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2 May 2017
[kubrick] Forever and Ever and Ever: Uncanny Doubles in ‘The Shining’ … A look at how Kubrick heightened a sense of the Uncanny in the Shining … ‘Robert Kolker writes that the film also features many instances of symmetrical framing. He notes that each side of the frame is doubled and perfectly composed, and therefore any horrific event happening within the frame seems even more out of place and strange. The symmetrical shots are almost too perfect, which can be uncanny and off-putting in itself. Kolker cites the red bathroom as an example of a symmetrically framed scene, with its rows of white urinals and sinks lining either side of the wall and the long mirrors running along the wall. The bathroom is symmetrical, yet Jack and Grady discuss violent, murderous plans in the middle of the room, throwing the symmetry off balance and into uncanny space.’
3 May 2017
[comics] Leo Baxendale obituary … Steve Bell’s remembers the creator of Minnie the Minx, Little Plum and the Bash Street Kids … ‘Ideas for the strips were literally kicked around the Beano office during games of keepie-uppie, while the chief subeditor took notes. Leo’s task was to synthesise the whole into a design and then pour in even more madcap detail all over the page: words, jokes, battles of wits between “Red Indians” and bears, frogs, machines, explosions and terrible scenes of violent conflict, not to mention wholly unnecessary captions, such as Leo’s favourite “Sudden Gust of Wind”. “You could tell by their facial expression how they were feeling,” he said, “but it was funnier if you put an arrow pointing at someone’s bum saying ‘Throbbing Pain’”. In some ways the name Bash Street Kids was a misnomer, though violence was everywhere: “Teachers, janitors, the world might be trampled underfoot by stampeding bison … the school was shelled, classrooms exploded, battleships were sunk; but there was no bullying. It was another world.”’
5 May 2017
[politics] Why the Phrase ‘Late Capitalism’ Is Suddenly Everywhere … ‘Finally, “late capitalism” gestures to the potential for revolution, whether because the robots end up taking all the jobs or because the proletariat finally rejects all this nonsense. A “late” period always comes at the end of something, after all. “It has the constant referent to revolution,” Roberts said. “‘Late capitalism’ necessarily says, ‘This is a stage we’re going to come out of at some point, whereas ‘neoliberalism’ doesn’t say that, ‘Shit is fucked up and bullshit’ doesn’t say that. It hints at a sort of optimism amongst a post-Bernie left, the young left online. Something of the revolutionary horizon of classical Marxism.” It does all this with a certain concision, erudition, even beauty. It’s ominous and knowing, brainy and pissed-off. “Now is a crazy political time,” Yeselson said…’
9 May 2017
[crime] What Bullets Do to Bodies … powerful profile of a trauma surgeon in North Philadelphia and what happens to the gunshot victims she treats … It’s possible for a surgeon to get distracted by the wrong wound. The most dangerous wounds don’t always look the worst. People can get shot in the head and they’re leaking bits of brain from a hole in the skull and that’s not the fatal wound; the fatal wound is from another bullet that ripped through the chest. One patient a few years ago was shot in the face with a shotgun at close range over some money owed. He pulled his coat up over his mangled face and walked to the ER of one of Temple’s sister hospitals, approaching a nurse. She looked at him. He lowered the coat. The nurse thought to herself what you might expect a person to think in such a situation: “Daaaaaamn.” He was stabilized, then transferred to Temple. He lived.
The price of survival is often lasting disability. Some patients, often young guys, wind up carrying around colostomy bags for the rest of their lives because they can’t poop normally anymore. They poop through a “stoma,” a hole in the abdomen. “They’re so angry,” Goldberg said. “They should be angry.” Some are paralyzed by bullets that sever the spinal column. Some lose limbs entirely…
10 May 2017
[life] Britain’s ‘moral values’ based on Star Wars, Breakfast Club and The Godfather … ‘Tom Logan, from Hatfield, said: “Star Wars taught me about the importance of freedom, democracy and courage in the face of tyranny. And about the importance of using your miraculous gifts to benefit the entire galaxy.” Jane Thompson, from Stevenage, added: “Breakfast Club taught me that we are all insecure but that through dialogue we can find our common humanity. It also taught me that teachers are the worst people in the world.”’
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11 May 2017
[music] Return of the KLF: ‘They were agents of chaos. Now the world they anticipated is here’ … a look back at the KLF … ‘In a climactic act of public self-destruction, Drummond and Cauty decided to perform a KLF/ENT speed-metal version of 3am Eternal (one that Christmas Top of the Pops had turned down) at the 1992 Brit awards. The performance was brutal enough, with a kilted Drummond stalking the stage, supported by a crutch, barking the lyrics over ENT’s barrage of noise, and finally machine-gunning the audience with blanks. (“They cut our guitars right down,” says Jones, “but at least we made Noel Edmonds cry”.) In the aftermath, they dumped a dead sheep on the red carpet at the Royal Lancaster Gate hotel adorned with the message, “I died for you – bon appetit”. But what they originally planned was even worse. Vegetarians all, Extreme Noise Terror refused to slice up the sheep on stage…’
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15 May 2017
[comics] How do I become … a cartoonist … Nigel Parkinson describes the insane amount of persistence you require to become a professional cartoonist … ‘I spent 17 years asking the Beano editor for a job and eventually he relented.’
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16 May 2017
[press] Is the editor of the Daily Mail the most dangerous man in Britain?… The Guardian on on Paul Dacre and Brexit… ‘His own success at the Mail has bought him schooling for his two sons at Eton, membership of the Garrick, a chauffeur, a house in the country, flat in town and a shooting estate in Scotland (generously subsidised by the EU). He rarely rubs up against the people he believes he represents. “It always amused me that his shoe leather never wore out,” one reporter told Addison, “because every day he was on a carpet in the office; he strode out the door and was in a car which deposited him either at home or a restaurant. He would be horrified at what modern Britain had become – but he was never part of it.” Despite this insulation, Dacre has always presented himself as having a unique “feel for the emotions of ordinary people”. He still apparently locates this feeling in the 1950s London suburb of Arnos Grove in which he grew up, and which persists as the model of the Mail’s middle England.’
17 May 2017
[movies] Crime in Counterpoint: Michael Mann on his Restored Masterpiece Heat …
‘I’ve got a theory, which probably holds no water whatsoever, about why there’s so much genre content in media – meaning police stories, crime stories, so much of that. It’s because of the nature of the medium. Detectives detecting do what writers and directors do in the inverse: We have an idea for a character, and our character has origins that we invent. Those origins become an engine that causes him to do certain activities and express himself and have different attitudes based on who the character is. And then those activities have consequences and leave behind certain effects. But a detective works all the way at the other end. He sees the remains of a crime – the leavings. He starts to work backwards to what happened. What was the activity? And if this was the activity, what could I discover about the motivations of the person whose identity I do not know? And how can those motivations allow me to predict his future activity, so that I can intercept him and find out who he is?’
18 May 2017
[curtis] Adam Curtis on the Dangers of Self-Expression … Curtis discusses a variety of subjects … ‘I sometimes wonder whether conspiracy theories are an attempt to re-enchant the world in a distorted way. It’s like religion knocking on the door and trying to come back in a strange and distorted form. A sense of mystery beyond our own understanding of the world. If you ever talk to conspiracy theorists, that’s the sense you get from them. A sort of almost romantic sense of awe that there is this dark mysterious thing that a rational thing could never penetrate. That’s sort of religious. Maybe what’s trying to get back into our world is enchantment, and the only way it can come back in is in these strange distorted ways. The downfall of capitalism is that it’s become appropriated by rational technocratic disenchantment. It’s become an iron cage. It’s trapped us. Some new form of enchanted myth is going to have to come back in.’
19 May 2017
[politics] Conservative election manifesto actually the Necronomicon … Iä! Iä! Cthulhu fhtagn! … ‘An eldritch tome of unholy secrets written by an insane medieval prophet has been launched to sweep the Conservatives into government this morning. The grimoire, attractively bound in a bright blue leather of unknown provenance, was launched at a press conference by the Prime Minister and several capering imps.’
23 May 2017
[tv] The Keepers review – a breathtakingly brave true-crime documentary … reviewing a new true-crime documentary from Netflix… ‘In November 1969, a young nun, Sister Cathy Cesnik, went missing from her Baltimore apartment. The following year she was discovered, lying on her back on a frozen hillside, far from home, her skull broken in. From that day to this, no one has been able to conclusively say what happened to her. In this meticulous, skilfully edited series, White sets about interviewing key witnesses, police, former pupils from the school where Cesnik worked, local journalists and conspicuously few members of the church, painstakingly unearthing the complex story like a palaeontologist with a fine paintbrush. And his way in is a group of dedicated sixtysomething former pupils of Sister Cathy, who band together to find out what happened, despite the passing of years and the repeated denial of any justice. It is their story, and rightly so.’
24 May 2017
[moore] Alan Moore on Science, Imagination, Language and Spirits of Place … ‘If by coming to know more about the historical or mythological aspects of the places in which we live we make those places more meaningful, to us at least, then I suggest that this will lead to experiencing ourselves as more meaningful in our new, illuminated context. The big difference between ‘meaning’ and ‘a spirit’ is that where meaning is concerned, we have to do all the necessary hard work in order to invest that place or that person or that object with meaning, whereas spirits just sort of turn up, don’t they? I believe that our world is gloriously haunted with meaning; that it’s we ourselves that are doing the haunting; and that we should be doing more of it, or doing it more strenuously.’
25 May 2017
[life] Andy Warhol on being shot by Valerie Solanas in 1968: “Before I was shot, I always thought that I was more half-there than all-there – I always suspected that I was watching TV instead of living life. People sometimes say that the way things happen in the movies is unreal, but actually it’s the way things happen to you in life that’s unreal. The movies make emotions look so strong and real, whereas when things really do happen to you, it’s like watching television – you don’t feel anything. Right when I was being shot and ever since, I knew that I was watching television. The channels switch, but it’s all television.”
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26 May 2017
[life] World Death Rate Holding Steady At 100 Percent … ‘Death, a metabolic affliction causing total shutdown of all life functions, has long been considered humanity’s number one health concern. Responsible for 100 percent of all recorded fatalities worldwide, the condition has no cure. “I was really hoping, what with all those new radiology treatments, rescue helicopters, aerobics TV shows and what have you, that we might at least make a dent in it this year,” WHO Director General Dr. Gernst Bladt said. “Unfortunately, it would appear that the death rate remains constant and total, as it has inviolably since the dawn of time.”‘
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30 May 2017
[politics] 60 things the Conservative Party manifesto (genuinely) promises … interesting summary from Diamond Geezer … ‘The government’s agenda will not be allowed to drift to the right.’
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31 May 2017
[comics] What Does Wonder Woman Actually Represent? … wonderful comic by Lucy Bellwood and Sarah Mirk on the origins and meaning of Wonder Woman … 
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