[tv] Casting Columbo: the gargantuan unseen effort … A lot of the magic in Columbo came from casting the right actors for villians, victims and supporting cast. ‘Team Columbo considered up to three dozen different actors for every role in every episode. For a typical 1970s Columbo, the casting started with the producer. Three to four weeks before the scheduled start of filming-about the time he hired his director-the producer would compile a list of actors he thought would be right for each part. He’d also send the script to several talent agencies, to get their suggestions. Executives from Universal Television and from NBC would also weigh in. And, finally, the producer would bounce his options off of the director and Peter Falk.’

[columbo] Celebrating Murder by the Book’s 50th anniversary … A look back at the first episode of Columbo. ‘However, what most makes Murder by the Book sing is the presence of Jack Cassidy as the ultimate foil to the scruffy Columbo. His Ken Franklin is urbane, stylish, arrogant, extroverted – and utterly heartless. Yet being a double murderer never seemed such fun given Cassidy’s gleeful wickedness that makes him one of the series’ most cherished guest stars. Cassidy is my favourite Columbo guest star killer of all. I rate many others extremely highly, but Cassidy had the X-factor and was the absolutely perfect choice to play Franklin. Just as Donald Pleasence was born to play Adrian Carsini in Any Old Port in a Storm, no one could have embodied Franklin better than Cassidy. His contrast to the earthy Falk makes their every encounter absolutely zing.’

[tv] Columbo: an origin story … A look at the early origins of the TV detective series and the three versions of Columbo. ‘It became a case of third time lucky for Levinson and Link (and the Lieutenant) when they heard Universal were on the lookout for good mystery scripts in 1967. The Prescription: Murder teleplay was duly picked up by the studio, but who to cast as Columbo – a character more pivotal to the story than originally intended? Lee J. Cobb, then in his 50s, is said to have been the first choice, but his schedule was too full to allow it. Bing Crosby was famously offered the role but turned it down as he was enjoying retirement (and the lure of the golf links) too much. Instead, and despite reservations about him being ‘too young’, Levinson and Link turned to Peter Falk, who had just turned 40. Filming wrapped up in late 1967. The rest, as they say, is history.’

[tv] How Columbo Became an Unlikely Quarantine Hit … ‘Columbo isn’t quite hardboiled like detectives out of Dashiell Hammett or Raymond Chandler; he’s also not flashy or well-dressed like Sherlock Holmes or Hercule Poirot. The show isn’t gritty like many American crime shows, and it isn’t whimsical like some of the British detective shows you’ll find on Masterpiece. There isn’t a lot of violence; instead, Falk brings a comic tone to his character. Columbo, basically, is the most soft-boiled detective show I’ve ever seen. And soft is all I’m looking for these days.’

[tv] Rediscovering “Columbo” in 2020 … Great comic on the pleasures of watching Columbo right now.

[tv] Comfort Viewing: 3 Reasons I Love ‘Columbo’ … ‘Columbo is one of the very few American series fueled by class warfare. Whether they are driven by coldblooded entitlement, delusions of grandeur or simple greed, the murderers treat the self-deprecating, ostentatiously low-grade cop with seething annoyance, willful condescension or hypocritical benevolence. It is hard to overstate how satisfying it is to see smug criminals get caught right now. Imagine the joy of seeing a rebooted Columbo go after hedge-fund managers, big-game hunters, studio chiefs, YouTube influencers, real-estate magnates or celebrity chefs who picked killing as an acceptable problem-solving method.’

[columbo] My top 10 favourite Columbo episodes … ‘A typewriter pounds. A Mercedes cruises through the LA streets. A writer in a high-rise is lost in a world of his own invention. As the typewriter continues to pound the car parks in an empty lot, the driver steps out and slips a gun into his jacket. So begins one of the pivotal TV experiences of our time. From those first arresting moments, Murder by the Book grabs the viewer by the throat and never lets go. It’s still a cause of pride and joy for Columbo fans that a young Steven Spielberg was in the director’s chair for this. His touch and flair make this a visually unique outing, but he’s only one reason for its success. Peter Falk and Jack Cassidy establish an on-screen rapport that would enrich the series on three occasions, while Steven Bochco’s script and Blly Goldenberg’s score are world class. In short, it’s an A Grade cast and crew and they all bring their A Game to proceedings.’

[tv] When good TV goes bad: the moment Columbo’s case went cold … When did Columbo Jump the Shark? … ‘If classic Columbo is good and late-era Columbo is bad, then the lieutenant must have jumped the shark with the 1989 return of the mac? In truth, you have to go further back – to 1976. In the fifth season finale, Last Salute to the Commodore, set among the yachting set, the victim is a crotchety, self-regarding millionaire who resents his drunken coterie and grasping family. When we witness son-in-law Robert Vaughn disposing of the commodore’s body at sea, it seems obvious he is the murderer. Then Vaughn turns up dead, and the format disintegrates. Everything seems off. The lieutenant has his head turned by transcendental meditation, attempting a lotus pose on a marina boardwalk…’

[tv] Columblr … tumblr for The Just One More Thing podcast about Columbo. ‘In “An Exercise in Fatality,” gymnasium chain magnate Milo Janus’ (Robert Conrad) business double-dealings are about to be exposed by a disgruntled franchisee! What’s his wisest course of action? Why, cancel the fellow’s contract with a metal pipe to the throat and make it look like a tragic gym accident! As Columbo tries to put it all together, you’ll be plunged into a world of vitamins, sweaty dudes, X-rated Italian horror films, soulless bureaucracy, and Jim Rockford’s ladyfriend in a bikini…’

[quote] ‘I worry. I mean, little things bother me. I’m a worrier. I mean, little insignificant details – I lose my appetite. I can’t eat. My wife, she says to me, “you know, you can really be a pain.” ’ — Columbo.

[tv] Why We Watch… Columbo — from Radio Times Why We Watch blog/column … ‘Here was a show in which you saw who committed the crime in the opening minutes, an oddball narrative ploy that turned the rules of TV detection inside out. With the best line-up of villains since Batman, the likes of Donald Pleasence, Johnny Cash and Patrick McGoohan would then underestimate the cigar-chomping, raincoat-wearing Columbo, who would itch at them like a sore until they broke, all the while ingratiating himself on their time.’

[tv] Twelve Reasons Why Columbo Is The Best Police TV Show … ‘Just One More Thing…’

[tv] Columbo Quotes … ‘I worry. I mean, little things bother me. I’m a worrier. I mean, little insignificant details – I lose my appetite. I can’t eat. My wife, she says to me, “you know, you can really be a pain.”‘