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28 May 2024
[watchmen] On the Cutting Edge of Innovation: This guy Just Found a New Way to Misinterpret ‘Watchmen’ … ‘Roche sat down in a recent interview to explain his journey of bastardizing Moore’s iconic series. “I started off like everyone else,” Roche explained. “I was like, oh, Rorschach freaking rules. He’s just Batman if he was a normal guy. Like, he’s just rational and everything he does makes perfect sense. Why would you cripple a criminal when you can kill his dogs, chop off his arm and burn his house down?” Roche’s shelf is littered with comic books and a weird shrine to Steve Ditko–which he kept trying to avert our gaze from by aggressively coughing.’
8 May 2024
[comics] Every Issue of Alan Moore’s “Swamp Thing” Ranked by How Likely They’ll Get a Conservative Book Ban … ‘Swamp Thing #42 (November 1985): “Strange Fruit” – Swamp Thing burns down a plantation haunted by racist ghosts. – They hate this one. They fucking HATE this one.’
21 February 2024
[comics] Moon and Serpent Rising… John Couthart delivers some insider information on the long-awaited The Moon and Serpent Bumper Book of Magic written by Alan and Steve Moore. ‘The Bumper Book may superficially resemble a children’s annual but this isn’t a book for children. The essays include discussion of the use of drugs and sex in magic, and there’s a lot of nudity (also a fair amount of sex) in the illustrations. The book is a serious study, but not, I hope, a boring one. Several of the features are presented in comic form, with eight of the pages being among the last works of the late Kevin O’Neill. Ben Wickey has done a fantastic job for the fifty pages of Old Moores’ Lives of the Great Enchanters which runs throughout the book and covers the entire history of Western magical thought from the Stone Age to the present day.’
1 February 2024
[comics] Miracleman: The Marvel Age. … Mike Sterling on Gaiman & Buckingham’s Miracleman. ‘This whole hoohar is written by Moore and Gaiman, absolute giants in the field. But it feels like Miracleman’s time in the sun is pretty much done. It was huge when that first Eclipse Comics issue was released in 1985, when Alan Moore had just become a red hot commodity in American comics. And it continued to sell very well as the series continued to push the boundaries of just what a superhero comic was, through Moore’s 16 issues and Gaiman’s following work. But that 30 year gap. That ain’t nuthin’…’
29 January 2024
[moore] A Wizard With A Pen … A portrait of Alan Moore from John Coulthart. 
16 January 2024
[comics] “I’ve Had The Life That I Wanted When I Was 10 Years Old”: A Conversation with Dave Gibbons … Gibbon’s discusses his autobiography and much more. ‘I probably won’t say too much about it other than what is public knowledge, that there’s been talk of a Rogue Trooper movie. And again, I think there are so many characters in 2000 AD that would make wonderful big screen stories. I did actually as recently as last week get a little glimpse behind the curtains of that. And I’m very excited by what I saw there. So I’m very happy, because I like the people who are doing it. And I think they’re approaching it the right way.’
9 January 2024
[comics] Comics Kayfabe: Alan Moore’s LOST Swamp Thing Comic! … A deep dive into a Superman/Swamp Thing team-up Moore did with Rick Veitch and Al Williamson.
31 October 2023
[moore] Recent two-part Alan Moore interview done after the release of his paperback lluminations…
Interviewing Watchmen co-creator Alan Moore: “It’s one thing to quit comics, a different thing to stop thinking about them”
“The Superhero Dream Is Essentially Fascism”: Alan Moore Eviscerates Superheroes & Fixes Pop Culture in In-Depth Interview (Part 2)
“The comics medium is perfect. It is sublime. The comics industry is a dysfunctional hellhole. So why did I want to return to it in this story? Like you say, it’s exorcism. As one of the characters finds in ‘Thunderman’ it’s one thing to quit comics, but quitting comics is a different thing to being able to stop thinking about them. Writing this got an awful lot out of my system. It said a lot of the things that I’d always wanted to say but I’d never really had the right context to say them in.”
22 August 2023
[moore] An Interview With Alan Moore … an hour-long interview with Alan discussing Northampton with some talk of comics towards the end.
13 July 2023
[alan] Alan Moore’s Fortean Times Reviews from 1994 to 1997 … A nicely scanned collection of book reviews from Alan published in the 1990s.
17 April 2023
[panda] Alan Moore The Adventures Of St. Pancras Panda … Early comic strip from Alan Moore, readably collected together on Archive.org. 
30 December 2022
[comics] After nearly 30 years, there’s finally a new issue of Miracleman by Neil Gaiman … ‘I’m a recent convert to the church of Miracleman, and even I felt those decades of anticipation building up as I opened up the latest issue of the story. I’m excited to see what comes next, and how this 30-year-old story ends up picking up in medea res. The layers of meta-text in this continuing story make for an incredible retrospective on the entire history of the superhero genre.’
21 November 2022
[moore] Fantasy Must Be Sharper: An Interview With Alan Moore … ‘Davey Jones is a genius. I’ve only ever had brief contact with him, back in the 80s when he was working with an anarchist concern called, I think, Blast and I was briefly in touch with them and then I noticed his work coming out in Viz where he’s the author of so many of my favourite strips. I’m genuinely impressed that there’s such an incredible standard of craftsmanship throughout Viz, blinding cartoonists, writers, and creators on that book. I must admit that the only problem I have with Jones’ work – and it’s not any fault of his, it’s purely me – it’s Tin Ribs; the ghastly physical torture that is visited on Mr Snodgrass. Every issue he’s having slices of his skin ripped off [laughs] it’s a bit rich even for my blood!’
14 November 2022
[comics] Alan Moore Remembers Kevin O’Neill … I was very sad to hear of the death of Kevin O’Neill last week. The link above is what Alan wrote for a New York Times Obituary for Kevin. ‘I am going to miss him like I’d miss sunsets.’
26 October 2022
[comics] Marvel’s Miracleman Omnibus shows how Alan Moore paved the road to Watchmen… Slate on Marvel’s reprint of a full collection of Miracleman along with a look at it’s impact. ‘It’s remarkable how powerful the book remains in spite of its occasional unevenness. Moore is easily the medium’s most important just-writer (as opposed to writers who draw their own scripts, which Moore does very rarely), having demonstrated a complete grasp of its intricacies and potential almost from the beginning of his career. He is, in some sense, a composer, and the people working in comics who can match that formidable perfection are cartoonists themselves-no other writer really comes close.’
14 October 2022
[moore] Watchmen author Alan Moore: ‘I’m definitely done with comics’… … Another interview with Alan Moore in the Guardian and here is a review of Illuminations – his new collection of short stories. ‘He shuns new tech to the extent that we speak down a landline, so I can’t see the lavishly bearded face from which his gentle Northampton burr issues. “When the internet first became a thing,” he says, “I made the decision that this doesn’t sound like anything that I need. I had a feeling that there might be another shoe to drop – and regarding this technology, as it turned out, there was an Imelda Marcos wardrobe full of shoes to drop. I felt that if society was going to morph into a massive social experiment, then it might be a good idea if there was somebody outside the petri dish.” He makes do, instead, with an internet-savvy assistant: “He can bring me pornography, cute pictures of cats and abusive messages from people.”’
21 September 2022
[moore] Discover Alan Moore’s Surprising First Published Superman Stories … A look at some long-forgotten UK published stories from Alan Moore. ‘That second Superheroes Annual in 1983…There was a two-page text piece by Alan Moore, with illustrations by the brilliant Bryan Talbot. The story was titled “Protected Species,” and it was about an alien who traveled the universe collected endangered species from lost planets that he would then bring to his bosses who would keep the survivors on a sort of zoo…’
19 September 2022
[comics] “Westminster.” 
24 May 2022
[moore] Alan Moore On ‘From Hell’ – Interviewed In 2002 … Future biographers of Moore, please take note of this quote: ‘I do get some funny phone calls. Nicolas Cage phoned me up a few times because he likes my stuff. He seems nice enough, but he phoned me once to ask for advice on his love life. It must be a lonely existence being a film star…’
18 January 2022
[moore] Alan Moore’s Top Five: Mystics and Magicians … ‘Austin Osman Spare: He knew and possibly shagged Aleister Crowley, but regarded Crowley as “an Italian ponce out of work” and utterly rejected Crowley’s lore-bound and formal magical system. Spare was approached sometime in the 1930s by Adolf Hitler with a request that he paint the occult-obsessed fuehrer’s portrait, which he declined, replying “if you, sir, are the superman, then I am proud to remain an ape.” When Spare and his Brixton studio were later bombed during the Blitz, Spare suffered some kind of stroke and was left paralysed down his right side, including his drawing hand, but, being Spare, he simply taught himself to draw with his left hand…’
29 December 2021
[comics] Roscoe Moscow: Who Killed Rock’n’Roll? Parts: 1-10 | 11-20 | 21-30 | 31-40 | 41-50 | 51-60 … Early Alan Moore strip from 1979-80 published originally in Sounds. 
12 November 2021
[moore] ‘There is nothing in celebrity that I want’ … Recent interview with Alan Moore focusing on Northampton. ‘“You have to understand,” he says “that I have a probably psychotic belief that I am the town of Northampton. This has been ever since I noticed that Richard the Lionheart granted the town its charter on November 18, my birthday. So I am the town of Northampton, its living embodiment.”’
28 October 2021
[books] How to Get Your Mind Blown by H.P. Lovecraft and Alan Moore in 7 Epic Steps … ‘If you get this far and you still haven’t had enough, go even deeper down the rabbit hole. (This is where I’m currently at) Read S.T. Joshi’s biography of Lovecraft, I Am Providence. It’s over 1600 pages long. It’s IN-DEPTH. Realize that you didn’t actually know anything about the life and works of Lovecraft. Read each Lovecraft story again as you go through the biography and now you will understand the context of each story as you fully digest them. Then read the Moore books again. Get lost in the abyss. It was never a rabbit hole, it was a portal through time and space where your mind and reality melt and warp.’
27 September 2021
[moore] How Alan Moore ripped James Bond to shreds … A deep dive into Alan Moore’s loathing for James Bond. ‘I admire how completely Moore vivisects the iconography of 007. The Craig films tend to get discussed as darker or more humane variations on the James Bond theme, but he’s still a guy who saves the world, leaving a trail of weird foreigners and attractive corpses behind him. I’ve noticed a general growing tendency in film criticism to give every reboot several benefits of doubt, with a baked-in assumption that any three-decade-later legacy sequel or recast reboot is obviously expressing something thoughtful about a franchise’s troubled legacy. With Jimmy, Moore seems to say: Cut the crap. This stuff is rotten, and making it look young and cool again won’t make it any less rotten.’
15 September 2021
[comics] Jonathan Ross in conversation with Alan Moore … a long forgotten interview from 2002. MOORE: Swamp Thing is probably more of a template for the Vertigo books than Watchmen was, but with Swamp Thing, you’ve got all these stories which are really horrible, really grim and really depressing… but then you’ll have these little stories like the Swamp Sex Issue, a love poem more or less.
ROSS: Yeah, some of them were quite light.
MOORE: In a way it’s crueler, if you give people a love poem they’ll numb out and switch off… it keeps the horror fresh if you…
ROSS: … give a little taste of sorbet in between the death and desolation.
MOORE: You feel the pain much greater…
27 July 2021
[music] How we made Beat Dis by Bomb the Bass … Tim Simenon: ‘I grabbed a smiley face image from Alan Moore’s Watchmen for the sleeve and it transformed into this symbol for acid house which threw me off as it was never my intention. I would always struggle when people said: “You’re acid house.” Bomb the Bass was a lot of different things thrown together at once – there didn’t seem to be a name for that.’
1 July 2021
[comics] Tom Frame Interviews Alan Moore … from issue 4 of Deadline, February 1989. Tom was famous for lettering and colouring something in almost every issue of 2000AD for many years.
28 June 2021
[moore] The Craft: An Interview with Alan Moore by Daniel Whiston … Long interview on writing, comics, magic and much more from 2008. ‘There does come this point when characters start talking to you. They’ll start telling you what they want to do, you’ll know what they would say and what they wouldn’t say. I mean when I started writing Watchmen , I’d got no idea that Rorschach was gonna be dead by the end of it, it was just by about issue three I started to know the character and I thought: “he’s got a death wish-¦ he’s so self-destructive, he’s clearly… he wants out. There’s no way that he’s gonna live through this, he wouldn’t be able to live with any sort of moral compromises, so he’ll have to die. But it was the character himself who told me that, after two or three issues. I’d got no idea when I started it.’
4 May 2021
[books] ‘I’m bursting with fiction’: Alan Moore announces five-volume fantasy epic … Alan Moore comments on his new series of books. ‘Speaking about his book deal, Moore said that he was at a moment in his career when he was “bursting with fiction, bursting with prose”.’
29 April 2021
[books] Illuminations, Long London 1: books are coming… More details revealed about Alan Moore’s new books to be published by Bloomsbury. ‘Illuminations is an astonishing, rich and broad collection of short stories, each featuring some kind of illumination or realization. From ghosts and otherworldly creatures to the four horsemen of the apocalypse to the Boltzmann brains fashioning the universe at the big bang, Alan Moore’s Illuminations is a series of beguiling and elegantly crafted tales that reveal the full power of imagination and magic.’
23 March 2021
[moore] 32 Short Lucubrations … John Coulthart shares some memories and thoughts about Alan Moore. 
9 March 2021
[moore] The Bookseller teases Illuminations and Long London – new books from Alan Moore … ‘Wills recently signed the bearded comics legend Alan Moore, writer of Watchmen, V for Vendetta and From Hell, among other landmark works. Moore has never had an agent, and given his famous public disagreements with filmmakers on how they have adapted his stories, perhaps he should have. At any rate, Moore has written some prose works-a collection of short stories and Long London, a series of speculative novels-which at this writing Wills is auctioning in the UK.’
1 February 2021
[tv] Adam Curtis Explains It All … Adam Curtis has a new series of film coming out and the New Yorker has a preview/interview with Curtis. It has comments from “a former comic-book writer” called Alan from Northampton for those that are interested. :) ‘[Alan] Moore told me that he felt “quite neurologically fizzy” after each film. At the end of the binge-watch, he sent Curtis a postcard, comparing his work to “the kind of dream where we become aware that we are dreaming and can thus attain agency over the torrent of nonsense.”’
25 January 2021
[moore] Brian Bolland’s Final Word on the Killing Joke (Maybe) … ‘Finally in London the finished script arrived. I was somewhat disappointed. As an artist you want to draw iconic moments. Pay homage in some way to the character of old. Where was Dick Sprang’s giant typewriter? I was worried by the three bug-eyed dwarves. I thought It perhaps offensive to persons of limited height. I thought setting part of the story in a funfair was a bit obvious. And – I was upset by the harm that came to Barbara and concerned by the implied nudity. As the artist I’ve never considered it my place to tell a writer what to write, especially a writer (and friend) who I admired as much as Alan. As an artist, if a scene has to be violent, I will make it so. Also I would never have chosen to suggest an origin story of the Joker. There were moments in the story, though, that I thought might be iconic and sections that were well up to Alan’s best.’
25 December 2020
[xmas] ‘That’s not a star. That’s an aeroplane’ — Maxwell the Magic Cat, December 1981. 
16 December 2020
[comics] Alan Moore’s unpublished Gen13 script… Go read two pages from an unfinished Gen 13 script from Alan Moore. 
13 November 2020
[moore] La Frontera (2011) by Alan Moore and Melinda Gebbie … A charming, little-seen short story from Moore and Gebbie originally published in Spain. 
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22 October 2020
[books] Alan Moore’s Book Recommendations … A wide-ranging book list compiled from a number of interviews over the years.
12 October 2020
[moore] Alan Moore Rare Interview: “Superhero Movies Have Blighted Culture” … A standard-issue Alan Moore interview but good to hear his updates on what he’s currently working on and how he and Melinda Gebbie are dealing with lockdown in Northampton. ‘I’ve only retired from comics. I’m finishing off a book of magic now. It’s been stalled for a while but I’m also working on an opera about John Dee with [musician] Howard Gray. I’ve got some short stories coming out. And I’ve also been thinking a lot about what we want to do after The Show feature film. We hope that it’s enjoyable as a thing in itself, but to some degree it could be seen as an incredibly elaborate pilot episode, we think there’s quite an interesting story that we could develop out of it as a TV series, which would imaginatively be called The Show.’
8 October 2020
[moore] First Look Trailer for The Show … A trailer for the upcoming film from Alan Moore and Mitch Jenkins.
7 October 2020
[moore] “Providence Was Really Exhausting. Finishing It Felt Like Finishing College”: An Interview With Jacen Burrows … Long discussion with Jacen Burrows on his career at Avatar and collaborations with Alan Moore and Garth Ennis. ‘I didn’t know a tremendous amount about Lovecraft himself until we did Providence. There was stuff I’d stumbled across during research and stuff I learned from Alan. As you know, he writes massive scripts with a lot of extra information for context and he’d often pull stuff from some of the many research books he’d read and put it in the script so I could be fully informed about why we were taking things in certain directions during the production. It was quite helpful and rare, honestly, to have that much insight. The deeper thinking behind the scripted actions instead of just stage directions, you know? A lot of people find those Moore scripts challenging because of the density but I really liked it, even if it was a ton of work to get it all on the page.’
23 September 2020
[dredd] The Megazine That Never Was … The story of an unlaunched Judge Dredd comic from 1984. ‘Sadly, unlike the other stories from the Fortnightly dummy issue, Alan Moore and Mike Collins’ Badlander is a title that never saw publication. Marking the iconic Moore’s only work within the Judge Dredd universe, the strip was to tell the truth about what really happens to the Judges when they decide to go on “the Long Walk” — a piece of Dredd mythology where, instead of retiring, veteran Judges set off to provide justice and law in the radioactive wastelands of the Cursed Earth.’
22 September 2020
[comics] Their Other Last Hurrah – Cinema Purgatorio … A Comics Journal review of Moore and O’Neill’s Cinema Purgatorio. ‘When the terrified gangsters speak about being hounded by that thing in their past that wouldn’t let them go why am I thinking about A Small Killing? And at this point I realize the problem isn’t the work; it’s me. Here I am, in front of this dedicated, fascinating, funny and (in many ways) educational series and all I can think about is intertextuality. Seeking the digs at Grant Morrison and wondering if the bearded madman portrayal of Howard Hughes reminds me a bit too much of Alan Moore himself. This kind of exercise can often be a time waster. A replacement for a deeper engagement with the work (mea culpa by the way). Doing it while reading a finishing work by two grand masters is the definition of not seeing the forest for the trees. You can also read the book on its own terms and just see two utter greatest playing their game, heaving a ball, no limits allowed.’
8 September 2020
[moore] Drawing Up Sides … Alan Moore Interview from 1984. ‘Politics is about trying to reduce human behaviour to something that can be understood, predicted and written about in The Daily Mail or The Sunday Mirror. It’s an attempt to apply a cold remote theory to something warm and vital, and in my book anybody who does that is a twat. Except when they do it through force of arms: then they’re a bastard!’
26 August 2020
[moore] Correspondence From Hell … The complete text to an epic late ’90s fax interview between Alan Moore and Dave Sim on just about everything. ‘Moore: The middle eighties was when comic books finally got laid. Media attention. Frank Miller in Rolling Stone, MTV. Maus cops the Pulitzer. Watchmen on University reading lists. The style and music press raving about Love & Rockets. Fuck, man, we had the “Cerebus-the-Aardvark Party” running in British elections in ’88. Reason tottered on its throne. Everybody was on Top of the Pops. We got everything we ever asked for, just as one often finds in real life or the better fairy stories, and just like in real life or the better fairy stories it turned out to be shit. For a few years there, everything we touched turned to gold, and now what the fuck are we going to do with all this gold? All this shit?. With honest and sincere effort, we made comics what we wanted them to be: as popular as any other 20th-century medium. As respected as any other 20th-century medium. What on earth were we thinking?’
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