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7 August 2006
[comics] The Brothers Freud — another interview with Alan Moore and Melinda Gebbie about Lost Girls [slightly NSFW] … ‘We are trying to present sex and war as alternatives to one another. The pornography in Lost Girls is a testament to the human imagination, and particularly to the human sexual imagination, and the war that builds ominously throughout Lost Girls is the exact opposite of the human sexual imagination. I perceive war as the ultimate failure of the imagination. When we can’t think of anything else to do, then we kill each other in staggering numbers.’ [via The Comics Reporter]
3 August 2006
[comics] Alan Moore on Lost Girls — long interview in the Onion’s AV Club [via Robot Wisdom] … ‘The way that we worked on Lost Girls was actually different than the way I’ve worked on any other comic I’ve done. I’m known for turning out book-sized scripts with detailed written descriptions of each panel and all the dialogue and captions and sound effects. But Melinda had never worked with a scriptwriter before, so she looked at these enormous scripts I’d written for the first four or five episodes, and I think it crushed her spirit. She wasn’t comfortable, and she suggested that maybe I could do thumbnails, which is something I haven’t really done for other artists because I’m so lousy at drawing thumbnails. I have to write pages of explanation to tell them that this little blob down in the right-hand corner is actually the leading character’s head and shoulders. But Melinda, since she was living up here, I could talk her through all the breakdowns. She’d take my rough thumbnails and a pep talk and would go and turn out these lovely pages. Then I would do the dialoguing after the artwork was done, so that I could have a look at the expression that Melinda brought to the work. I could fine-tune the dialogue for the images so everything was much more synchronized. Lost Girls probably marks the closest that I’ve worked with an artist on a comic, perhaps unsurprisingly. With the nature of the material, it more or less demands an intimate relationship between the creators. Not just intimate in the usual physical sense, but also intimate in a mental and creative sense.’
12 July 2006
[comics] Long Roundtable Watchmen Interview with Alan Moore and Dave Gibbons soon after Watchmen was released … Alan Moore: ‘…if we have any optimism in [Watchmen] it’ll be valid optimism because it won’t simply be based on ignoring the nasty facts of life. To me, just in that last panel, in Godfrey’s last line “I leave it entirely in your hands” – that’s talking to the reader as well… I leave it entirely in your hands, how do we sort out this Gordian Knot? If the question is who makes the world? then if there’s an answer it is that everybody does. Yeah, there’s people that seem to be in more immediate power than others but really the world is an elaborate series of accidents, coincidences and unbelievable synchronicities that people appear to be in control of but… well, think about the events in your own life, the things that have made really dramatic changes in you can be traced back to deciding to pick up a ballpoint pen or not pick it up.’
10 July 2006
[comics] Review of Lost Girls — Blogcritics.org reviews a preview copy of Lost Girls … ‘Much of Moore’s work involves a critical transformative event that breaks the border between worlds, such as the genocidal concentration camp that creates his “V” in V For Vendetta, or the murders of Jack the Ripper seen as a kind of invocation for the 20th century in From Hell. In Lost Girls, the telling of sexual histories by his girls is a chance for them to escape old hurts, embrace old pains and enjoy their sexuality unashamed. Wendy, from Peter Pan, is a tightly wound Victorian prude when we first see her, but gradually opens to embrace her lusty past with Moore’s sexaholic Pan.’
30 June 2006
[comics] Alan Moore TV interview from 1987 — watch young Alan Moore flipping his hair back all the time as Gaz Top interviews him about Swamp Thing and plugs the recently released (at the time) Watchmen.
27 June 2006
[comics] John Byrne and his Forum discuss Lost Girls … Byrne: ‘This thread is officially too depressing. That there are people who would defend Moore on any grounds just adds to my overall sense of having wasted 30 years of my life. End of thread.’
[comics] Metafilter on Lost Girls … ‘So is this really a viable business model? Take a children’s classic, toss in some pornography, generate some canned controversy and then PROFIT!? I’ll be watching closely to see how much Moore rakes in on this. If this works then I can finally start shopping around my The Secret Life of Tiggers.’
25 June 2006
[comics] Rich Johnson Reviews Lost Girls: ‘This comic has driven me to complex thought, to patterns and ideas staying fixed in my own mental space that will stay with me. I will quote this book in conversation, I know it. I will see others through it, I will filter experience through it, it has affected me as much as any fiction can.’
[comics] Rich Johnson on Lost Girls: ‘But I can’t see this being published, with Alan Moore’s current media profile, with the characters of Alice, Dorothy and Wendy used in this was (not to mention the coincidental Harold Potter) without someone kicking off. Am I the only one who can see “PEDO PAN” as a front-page headline of the News Of The World? I’ve already been asked for comment by the BBC which is planning a news feature in a couple of weeks.’
23 June 2006
[comics] Hospital worry at “porn” take on Peter Pan’s Wendy — Reuters on Lost Girls … ‘Moore insists on calling the work “pornography”, while Publishers Weekly, in an article earlier this year, said it involved “fetishism, incest and even a touch of bestiality, as well as a whole lot of sexual activity involving minors”. It is due to be published in the United States in August.’
[comics] ‘Sex acts’ Wendy is Panned — CNN on Great Ormand Street and Lost Girls … ‘Stephen Cox, the hospital’s spokesman, said in a telephone interview Friday that it has not taken legal action against Moore and is was waiting to see whether the author will contact the institution to discuss its objections.’
[comics] Comic row over graphic Peter Pan — Great Ormond Street Hospital isn’t happy Alan Moore sexing up Peter Pan’s friend Wendy … ‘The Lost Girls, which shows Wendy in erotic trysts and being observed by paedophiles, is the latest work by Alan Moore, the British graphic novelist behind V for Vendetta. He said that his novel was inspired by Peter Pan but he would not seek permission to use the Wendy character. “I don’t see that you can ban anything in this day and age,” he said.’
3 May 2006
[comics] Alan Moore Quotes: ‘Life isn’t divided into genres. It’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you’re lucky.’
22 April 2006
[comics] This Vicious Cabaret — an MP3 of David J. performing a song taken from Alan Moore’s V for Vendetta. (from Hidden City)
10 April 2006
[comics] Black Legacy — an old Dr Who short-story written by Alan Moore involving the Cybermen … ‘Theta Troop are all dead!’ ‘Oh.’
8 April 2006
[comics] Script Robot Alan Moore — in the begininning Alan Moore was just one of Tharg’s humble Script Robots…
19 March 2006
[comics] Long Alan Moore Interview by Heidi McDonald [ Part 1| Part 2] … ‘I wouldn’t like to claim I was being prescient but that said, it is pretty clear that I have a direct line to God and I know every moment of the future before it happens. [laughter]’
18 March 2006
[comics] The Vendetta Behind ‘V for Vendetta’ — another article on Vendetta and Alan Moore from the NYT … ‘[Moore] resides in the sort of home that every gothic adolescent dreams of, one furnished with a library of rare books, antique gold-adorned wands and a painting of the mystical Enochian tables used by Dr. John Dee, the court astrologer of Queen Elizabeth I. He shuns comic-book conventions, never travels outside England and is a firm believer in magic as a “science of consciousness.” “I am what Harry Potter grew up into,” he said, “and it’s not a pretty sight.” Actually, he more closely resembles the boy-wizard’s half-giant friend Hagrid…’ [via BeaucoupKevin]
[comics] D for Vendetta — Wired News Review … ‘From the start, Larry and Andy Wachowski, the Matrix brothers, pack Vendetta with literary, religious, political and pop culture references: the Sex Pistols and The Girl From Ipanema, The Count of Monte Cristo and Beethoven, Twelfth Night and Benny Hill.’
17 March 2006
[comics] Jonathan Ross reviews V for Vendetta: ‘Despite postponing the release date from last November to allow more time for post-production work, the film looks cheap and lacks any sense of time or place. Throw in Matrix veteran James McTeigue’s flat direction and you have a woeful, depressing failure. If it had been called V for Vasectomy I could scarcely have found it a less enjoyable experience…’ [via Haddock]
9 March 2006
[comics] Alan Moore interview available on BBC2 Website — basically a “beginners interview” with Alan Moore but worth watching.
[comics] Reminder: Alan Moore Interview on BBC2 Tonight at 7.00pm — According to the Alan Moore Fan Site Jonathan Ross and Iain Sinclair are to make contributions…
3 March 2006
[comics] Alan Moore to be interviewed on the BBC2’s Culture Show next Week — Thursday 9th March at 7:00pm … ‘A rare TV interview with Alan Moore, the unsung genius of British writers, and acclaimed author of the graphic novels V for Vendetta and Watchmen’ [thanks Graybo]
16 November 2005
[comics] The Killing Joke Script — the first 40 pages from Alan Moore’s script … ‘As far as the characters themselves go, I’ll describe them in detail when they make their appearances, but my only general note would be that like the landscape and the various props, they have a sort of timeless and mythic quality to them which doesn’t fix them firmly in any one age-range or time-period. The Joker looks either old or badly depraved, but then he’s always looked that way. The Batman is big and grim and older than we are, because as I remember the Batman he’s always been bigger and older than I am and I’ll fight any man that says different.’
10 November 2005
[comics] Alan Moore on Terrorism, America and Britain: ‘…You have to remember that over here there were teenagers being taken out of cellar bars in separate carrier bags all through the ’70s and ’80s because of the war in Northern Ireland. In that case, the IRA were largely being supported by donations from America. That was why I was a bit worried when George Bush said he was going to attack people who supported terrorism, I thought, oh my god, Chicago is going to be declared a rogue state and they’ll hunt down Teddy Kennedy.’
31 October 2005
[comics] Dourdevil: Grit! — Alan Moore and Mike Collins spoof Frank Miller’s Daredevil Run … 
13 September 2005
[comics] Excerpts from Alan Moore’s script for Big Numbers #3 … ‘PAGE 5, PANEL 1. Okay, now there are twelve panels on this page, with this first tier being a continuous background shot. I should point out before we get too far in that this page requires some technical information and possibly some visual reference that will have to wait until I can contact the guy I know who works in a Computer Shop.’
10 August 2005
[comics] V for Vendetta Annotations — includes an interesting list of pop culture influences which Alan Moore and David Lloyd drew on whilst creating V for Vendetta … ‘Orwell. Huxley. Thomas Disch. Judge Dredd. Harlan Ellison’s “Repent Harlequin! Said the Ticktockman.”, “Catman” and “Prowler in the City at the Edge of the World” by the same author. Vincent Price’s Dr. Phibes and Theatre of Blood. David Bowie. The Shadow. Nightraven. Batman. Farenheit 451. The writings of the New Worlds school of science fiction. Max Ernst’s painting “Europe After the Rains.” Thomas Pynchon. The atmosphere of British Second World War films. The Prisoner. Robin Hood. Dick Turpin…’
9 August 2005
[comics] Two scanned pages [ Page 1 | Page 2] from Alan Moore’s Script for V For Vendetta … 
28 July 2005
[movies] V for Vendetta Trailer — it doesn’t look as bad as League of Extraordinary Gentlemen… Alan Moore on the V for Vendetta Shooting Script: ‘They don’t know what British people have for breakfast, they couldn’t be bothered. ‘Eggy in a basket’ apparently. Now the US have ‘eggs in a basket,’ which is fried bread with a fried egg in a hole in the middle. I guess they thought we must eat that as well, and thought ‘eggy in a basket’ was a quaint and Olde Worlde version.’ [via Pete’s Linklog]
11 July 2005
[moore] Old Gangsters Never Die — another song from Alan Moore produced around the same time as the The March of the Sinister Ducks.
13 June 2005
[comics] The Mindscape of Alan Moore Trailer … ‘I believe that our culture is turning to steam.’ [via Alan Moore Fan Site]
21 May 2005
[film] Watchmen – Will we be watching it after all in 2006? — Filmrot on the problem of bringing Moore and Gibbon’s Watchmen to the screen … ‘Unlike Alan Moore’s other notable ‘superhero’ comic The Extraordinary League of Gentlemen, Watchmen is not a romp. It is rich in the superhero tradition and has a sense of humour that happily makes fun of the genre but just as the iconic cover image is a smiley face, it is a smiley face with the blood of a hero smeared across it.’ [thanks Stuart]
16 May 2005
[comics] Comics Recommended by Alan Moore … On Marshal Law: ‘If Watchmen did in any way kill off the superhero – which is a dubious proposition – then Marshal Law has taken it further with this wonderful act of necrophilia, where it has degraded the corpse in a really amusing way.’
8 February 2005
[comics] The Craft — yet another Alan Moore interview … ‘We obviously have, as a species, a number of problems at this current time. The only way I can see for us to get round them is thinking our way round them — I can’t see us spending our way round them, we’re not going to be able to bomb our way around them. I could be wrong, maybe we can spend and bomb our way around them, but I would say on balance that if we’re gonna get round them at all, we’re gonna have to think our way around them, and that is gonna need new forms of thinking. I don’t know what they are, but I’d just say let’s try some of the options, and see if anything interesting comes up.’
6 February 2005
[comics] The Sinister Ducks — a flash animation of the song by Alan Moore … ‘What are they doing at night in the park? Ducks, Ducks! Quack, Quack! Quack, Quack! Think of them waddling about in the dark. Ducks, Ducks! Quack, Quack! Quack, Quack! Sneering and whispering and stealing your cars, Reading pornography, smoking cigars. Ducks, Ducks! Quack, Quack! Quack, Quack!’ [Previously: March of the Sinister Ducks – MP3 Download]
28 January 2005
[comics] Stewart Lee interviews Alan Moore — on Radio 4’s Chain Reaction … ‘For the working classes British comics were just something you had like Rickets…’ [ Update: Alan Moore “Chain Reaction” Interview Transcript … On Swamp Thing: ‘The whole thing that the book hinged upon was there was this tragic individual who is basically like Hamlet covered in snot. (audience laughs) He just walks around feeling sorry for himself. That’s understandable, I mean I would too…’]
16 September 2004
[comics] Neil Gaiman, Grant Morrison and Alan Moore… as Lego. [via Neil Gaiman’s Journal]
16 August 2004
[comics] Something Awful Photoshops Watchmen … 
‘…the harrowing specter of sexual dysfunction.’
5 August 2004
[comics] V for Vendetta Annotations — includes an interesting list of pop culture influences which Alan Moore and David Lloyd drew on whilst creating V for Vendetta [Related: More Moore Annotations]… ‘Orwell. Huxley. Thomas Disch. Judge Dredd. Harlan Ellison’s “Repent Harlequin! Said the Ticktockman.”, “Catman” and “Prowler in the City at the Edge of the World” by the same author. Vincent Price’s Dr. Phibes and Theatre of Blood. David Bowie. The Shadow. Nightraven. Batman. Farenheit 451. The writings of the New Worlds school of science fiction. Max Ernst’s painting “Europe After the Rains.” Thomas Pynchon. The atmosphere of British Second World War films. The Prisoner. Robin Hood. Dick Turpin…’
25 July 2004
[comics] ‘Watchmen’ unmasked for Par, Aronofsky — details from Hollywoodreporter.com … ‘”Watchmen,” the seminal DC Comics limited series, has landed at Paramount Pictures. Darren Aronofsky will develop and direct the project, which is being written by David Hayter.’
22 March 2004
[comics] Alan Moore’s memorial for Julie Schwartz: ‘And now we hear that Julie has been… discontinued? Cancelled? But they said the same about Green Lantern and the Flash back in the early ‘fifties, so we can’t be certain. This is comics. There’ll be some way around it, be some parallel world Earth-Four Julie, born thirty years later to account for problems in the continuity, and decked out in a jazzier, more streamlined outfit.’ [via Neilalien]
18 March 2004
[comics] The Reluctant Hero — another interview with Alan Moore … ‘Put together by Paul Gravett, an internationally renowned expert on comic-book art (he also curated last year’s Comica festival at the ICA), the exhibition features a mass of original, rare or never-seen-before art created for Alan Moore works over the last 25 years, as well as previewing The Mindscape of Alan Moore, an 80-minute documentary on the writer. “It’s an enormous honour,” Moore says of the show. “Even if it makes me feel like I’m almost dead.”‘
14 March 2004
[comics] John Byrne on Grant Morrison and Alan Moore: ‘I get no sense from [Grant] Morrison’s work that he has any “love for the genre”. I get the same vibe I get from [Alan] Moore — a cold and calculated mixing of ingredients the writer knows the fans like, but to which the writer himself has no eviceral connection. Nostalgia without being nostalgic, as I have dubbed it.’ [via ADD]
12 March 2004
[comics] 5 Questions for Alan Moore — another Q&A from ADD Blog… Moore on Writing Voice Of the Fire: ‘As it happened, quite eerily, there were a number of events that more than satisfied the various things that I needed to finish the novel satisfyingly, you know, things like severed heads and big black dogs, often in conjunction with each other. So, it was very eerie at times, not just surprising, but incredibly eerie. There are moments during a writer’s life, especially if he or she is dealing with something very close to home, if it’s getting a bit self-referential, that sometimes the borderlines between fiction and your actual reality can get dangerously blurred and, yeah, that happened more than once during the course of Voice Of The Fire.’
21 January 2004
[comics] Sinister Ducks – March of the Sinister Ducks (MP3 File Download) — a song by Alan Moore and his band The Sinister Ducks from 1983 … ‘What are they doing at night in the park? Ducks, Ducks! Quack, Quack! Quack, Quack! Think of them waddling about in the dark. Ducks, Ducks! Quack, Quack! Quack, Quack! Sneering and whispering and stealing your cars, Reading pornography, smoking cigars. Ducks, Ducks! Quack, Quack! Quack, Quack!’ [via Scaryduck and Neil Gaiman]
6 January 2004
[comics] Alan Moore vs. Grant T. Morrison … ‘An Epic Bare-Knuckle Brawl Between Two Mega-Legends’ [via plasticbag.org]
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