In the past I’ve tried to say, ‘Look, we are all crappy superheroes,’ because personal computers and mobile phone devices are things that only Bat Man and Mr Fantastic would have owned back in the sixties. We’ve all got this immense power and we’re still sat at home watching pornography and buying scratch cards. We’re rubbish, even though we are as gods.
[comics] The Unpublished Moore … a comprehensive list of the the Alan Moore’s whims, unfinished scripts and lost work … ‘Cerebus #301 Status: Unpublished. I believe a full script exists for this one (which involved Cerebus being summoned during a seance in the modern day), but it was intended to be a Moore/Bisette/Veitch project, and is unlikely to appear now due to ill-will among the creators.’
[comics] Alan Moore – The Spanish Impersonation … ‘When I was young I travelled to Andorra and bought a radio cassette player. However, I usually travel to fourth dimension.’
[comics] Kevin O’Neill Interview [Part One | Part Two | Part Three | Part Four | Part Five] … huge interview covering O’Neill’s 40 year career in comics … ‘What Robocop did by beating Judge Dredd to the screen was it stole the best of Judge Dredd, and when they made the Dredd movie, they were then worried about being compared with Robocop! So they took out all the black humor and all the satire, and their emasculated movie was almost a Judge Dredd movie, but not quite. Robocop was a more energetic movie. We did hear there were piles of 2000 ADs in the production offices. That does kind of show, doesn’t it?’ [via Metafilter]
[moore] A YouTuber Sums Up Alan Moore: ‘Sheesh. I keep trying to read his stuff, but I swear Moore is like the messiah of all who would get beat up in middle school. Thus he is against confident sexy women who flirt, confident athletic men who are badass and don’t need permission to kiss a woman, anyone who can fight or kill, anyone who knows they look good…. He is for anyone who can play the tuba, is gay, has bad hair, has a bad complexion, has frizzy hair, is socialist… it gets old.’
[comics] V for Vendetta in Kinetic Typography … ‘Verily, this vichyssoise of verbiage veers most verbose, so let me simply add that it’s my very good honor to meet you and you may call me V.’ (more…)
[moore] Comics Won’t Save You, but Dodgem Logic Might … an Alan Moore interview in Wired … ‘I think the comics medium could play a big part in addressing our problems. It’s such a wonderful medium. You can talk about anything, and talk about it in a very powerful and informative way. I’d like to see comics become a medium in which new ideas could be expressed in new, compelling forms, but I don’t really see that coming from the industry’
[comics] A Review Of Big Numbers #3 by Alan Moore & Bill Sienkiewicz … ‘The opening chapters of his From Hell and Watchmen are compelling, but no one could guess those works’ ultimate richness from those chapters alone. The same would have been all but undoubtedly true of Big Numbers. The third chapter brings a fuller understanding of what was lost by the failure to complete more than a quarter of the book. The failure is beyond a disappointment; it’s about as close to an artistic tragedy as one can imagine.’
[comics] Alan Moore’s Youngblood Proposal … more notes from Moore on how to revamp some of Rob Liefeld’s Awesome characters … ‘Before I get onto the details of the first issue, however, I’d better run through some of my thinking on the restructuring of both the book and the Youngblood team into something at once new and at the same time “classic,” whatever that means in a field that produced Brother Power, the Geek…’
[books] Michael Moorcock, Alan Moore, Iain Sinclair … notes from a talk the three writers gave in London last night … ‘Alan Moore discusses deadlines, and the frenetic life-style involved in popular writing. To be a periodical writer becomes your life. [..] Alan Moore says “Stuff leaks in from the future.” Alan Moore talks about sleep deprivation. Alan Moore says that craft becomes less conscious.’ [via Moleitau]
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24 June 2009
[comics] Swamp Thing #21 – The Anatomy Lesson … The classic second issue of Alan Moore’s groundbreaking run on Swamp Thing available as a PDF. (But what a shame about the weak digital recolouring in this reprint) … ‘He should have let me finish. He should have listened. Then I’d have been able to explain the most important thing of all to him. I’d have been able to explain that you can’t kill a vegetable by shooting it through the head.’
[comics] Steve Bissette on the Creation of Swamp Thing #20 … Part 1, Part 2, Part 3, Part 4, Part 5, Part 6 … a long multipart post (including many pages from the script!) on the first issue of Alan Moore’s run Swamp Thing. It’s an interesting issue – it was produced under considerable deadline pressure and has never been reprinted much because it’s a transitional issue as Moore deals with the plot the previous writer had left him with and sets up stage for the next issue – The Anatomy Lesson. [via Metafilter]
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[comics] Jess Nevins annotations for League of Extraordinary Gentlemen – Century 1910 … ‘Panel 6. “Misplaced memorials.” I trust one of my British readers can fill me in on what Moore is referring to. Is there a misplaced memorial at King’s Cross? There are memorials to veterans of World Wars One and Two-anything else? “Forgotten fires.” I’m assuming this is a reference to the King’s Cross fire on 18 November 1987, which killed 31 people in the King’s Cross St. Pancras station. I’m not particularly sure why this counts as “forgotten”-even I, American that I am, knew about it. (Is the King’s Cross fire memorial plaque in the station misplaced somehow?)’
[comics] Alan Moore’s Glory Notes … a proposal from Moore on how to revamp one of Rob Liefeld’s Awesome characters … ‘I suppose this as good a time as any to discuss my ideas about how the sexuality in Glory should be handled. As with my notes on Youngblood, my central idea is to prime the story with plenty of open spaces for the readers’ filthy, disgusting thirteen year old minds to inhabit… which is only natural… without doing anything that is anything other than entirely innocent and in keeping with classic comic tradition. I think the word for our best approach is “disingenuous”.’
[comics] Pádraig Ó Méalóid (aka Livejournal’s Glycon) reveals the story behind Big Numbers #3 making it’s way to the internet … ‘Anyway, the story I heard was that Al Columbia completed this issue, had it sent off for lettering and then went a little crazy and refused to release the art for publication … In any event, this art did exist long enough for it to be photocopied.’
[comics] Eddie Campbell on Big Numbers: ‘Another thing I remembered, and I don’t think I ever mentioned it to Alan, but I always felt a certain resentment that Billy the Sink got Big Numbers and blew it while i was stuck drawing Jack the bloody Ripper for ten years (I once described it as a penny dreadful that costs thirty five bucks). I stand by my opinion that Big Numbers was the superior idea and would have been Alan’s masterpiece.’
[comics] Hollywood super-hairo: the comic book genius who won’t make a penny from £65m Watchmen … Alan Moore as viewed through the lens of really poor tabloid journalism … ‘The movie adaptation of his comic book Watchmen has raked in more than £65million since its release this month. But writer Alan Moore will not receive a penny – although it looks as if he could do with a pound or two for a trip to the barber. The eccentric writer lives in a modest terrace house in Northampton and remains a recluse amid the hype surrounding the Hollywood blockbuster.’
[watchmen] Charlie Brooker On Watchmen: ‘Fun as a massive great spectacle, but it surely can’t make any sense whatsoever to anyone who hasn’t read the comic; it was a bit like watching an impressive animated version of a collection of snatched memories of what the comic was like, if you see what I mean.’
[comics] Tom Spurgeon Reviews Watchmen … ‘Unless you were playing book bingo, there was little that was transcendent or particularly memorable about any of the moments from movie. I’m having a hard time latching onto anything a mere 10 hours after sitting in the theater watching it, a single moment like that weird shimmy that Heath Ledger did in the nurse’s outfit in Dark Knight or Robert Downey relishing a hamburger while announcing a major life decision in Iron Man or Clark Kent getting out of his own head for a moment by racing a train in Superman.’
[comics] Who Makes The Watchmen? … A illustrated guide to the tortured history of the production of the Watchmen movie … ‘Hurm. Snyder and Tse seem to have faithful adaptation. Minus the squid. But keeping the violence. Fine with me.’
[comics] Review of the Watchmen Movie by Pádraig Ó Méalóid … a real Alan Moore fan reviews Watchmen … ‘There is a scene in the film where Doctor Manhattan is being interviewed in a television studio, just before he abruptly leaves the Earth to go to Mars. He describes something – I don’t recall what at this point – as being as useful as a photograph of Oxygen would be to a drowning man. And this is actually the most apt description I can think of for this film: It looks a lot like the original Watchmen book, but has none of its grace, or beauty, or subtlety, or sinuously beautiful timing.’
[comics] rorschachsdiary … if Rorschach had a blog it would be on Livejournal… ”yet another example of government oppression: hear scans_daily down for good. irritated; will not have to pay money to find out how the black freighter spin-off turns out. expect veidt behind it…” [via jzw]
[comics] Alan Moore, the man with a graphic vision … the Observer profiles Alan Moore …‘As novelist and Watchmen fan Susanna Clarke puts it: “He took something very American – the superhero comic – reinvented it [more than once] and sold it back to them.” And, one might add, didn’t even want to keep the profit he made on the deal.’
[comics] Legendary Comics Writer Alan Moore on Superheroes, The League, and Making Magic … ‘I had DC buying the company I had just signed contracts with, which is flattering in one way and very creepy in another. It’s like being stalked by a very rich demented girlfriend who can just buy your entire street in order to be close to you.’
[watchmen] The Visceral Horrors of ‘Watchmen’ Movie Merchandise … On a Comedian Costume: ‘So, how many people are going to wear this without realizing that they’re dressed as a serial rapist who shot a pregnant woman in the face?’
[comics] Reading The Watchmen: Ten Entrance Points Into The Esteemed Graphic Novel … Tom Spurgeon on Watchmen … ‘One thing the film trailers have reminded us is how gob-smackingly weird and lurid and intense Dave Gibbons’ visual interpretation of Moore’s script was in the original graphic novel. All those oranges and browns and yellows set against mostly somber grays and blues. And then the squid shows up.’
[comics] BeaucoupKevin(dot)com: Why I will not be seeing Watchmen … ‘The more I see of the film version of Watchmen, the less I like it, and perhaps more importantly, the more I dislike what it represents: the dumbing-down of something greater for the sake of a false “authenticity” that’s apparent only to those shallowest of readers of the source material.’
[comics] Watching Dave Gibbons … one more interview with Gibbons on Watching the Watchmen. ‘… there was a misguided idea where we might do Rorschach’s Journal or The Comedian’s Vietnam War Diary, but I don’t think you need to see that. It’s much better if it’s hinted at.’
[comics] Archaeologizing Watchmen … Dave Gibbons interviewed on his new book Watching the Watchmen … ‘The second time around, I am amazed by how much thought we put into Watchmen, how hard we labored over every detail. But I think that is one of the reasons for its longevity. In comics, there are depths that don’t reveal themselves immediately, and the stuff that you might consider anal about Watching the Watchmen — like the notes where I plot the rotation of a perfume bottle through the air — might not be particularly obvious to anyone who reads it. But those who do will note the consistency, the reality behind it all that exists in great depth. It gives it a more magical quality, which it wouldn’t have had if we just made things up as we went along or changed it to suit the latest continuity. It does give it a feeling of authority.’
[comics] Watchmen Unmasked … Occult symbolism in an Alan Moore comic. Really?! … ‘On the morning of September 11th, 2001 A.D., I was not working. On my day off, my mother phones me at 7:00 PST to wake me up: “Something incredible is happening”. When the first tower came down, I saw the beast more clearly than I have ever seen it, and yes, for a moment it looked just like a giant octopus driving this giant building straight down DIRECTLY THROUGH THE PATH OF GREATEST RESISTANCE LIKE A NAIL. And I thought, “It’s Chapter Twelve of Watchmen. It’s a stunt, a gag, a hoax. Someone has done this thing to fool us all again. Who? WHO HAS DONE THIS THING TO ME?’ [via BeaucoupKevin]
[comics] Alan Moore on the Shadow … early Alan Moore text piece from 1970 – another scanned rarity from the Glycon’s Livejournal … ‘Apparently Gibson (who, I might add was also a professional magician) had written the story, and all that was left was for S&S to find a suitable cover. The only one they could find however, with anything like a shadow featured on it showed an inscrutable oriental type cowering against a wall. The Shadow, it seems, was his own. (Damn clever these Chinese!) Unfortunately, Gibson’s story didn’t feature any orientals, so naturally rather than give S&S the trouble of finding a new cover, Gibson rewrote the whole thing. (Rumour has it that Gibson invented the Shadow at five o’clock while he was shaving).’
[comics] Jonathan Ross on Watchmen … ‘But what makes this a genre-transcending bona fide masterpiece is that, alongside the pulse-pounding action and suspense, the soap-opera style romantic dilemmas and the story of some good but misguided people trying to apply simple remedies to complex maladies, Moore and Gibbons also manage to deliver a devastating critique that cuts to the very heart of the pitiful, timid male fantasy that is the superhero genre at its purest and worst: muscular men and busty women in tight costumes solving all the world’s problems with a well-placed punch or a blast of super-breath.’ [via Forbidden Planet’s Blog]
I wouldn’t want to make him sound respectable. Moore’s comics are utterly mad. He believes in the occult and is a practising Magus. In Black Dossier his characters end up in a mystic alternate reality which he seems to be claiming is a real place, not a fiction. In fact he appears to believe that fictional personae have their own existence in some spiritual realm he can access through magic. Now you’re disturbed. Well, we’re always being told art should disturb. Moore makes artists like the Chapmans look like the middle-class entertainers they are. He’s a real force of imagination in a world that is full of fakes.
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9 September 2008
[comics] Mr. Moore defends rational thought … another reason why Alan Moore is the greatest living Englishman … ‘The protest, organised by Northampton Socialist Forum, came after an information sign about Darwinism at the museum was partially covered following a complaint by what appears to be a Christian fundamentalist. Pat Markey explained the events leading up to the protest, and writer/artist Alan Moore gave an entertaining speech about religion, free speech, and censorship.’
[comics] Watchmen Movie Poster Comparison … compare the recent movie posters with Dave Gibbon’s original posters for the comic … ‘Who Watches the Watchmen?’
[comics] The Craft … another long interview with Alan Moore …
I remember Julie Schwarz telling me – who was a lovely man – he told me about Mort Weisinger’s funeral – and this was probably just an old Jewish joke that he’d adapted – for Mort Weisinger – but he said that apparently during Jewish funerals there’s a part where people can stand up and spontaneously will say a few words about the departed – personal tributes, things like that. So it’s Mort Weisinger’s funeral, and it gets to this bit in the funeral and there’s absolute dead silence, and the silence just goes on and on and on and nobody gets up and says anything and eventually this guy at the back of the synagogue gets up and says: “His brother was worse!” (laughter).
