‘Just two weeks ago, in New York, after the church service I met some of the families of the British victims. It was in many ways a very British occasion. Tea and biscuits. It was raining outside. Around the edge of the room, strangers making small talk, trying to be normal people in an abnormal situation. And as you crossed the room, you felt the longing and sadness; hands clutching photos of sons and daughters, wives and husbands; imploring you to believe them when they said there was still an outside chance of their loved ones being found alive, when you knew in truth that all hope was gone. And then a middle-aged mother looks you in the eyes and tells you her only son has died, and asks you: why? I tell you: you do not feel like the most powerful person in the country at times like that. Because there is no answer. There is no justification for their pain. Their son did nothing wrong. The woman, seven months pregnant, whose child will never know its father, did nothing wrong. They don’t want revenge. They want something better in memory of their loved ones.’

Dr. Evil’s Childhood: ‘Very well, where do I begin? My father was a relentlessly self-improving boulangerie owner from Belgium with low grade narcolepsy and a penchant for buggery. My mother was a fifteen year old French prostitute named Chloe with webbed feet. My father would womanize, he would drink, he would make outrageous claims like he invented the question mark. Some times he would accuse chestnuts of being lazy, the sort of general malaise that only the genius possess and the insane lament. My childhood was typical, summers in Rangoon, luge lessons. In the spring we’d make meat helmets. When I was insolent I was placed in a burlap bag and beaten with reeds, pretty standard really. At the age of 12 I received my first scribe. At the age of fourteen, a Zoroastrian woman named Vilma ritualistically shaved my testicles. There really is nothing like a shorn scrotum, it’s breathtaking, I suggest you try it.’

Dr. Evil’s Secrets: ‘Okay. I have a vestigial tail. It’s more of a nub, really. The spine just goes on a little longer than it should. Also, I’ve dabbled. I mean, perform fellatio once and you’re a poet, twice and you’re a homosexual. I remember once I was being fisted by Sebastian Cabot- but here’s where the story gets interesting…’ [More]

Anthony Giddens: ‘You have to see this in terms of a certain continuity. There have been a range of terror attacks over the last 10 to 15 years, including suicide attacks, and while this event is so massive that it has made a tremendous impact on the public, it is connected to a very long history deeply intertwined with the Cold War. It is very important to avoid altogether the discourse of the “clash of civilisations” – not because it’s wholly untrue, but because it becomes a self-fulfilling prophecy, a dangerous idea that becomes part of what it is supposed to describe. The clash, instead, is between a range of different fundamentalisms and the more cosmopolitan world society most of us would like to build. So the response to this should be more globalisation, more co-operation, more recognition of global interdependence. Because among the fundamentalists you have a global network, too, part and parcel of the very things to which they claim to be opposed.’

‘The Authority will not appear in any form we recognize for some time to come. Because for it to work, it must be callous. It must be horrible, and violent, and must be gleeful about what it’s doing. If it’s not cranked up to ridiculous volume, viciously insulting to the genre that spawned it and blatantly absurd in its scale and its disregard for human life… it’s just another superhero team book. You can find those anywhere. Unfortunately, the clash between the Authority style and the real-life events and attitudes surrounding it means that, at least for a little while, it’ll have to be just another superhero team book. If it’s going to be published at all. Personally, I think the audience is ready for it. It’s escapism, and it’s revenge fantasy on the biggest possible scale. But the people who make the decisions clearly believe otherwise.’ — Warren Ellis.

‘We cannot be all the writers all the time. We can only be who we are. Which leads me to my second point: writers do not write what they want, they write what they can. When I was 21 I wanted to write like Kafka. But, unfortunately for me, I wrote like a script editor for The Simpsons who’d briefly joined a religious cult and then discovered Foucault. Such is life. And now, when I finish a long day of CNN-related fear and loathing mixed with eyeballing my own resolutely white screen, I do not crawl into bed with 500-page comic novels about (God help me, but it’s OK; I’m going to call on the safety of quote marks) “multicultural” London. I read Carver. Julio Cortázar. Amis’s essays. Baldwin. Lorrie Moore. Capote. Saramago. Larkin. Wodehouse. Anything, anything at all, that doesn’t sound like me.’

‘ …when a handful of fanatics carrying knives succeeded in gaining control over the advanced flight technology of the Boeing company and hurtling it into the advanced engineering technology that built and maintained the Twin Towers, they created a vast metaphor of appalling consequence. They made it clear to everyone who still didn’t get it that the story of the 21st century is going to be that of the enemies of the West using the technology of the West in order to strike at the West. What this fact signifies is that not only individual fanatics but fanatic states and fanatic sub-cultures are liable to shatter, within only a few years, the Euro-American monopoly on power. If they are not stopped immediately, they will try to undermine the foundations of the West by using levers of force that originate in the West itself.’

• You Are My World — Really well done Stone Roses Fan Site.
• Yet another Link from my Favorites: Watching the Detectives — an hypertext guide to Watchmen.
• Subport.Org — for all you g@m3b0y r0m d00dZ.
• Distractions — Mr T Soundboard … ‘Shut up, Fool!’ / Hitlerdance.
• UK Blogs: Who is The Grapevine? / I Love Everything — Excellent redesign. / Barbelith Server Fund — Show Tom the Money!
• Warren Ellis’ Ministry Of Space #1 downloadable in PDF format. ‘MINISTRY OF SPACE is an English science-fictional idyll: a fantasia on the notion of a British space programme that outraced the rest of the world, as found in such as Dan Dare. Now that Britannia rules the waves of space, a utopian green-field England plies ships to the Moon, to Venus, to Victoria Station in low Earth orbit. This is the Ministry that sent a colonisation flotilla to Mars in 1963. The Ministry that destroyed a city and ran an exploration program unseen in human history. A Golden Age – and what it cost.’

‘The stylised television footage and photographs of Bin Laden suggest a man of homoerotic narcissism, and maybe we can draw a grain of hope from that. Posing with a Kalashnikov, attending a wedding or consulting a sacred text, he radiates with every self-adoring gesture an actor’s awareness of the lens. He has height, beauty, grace, intelligence and magnetism, all great attributes unless you’re the world’s hottest fugitive and on the run, in which case they’re liabilities hard to disguise. But greater than all of them, to my jaded eye, is his barely containable male vanity, his appetite for self-drama and his closet passion for the limelight. And just possibly this trait will be his downfall, seducing him into a final dramatic act of self-destruction, produced, directed, scripted and acted to death by Osama Bin Laden himself.’

‘…I had visited the decaying laboratories in once secret cities and interviewed some of the tens of thousands of Soviet scientists who had worked to perfect mankind’s most vicious, efficient killers. I was now familiar with the stench of such places – the haunting mix of bleach, dust, animal waste – the smell of death. The research had terrified me at first. Not even the terrorism I had covered as a correspondent in the Middle East in the 1980s had so unnerved me. But I had remained, through it all, detached from the reality of my often awful subjects. To do our work, journalists had to be. We were trained to be the cool, professional observers that our business requires and readers demand. Yet now I was no longer covering a story. I was the story.’

‘The simplest rule of all the systems I talk about in the book is: learn from your neighbours. An individual ant alters its behaviour based on the behaviour of other ants that it happens to encounter; out of all those semi-random encounters, the higher-level order of the colony emerges. A neuron in your brain decides to fire or not to fire based on the input from other neurons to which it is connected. A given “block” in the game SimCity decides to raise or lower its crime rate or pollution levels based on the crime or pollution in neighbouring blocks. All of these systems follow relatively simple rules, but they project those rules out over thousands (or, in the case of the brain, billions) of interacting agents. Given enough interactions, and given the right rules, something magical happens: the colony starts organising its workforce; the brain starts thinking; the simulated city comes to life on the screen.’

‘Generals and military scholars will tell you that eight or 10 years is actually not such a long time in the span of human history — which is no doubt true — but history also tells us that 10 years of martial law and a war-time economy are going to feel like a Lifetime to people who are in their twenties today. The poor bastards of what will forever be known as Generation Z are doomed to be the first generation of Americans who will grow up with a lower standard of living than their parents enjoyed. That is extremely heavy news, and it will take a while for it to sink in. The 22 babies born in New York City while the World Trade Center burned will never know what they missed. The last half of the 20th century will seem like a wild party for rich kids, compared to what’s coming now. The party’s over, folks’

‘Many More Wild Cards. This is neither an “age of terror” nor an “age of freedom”. This is an age of random calamities. It’s a genuine end of history, in which the passage of time in human affairs no longer has any rules as we previously understood them. There is no great historical narrative at hand, nor is there any grand scheme by which a rational analyst can make useful sense of events. NYC 9.11 is quickly eclipsed by other, biggest factors even more untoward and shocking: perhaps dumber acts of terror by even smaller groups, plus some Greenhouse calamities, an asteroid strike, some brand-new plagues, or even free beer and five cent nano-genetic intelligent cigars. Humankind has lost all control of our destiny and nothing can restore it. Probability: 3%’

‘On television, the towers fall in slow motion. The same crowds of people stand around on the West Side Highway, observing. There’s the same jiggling, chaotic shot taken by some cameraman fleeing the cloud of dust. Watching this, David says: “This is worse than The Blair Witch Project.” Then he asks: “They ever find that intern, Chandra Levy??”‘

‘Together the carriers have recreated, in miniature, a semblance of their old routes. The World Trade Centre buildings were allotted sorting areas ringed with dozens and dozens of beige and grey metal pigeonholes to accept the buildings’ mail.Thornton’s cubicle is marked with a large sign that reads “1 World Trade Centre” in bold black letters. Each of the companies on her old route has its own pigeonhole. She sits in this cramped, dim space for eight hours a day sorting mail. When a pigeonhole fills up, workers come and dump the overflow into large, marked crates. Thornton says she doesn’t want to feel ungrateful. After all, she is alive and getting a pay cheque. But most days she feels lost and disorientated. She misses the din of the building, the rush of the lifts, the friendly chats in the lobbies. “I have no place to go,” she says. “It is like I am homeless.”‘

‘What changes after a hinge is our stories of ourselves. Who we are, how we got that way, where we’re headed, and what makes us tick. The lesson is that any cultural revolution represents a grand new alignment of great forces — technological, economic, environmental and spiritual. These shape the tales we tell to make sense of our new world.’

• BBC Cult asks: Who’s Your Buffy Dream Date? [via Sore Eyes]
• Funny Movie: Cat Kung-Fu [via LukeLog]
• Addictive Game: Atomica [via Fark]

‘HA: In fact we may well hold a vote, but if we do, it will be whipped. PM: That is outrageous. You won’t even give us a free vote on whether we go to war – it is an issue which should be a matter of conscience. HA: War is not a matter of conscience. Abortion and embryo research are matters of conscience, but not wars. PM: Are you seriously saying blowing people up and killing people is not a moral issue? HA: It is government policy that we are at war. You astound me.’

‘The Afghans were very news hungry,” says Andrew Skuse, a social anthropologist who wrote his PhD on the success of the soap. “They really trusted the BBC. After years of abuse of the media under various regimes, the BBC was seen as more trustworthy than the national service. Some thought it was the national service. They hadn’t a clue where it was located. People would often tell me they thought the BBC was a village in Afghanistan”.’

‘Of course, there is little evidence that America’s most wanted Saudi-born millionaire has a grudge against capitalism (if Osama bin Laden’s rather impressive global export network stretching from cash-crop agriculture to oil pipelines is any indication, it seems unlikely). And yet for the movement some people call “anti-globalisation” others call “anti-capitalism” (and I tend to just sloppily call “the movement”), it’s difficult to avoid discussions about symbolism: about all the anti-corporate signs and signifiers – the culture-jammed logos, the guerrilla-warfare stylings, the choices of brand name and political targets – that make up the movement’s dominant metaphors. Many political opponents of anti-corporate activism are using the symbolism of the World Trade Centre and Pentagon attacks to argue that young activists, playing at guerrilla war, have now been caught out by a real war.’

‘My initial plan would be to release two books a month. One of them would be original, and one would be reprint. There are major works that have, for whatever reason, been lost to the modern reader. AMERICAN FLAGG issues 1-12, Howard Chaykin. THE NEW ADVENTURES OF HITLER, Grant Morrison & Steve Yeowell with Nick Abadzis. NIGHT MUSIC, the short stories of P Craig Russell. Disappeared. I’d even attempt to license some away: DC Vertigo has let Milligan and Fegredo’s wonderful FACE vanish, and Milligan and Ormston’s darkly funny THE EATERS too. If they don’t want to publish them, I’ll publish them. Alan Moore has probably published enough creator-owned short work in enough venues to merit a collection. In fact, you know what I’d do? I’d assemble what was completed of BIG NUMBERS. I’d go to Alan’s for a couple of days and interview him fairly exhaustively about the project. I’d spend a week talking to a few other people by email. Give me another three weeks to collate and arrange it all, and I’ve got BIG NUMBERS: The Lost Graphic Novel, a book about the thwarted realist breakthrough work of the 80s.’

‘…they solve problems by drawing on masses of relatively stupid elements, rather than a single, intelligent “executive branch.” They are bottom-up systems, not top-down. They get their smarts from below. In a more technical language, they are complex adaptive systems that display emergent behavior. In these systems, agents residing on one scale start producing behavior that lies one scale above them: ants create colonies; urbanites create neighborhoods; simple pattern-recognition software learns how to recommend new books. The movement from low-level rules to higher-level sophistication is what we call emergence.’