batman’s best disappearing acts from Comics Oughta Be Fun.
24 October 2014
[comics] The Secret History of John Constantine … a look at the past and future of John Constantine … ‘Bissette claims he asked Moore to let him create a character that looked like Sting. The series’ editor, Karen Berger, told me it was Totleben, who had been wowed by Sting’s portrayal of a possibly demonic con-man in the 1982 film Brimstone and Treacle. Moore told The Comics Journal that he granted the artists’ wishes just for the hell of it. And so a nameless Sting-esque character popped up in a crowd shot in Swamp Thing No. 25. That could’ve been the end of it. But Moore saw the potential for “something more than that.” Moore had been mentally toying with the traditions of English mysticism (though he was still a few years away from identifying as a practitioner of magic). But he was also fascinated by cartoonist Eddie Campbell’s character Dapper John, an archetypal English “wide boy” – a man who takes unreasonable chances and gets by through resourcefulness and smooth talk. He decided to do something previously undone: craft a wide-boy mage.’
15 October 2014
[comics] Netflix unveils first look at new superhero series Marvel’s Daredevil … ‘Daredevil certainly feels like it has potential. Even though existing shows like Arrow and the recently launched Gotham have already staked out street-level superhero territory, there’s a richness to the character, who wrestles with Catholic guilt over his vigilantism, and a confidence to the execution that suggests Daredevil could cross over to non-comic fans looking for a stylish crime story.’
14 October 2014
[comics] Alan Moore Talks About His Influence Upon Comics … ‘I mean, I’d like to think that if I’ve shown anything, it’s that comics are the medium of almost inexhaustible possibilities, that there have been… there are great comics yet to be written. There are things to be done with this medium that have not been done, that people maybe haven’t even dreamed about trying. And, if I’ve had any benign influence upon comics, I would hope that it would be along those lines; that anything is possible if you approach the material in the right way. You can do some extraordinary things with a mixture of words and pictures. It’s just a matter of being diligent enough and perceptive enough and working hard enough, continually honing your talent until it’s sharp enough to do the job that you require. I hope that if I had any sort of benign legacy at all, that that would be it, but I don’t know, I think that my legacy, some days, like I say, I think that my legacy is more likely to be a lot of humourless snarling, sarcastic psychopaths, but that’s just on my black days, pay me no mind.’
4 October 2014
[comics] Marvel by Moebius. … a gallery of Moebius’ wonderful view of various Marvel characters.
30 September 2014
[comics] Nine Comic Books About Jim Gordon And Gotham City Police … a list highlighting some interesting Batman comics … ‘Gotham Central – While the series has great stories like “Soft Targets” and and “Half a Life” — and while the entire series delivers the gritty-crime-in-a-superhero-universe feel that the show aspires to — Gotham viewers will probably be most interested in checking out “Unresolved” (Gotham Central #19 – 22 and handily available in paperback), a story that focuses on Harvey Bullock. At the time, Bullock had been kicked off the force in disgrace after taking the law into his own hands, but the unfinished business of a brutal case involving the Mad Hatter and the Penguin pulls him back in and shows just how far he’s willing to go in the pursuit of justice.’
29 September 2014
[comics] Trash! … an early, little-remembered Alan Moore fumetti comic from 1982.
26 September 2014
19 September 2014
[movies] How ‘Teenage Mutant Ninja Turtles’ Went From In-Joke to Blockbuster … on the comic book origins of the TMNT franchise … ‘The Turtles literally started out as a joke. Co-creators Kevin Eastman and Peter Laird were comic-artist wannabes when they spent a November 1983 evening doodling the masked, weaponized reptiles to entertain themselves. Each adjective in Turtles’ title represented a hot superhero-comic trend at the time – mutants were the stars of Marvel’s Uncanny X-Men; DC’s New Teen Titans had teenage protagonists; and future Sin City impresario Frank Miller had stuffed his groundbreaking run on Daredevil full of ninjas. By throwing it all together atop a funny-animal framework – which, from Carl Barks’ Donald Duck to Steve Gerber’s Howard the Duck, had long been a route to comic-book gold – Eastman and Laird simply obeyed the Spinal Tap doctrine of cranking it to eleven.’
13 September 2014
[comics] The Moon Knight Portfolio … another gallery of art by Bill Sienkiewicz and Christie Scheele from 1983.
7 September 2014
[comics] Bill Sienkiewicz’s Moon Knight … gallery of art from Sienkiewicz’s mid-80’s run on Marvel’s Moon Knight.
6 September 2014
[batman] XombieDIRGE: ‘I can take you as far as Blüdhaven, after that your on your own.’
5 September 2014
[comics] The Unlikely Rise, Fall, And Rise Again Of “Viz” Comic … profile of Viz from Buzzfeed … ‘Some of the best-loved characters have changed in line with society. Student Grant, a nerdy university stereotype, began to feel outdated. (“They’re customers now,” says Dury.) Roger Mellie was just a sweary TV presenter; now he’s a way to satirise recent media scandals (at the time of writing Ian Botham’s Twitter account has recently posted a picture of an erect penis, and Thorp and Dury are going to have Roger’s do the same). Others remain a constant: Sid the Sexist is still yet to lose his virginity, and Fru ‘T’ Bunn remains a sketch about a baker who makes his own sex dolls…’
30 August 2014
[comics] Dave Sim And Gerhard: Aardvarks Over The UK … Dave Sim interviewed during a tour of the UK in 1993 … ‘The original idea for Cerebus was simply to do a more interesting comic book. I wanted to do something that had adult values applied to it, as opposed to just doing something along typical comic-book lines. You know, “let’s do a superhero ‘cos they’re selling okay”. And the further along I’ve gone, the more I’ve tried to do something that makes me happy, something that is satisfying to me. I enjoyed superheroes the same as any twelve year old, when I was twelve, but I’m almost forty now, so I put things into Cerebus that I’m interested in now!’
28 August 2014
[comics] After His Public Downfall, Sin City’s Frank Miller Is Back (And Not Sorry) … fascinating profile of Frank Miller …
At the turn of the millennium, Miller and Varley were working on their long-awaited Dark Knight sequel. It was initially hatched as a romp, a reinjection of Day-Glo fun into what had become a relentlessly grim superhero landscape. They were about halfway through the series on September 11, 2001. By this time Miller had moved back to New York, and the assault on his home disturbed him deeply-which again quickly became apparent in his work. In the later issues, Batman decides to let an alien force destroy Metropolis and its citizens, Captain Marvel is killed, and Batman kills a genetically manipulated Robin by hurling him into a lava-filled chasm. “I think there was a PTSD effect,” Varley says of 9/11. “I think many people didn’t get over it, that it will continue to affect their lives forever. And I think Frank is one of those people.” 22 August 2014
16 August 2014
[films] What author/writer has had the most film adaptations? … ‘Bob Kane, the creator of Batman, has 100 credits to his name.’
15 August 2014
[comics] Interviews: learning your A, B, Cs … Pat Mills discusses the A. B. C. Warriors … ‘ I think the ABCs is a rare story that endows machines with personality. This has always seemed an obvious thing to do. To treat them like superheroes but in a more rewarding way. They are a metaphor for working class heroes.’
10 August 2014
[comics] The Complete 14 Batman Window Cameos … ‘A compilation of all 14 window cameos from the 1960s ABC TV series Batman. Almost fifty years later, some of these folks are still remembered today–Others, not so much.’
9 August 2014
[comics] Miliband to show Obama his 2000AD collection … an important question – which world leaders are Squaxx dek Thargo? …
Miliband said: “Barack Obama looks as though he would definitely have been part of my gang at school, The League of Zarjaz Earthlets. 5 August 2014
[batman] Batman the Redeemer …
4 August 2014
[comics] Dear Hollywood: Stop Using Frank Miller’s Batman Stories As Source Material … ‘Experimentation is what has kept superhero comics alive from Batman’s first appearance until this year’s Batman Day. Indeed, The Dark Knight Returns and Year One were huge risks when they hit the stands. But on the big screen, DC is beating Frank Miller’s ideas into the ground. There’s nothing inherently wrong with Miller’s twin Batman epics. But there is something creatively bankrupt about studios focusing on them so monomaniacally. As Miller himself once said, “There are 50 different ways to do Batman and they all work.” Our fate is sealed for Batman v. Superman, but we have to imagine a better future. If an ambitious filmmaker wants to make a truly innovative Batman movie, he or she needs to put Frank’s hard-boiled sagas back on the shelf…’
21 July 2014
[comics] Explorers on the Moon 1969 … Tintin and Gang greets Neil Armstrong on the Moon …
15 July 2014
9 July 2014
[batman] The Real Dynamic Duo: Kane and Finger … Mark Evanier on Bob Kane, Bill Finger and Batman … ‘For those who don’t know: Bill Finger wrote the first Batman story and most of the early ones that established key things about the character and his world. He was a friend of Kane’s and a very good writer, and while Kane argued with some accounts of exactly what Finger had invented, even Bob had to admit that Bill made a vital contribution to the property.’
29 June 2014
[comics] Chris W’s Cerebus Character Index … a comprehensive index of all the characters who appeared more than two times … ‘Missy (52): #114, #118, #124, #136, #141-2, #144-57, #162-70, #173, #191 (flashback), #218 (dream), #230-4, #237-8, #242, #246, #254, #261, #265, #300 (flashback)’
26 June 2014
[comics] Alan Moore Early Career Timeline … … ‘Swamp Thing 24 – Roots (February 1984) … Monster (Scream #1 – March 1984) Boy buries his father, then goes to investigate the mysterious locked door upstairs which his father was killed going up to. Story ends with a to-be-continued, and was picked up by John Wagner – was about a deformed man living in the attic who was gentle but usually homicidal, apparently.’
18 June 2014
[comics] Alan Moore’s Lost Comic Miracleman Has Returned … ‘A Dream of Flying is lovely, but the truly jaw-dropping stuff is just a few months away. You’ll get to see “Scenes From the Nativity,” in which Moran’s wife gives birth to a superpowered infant in an infamously (and, in its way, beautifully) graphic manner. You’ll experience the astounding conclusion of Moore’s run: a city-demolishing fight between Miracleman and Johnny Bates that will turn your stomach and expand your mind, followed by an issue in which Miracleman assumes his rightful role as a god and creates a worldwide quasi-socialist utopia. You’ll delight in Gaiman’s series of short stories about life in that utopia – one of which is a gorgeous little tale narrated by an undead Andy Warhol. You’ll read about modern myths and see better worlds. And soon, God (Miracleman?) willing, you’ll find out how it was all supposed to conclude. ‘
16 June 2014
[comics] The Joker’s Utility Belt … I wonder what the Joker does with the small cork? …
15 June 2014
[comics] Five Great Comic Book Adaptations Of Movies … some great comics to watch out for on this list. On Kirby’s 2001: ‘It’s hard to imagine two sensibilities more opposite in tone than those of Jack Kirby and Stanley Kubrick. Kirby’s grandiosity acts as a stark contrast to the calculated distance of Kubrick and for this alone, his eight-years-after-the-fact adaptation of 2001 really shouldn’t work. Against everything, though, the adaptation succeeds by choosing to take a new path, mashing up three different versions of the material — novel, screenplay and final product — and adding Kirby’s off-kilter dynamism to create a final product that’s as wonderful as it is “wrong.”The original film is (obviously) full of space, figuratively and literally. Kubrick allows the camera to rest, giving the audience an opportunity to breathe in the recycled air and vastness of the universe. An absence of dialogue and narration helps further the film’s atmosphere, providing a base from which the stunning visuals stand out even more. This draws the audience in, forcing them to pay attention to what’s not being said just as much as what is. This sort of subtlety is exactly the sort of thing that Kirby has no interest in; he’s going to tell you the story. With words and pictures. Deal with it.’
12 June 2014
[comics] Neil Tennant’s FURY… a fascinating look at a 1977 Marvel comic edited by Neil Tennant from the Pet Shop Boys … ‘The covers of Fury were also similar to the ones Battle had been running. Powerful images with a punchy message. None punchier than the brilliant one shown at the top of this post by Carlos Ezquerra. The artist had produced many similarly strong images for Battle’s covers so it was quite a coup for Marvel UK to commission him for Fury. Unfortunately, the company were not given a budget by their American owners to produce British strips so although Fury looked like a traditional UK war comic on the outside, the interiors were a different matter…’
10 June 2014
[comics] “A Funny Kind Of Relationship” … Alan Moore On Iain Sinclair … ‘So Iain had a profound effect upon my writing style, it’s probably more evident to me than to other people. It was more the fact that after reading Iain’s work I felt that I had to man up, I had to shift things up a gear, because knowing that prose of that quality was possible, unless you tried to address that, any other response is like, cowardice, or defeat, surrender… It was like when I read Burroughs as a teenager. It made me realise that prose was capable of doing certain other things than things that I had previously attributed to it. Later on I found that Iain’s kind of literary genealogy is not a million miles away from my own, its just that his has got a much finer eye attached to it and a much greater body of knowledge, but I think we were both inspired by the energy of the Beat writers and the culture that spread out from them.’
6 June 2014
[comics] The Weirdo “NO HOPE” Diagram … by R. Crumb … ‘Proves beyond a shadow of a doubt that there’s No Hope!’
3 June 2014
[comics] 43 Out-Of-Context Comic Panels That Prove All Superheroes Have Dirty Minds … Wertham was right … ‘Captain America! I Command You To – ‘
30 May 2014
[comics] Fan-Made Live Action Akira Trailer … ’38 Years After World War III…’
26 May 2014
[comics] “Kid… Comics Will Break Your Heart” … Jack Kirby by Dylan Horrocks … ‘In the 1980s, Romberger met Kirby at a convention in New York. Kirby kindly looked at Romberger’s work and then gave him a piece of advice: “Kid, you’re one of the best. But put your work in galleries. Don’t do comics. Comics will break your heart.”’
25 May 2014
[comics] MAD #21: Cover by Harvey Kurtzman (1955) … an incredibly dense cover of comic novelty ads … ‘It is one of the most glorious and ludicrous covers in comic book history.’
16 May 2014
[comics] Great War was world’s first sci-fi war, says Pat Mills … BBC News discusses Charley’s War. Pat Mills: ‘We often imagine that Armageddon is a horror that awaits us sometime in the future. But Armageddon has already happened. It was World War One.’
15 May 2014
[comics] Alan Moore’s unpublished scripts for Youngblood … contains scripts for Youngblood #2 to #7, notes on characters and an overview of Moore’s plan for two years of comics.
13 May 2014
[movies] Hollywood’s superhero movie binge explained in four charts … ‘It has been rare for fewer than six comic-book adaptations to be released in any one year. Despite the glut, audiences don’t seem to be losing interest. US box-office revenue generated by these films has cracked $1 billion on three different occasions. The Avengers, a film that packed as many comic-book favorites onto the screen as possible, made $623 million in the US alone two years ago.’
11 May 2014
[comics] Nemo and All Things “League of Extraordinary Gentlemen,” with Kevin O’Neill … great interview with one of British comics finest artists … ‘I think with the original League series, it just started with a small Charles Dickens reference, and some older Victorian comic characters. I remember talking about it and we felt, well, if we have a newstand scene, it would be great if all the publications are fictional publications from all over the place – and therein lies the path to complete and total madness, really.’
10 May 2014
[moore] 2048: The Alan Moore Edition … a special version of the 2048 game for fans of Alan Moore.
6 May 2014
[comics] Walt Simonson’s Groovy DC Days … nostalgic mini-gallery of Walter Simonson Covers from 1970s … ‘Please stay away — The love I need can NEVER BE!’
24 April 2014
[comics] A Letter from Denny O’Neill about working at Marvel Comics in 1966 … ‘The notes in the margin are Jack’s — he actually plots the story as he draws it, after an initial, and usually brief, plot conference with our leader. From the marginal comments, Stan does the script.’
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