‘Osama bin Laden is an identifiable human type, but on an unidentifiable scale. He is an enormous stirrer – a titanic mixer. Look how he’s shaken us up, both in the heart and in the head. One could say, countervailingly, that on September 11 America was visited by something very alien and unbelievably radical. A completely new kind of enemy for whom death is not death – and for whom life is not life, either, but illusion, a staging-post, merely “the thing which is called World”. No, you wouldn’t expect such a massive world-historical jolt, which will reverberate for centuries, to be effortlessly absorbed. But the suspicion remains that America is not behaving rationally – that America is behaving like someone still in shock.’

‘We hear about the successful “Texanisation” of the Republican party. And doesn’t Texas sometimes seem to resemble a country like Saudi Arabia, with its great heat, its oil wealth, its brimming houses of worship, and its weekly executions?’

‘Saddam’s hands-on years in the dungeons distinguish him from the other great dictators of the 20th century, none of whom had much taste for “the wet stuff”. The mores of his regime have been shaped by this taste for the wet stuff – by a fascinated negative intimacy with the human body, and a connoisseurship of human pain.’

‘Never, never, never believe any war will be smooth and easy, or that anyone who embarks on the strange voyage can measure the tides and hurricanes he will encounter. The statesman who yields to war fever must realize that once the signal is given, he is no longer the master of policy but the slave of unforeseeable and uncontrollable events.’ — Winston Churchill

‘I hate war as only a soldier who has lived it can, only as one who has seen its brutality, its futility, its stupidity.’ — Dwight D. Eisenhower

‘It is an important and popular fact that things are not always what they seem. For instance, on the planet Earth, man had always assumed that he was more intelligent than dolphins because he had achieved so much — the wheel, New York, wars and so on — whilst all the dolphins had ever done was muck about in the water having a good time. But conversely, the dolphins had always believed that they were far more intelligent than man — for precisely the same reasons.’ — Douglas Adams in The Hitchhiker’s Guide to the Galaxy

”There were these two men, sharing a railway carriage. They didn’t know each other. They just happened to be travelling together. One of the men had, resting in his lap, a cardboard box with holes punched in the top. After some time spent contemplating what might be inside his travelling companion’s box, the other man at last could not contain his curiosity. He said, “Excuse me, but I couldn’t help noticing your box. Does it contain some variety of animal?” The other man, though obviously surprised by this impertinent intrusion from a stranger, smiled politely as he answered, “You’re absolutely right. There is indeed a creature kept inside this box. And furthermore, I may reveal, the animal in question is a mongoose.”

The first man, who’d initiated the enquiry, was astonsihed by this revelation. Spluttering with surprise, he sought some further explanation of this certainly provocative disclosure made by his strange fellow-traveller. “A mongoose? Sir I must confess I had expected it to be perhaps a cat, or rabbit, not a creature so exotic and outlandish. The animal you mention so excites my curiosity that I must beg you, sir, to tell me more. Where are you bound with such a specimen, if I may be so bold?” The other man, who sat with the perforated box on his lap, shrugged wearily as he replied, “Well, it’s something of a personal matter, as it concerns a family tragedy. However, since I’m confident I may rely on your discretion, I suppose I don’t mind sharing my unfortunate account with you.”

“You see,” the man went on, “this sorry tale concerns my elder brother. He’s always been what I suppose you might refer to as the black sheep of the family. He has for many years indulged himself in a predictable and commonplace array of vices, of which the worst is his fondness for strong spirits. His drinking has progressed until he is now in the final stages of delerium tremens. My brother now sees serpents everywhere, which is the reason I am taking him this mongoose, that he may be rid of them.”

“Excuse me,” the other man interjected, looking puzzled, “But, these snakes your brother sees… aren’t they imaginary snakes?”

“Indeed,” his fellow traveller replied. “But this,” and here he gestured meaningfully to the perforated box set on his lap, “is an imaginary mongoose.”‘

‘Inescapability is central to Schrader, as is emotional coldness: think of the slick hustler played by Richard Gere in American Gigolo – inhumanly cold, impenetrably opaque. It is Schrader’s one big commercial hit – and evidence that it’s not his subject matter so much as his treatment of the subject that puts him outside the mainstream. There is no trajectory in a Schrader film that leads to a happy ending or a neat solution. “I don’t believe life is about problems and solutions. I believe it is about dilemmas, and dilemmas don’t have solutions; they have resolutions, which then morph and lead you into future dilemmas.” So he takes his human dilemma, writes it large, abstracts it from the rituals of daily life – his people don’t function in a “normal” world, nobody is having breakfast with their kids, mowing the lawn, or meeting a friend for lunch – and plays out their inevitability.’

‘…Bill walked up and asked if anyone wanted to see some pages from the new project which he was working on with Frank Miller. And, of course, we all said “sure”. What ensued was the most “jaw-dropping” moment I have ever experienced in getting an advance look at a project in my life (smoking dope in a hotel room at Mid-Ohio Con while Frank Miller acted out a lot of The Dark Knight Returns comes a close second, though). The project, of course, was Elektra Assassin and what Bill had were original pages from (I believe) the first two issues. No word balloons, but fully rendered colour. Fully rendered colour but rendered in every imaginable way. Crayon, acrylic, charcoal pencil, pencil crayon, crayon, oil pastel. And collage. This was years before Dave McKean would define the extremes of collage with his Sandman covers, but — before Bill did it — it was completely unthinkable in a comic-book. Unthinkable.’

• Where is Raed? … ‘there is still nothing happening in baghdad we can only hear distant explosions and there still is no all clear siren.’
• Reporters’ Log: At war in Iraq … Paul Wood in Baghdad: ‘People are very jumpy here. We now know the city of Baghdad was not the main thrust of the air attack. The focus is being described as a “target of opportunity”, where five senior members of the Iraqi government were gathered. It is believed that Saddam Hussein was amongst them. In the last few minutes it appears the telephone system has gone down here.’
• Suddenly, the War is Very Real — Yesterday in Baghdad … ‘Reality finally came to Baghdad yesterday. Overnight, sandbags sprouted on football fields and roundabouts. In the evening the authorities rustled up yet another peace demonstration. The number of fatal car accidents seemed to surge, with drivers in a panic to get home, or to get out. Chemists sold out of valium.’ [via Words of Waldman]

• 22 March – Pushing … Rageh Omar in Baghdad: ‘Every sign here is that Saddam Hussein and his commanders have escaped attempts to assassinate them, despite persistent rumours from London and Washington ‘
• 21 March – Attacks … Gavin Hewitt in Southern Iraq: ‘In the last few minutes we just crossed over the Basra-Baghdad highway. We’ve had several bizarre incidents in the last few minutes of drivers on the highway completely unaware that American armour may be this far north, stopping their vehicles in utter amazement as we crossed the highway.’
• 20 March – At War … Nick Bryant in Washington: ‘The White House is trying hard to show that things are calm. They’ve put a lot of effort into making the President’s day seem effortless.’