Before he was Mr Interactive, Charlie Brooker was Mr Dystopia, creating disturbing, prescient vistas of the very near future. What if the prime minister had to have sex with a pig, live on air? What if anxious modern parenting turned into 24-hour hyper-surveillance? Even Nathan Barley, his 2005 comedy co-written with Chris Morris, came eerily to pass. That eponymous, portfolio-careered hipster could have been written yesterday. “That makes me sound like a wrestler,” Brooker says, not without satisfaction. “A really mean, horrible wrestler. Here he comes, in the blue corner: Mr Dystopia.”

It’s not so much that he predicted things, and then they happened, he says. Rather, Black Mirror plots were “extrapolations of whatever was already happening”. The pig plot was inspired by Gordon Brown’s Gillian Duffy moment, when he called a Labour voter a bigoted woman and “had to go and apologise, and it became this bizarre circus of calamity. I was just watching it thinking, ‘No one’s in charge here.’”

All the unedited tapes from which the news stories were cut… They are extraordinary. They’re like a strange, magical world that is halfway between real life and the snippets of doom that we transmit. There are terrible things on them – but the overwhelming amount is just the record of stuff happening. I’ve got hundreds of thousands of hours of it, and the effect of watching it is incredibly calming. It sends you into that kind of dream state we talked about earlier, where you start wondering what happens to all the billions of billions of moments of experience that are never recorded. Where does that all go to? And I find myself drifting off into wondering about what other people’s experiences must have been like in the fragments I’m watching.

TV industry! Here’s a little bombshell for you. From now on, all of Curtis’s work will be produced first and foremost for the internet. It will be hosted at bbc.co.uk/adamcurtis (coming soon). Go there to find a trailer for It Felt Like A Kiss. An hour-long cut of the whole thing will be placed on the site on the last day of the Manchester International Festival (MIF). It will also host his next two projects: “A long thing about our complicated relationship to the Congo over the last 100 years and how our idea of nature as a sacred yet terrifying realm has risen up during that same time.” That will be followed by a piece about “the political and cultural ideas that underlie the internet – and the idea that we are all linked in an interconnected web – out of which can come a new form of democracy.”